James Edward Buttersworth

SAPPHO, DAUNTLESS and GRACIE Racing at Cape May 1871

Circa 1871

Frederick Waugh was a prolific seascape artist who generated 2,500 paintings of the sea and shore. Although it was never published, he penned a ten chapter book on marine painting. S...

The strength of a great ship portrait lies with its overall striking composition blended with an attention to detail. Charles Sidney Raleigh was extremely skilled with both elements, and this is one of his finest works. An American full-rigged ship of large proportions, LUCY G. DOW is one of many ships owned by Maine interests, where the ship would be locally built and consortium owned. More Maine captains owned part of their ships than any other East Coast region, it appears through an informal survey of lists. Note the fine details of the captain and crew hard at work onboard off the coast. The numerous buildings are clustered on the peninsular stretch with a pier coming out near the lighthouse’s walkway. At the distance, ship masts...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...

Sought by collectors worldwide, art and artifacts showing an early western presence in the Orient boomed with the opening of the China Trade by way of the sailing ship. The surviving paintings which capture the important Chinese harbors...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

An interesting homage to the issue of rank amongst the crews and officers of all vessels, a captain is carried to his ready command by one of his subordinates through the ocean surf ...

Oil painting by Willard Dixon featuring a figure enjoying the view of Angel Island from San Francisco. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. Angel Island, painted in 2023. the canvas is 30 X 30 inches. Oil on canvas, and traditionally framed in contemporary, minimal hardwood floater frame.Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank...

Oil painting by Willard Dixon featuring a figure enjoying the view of Angel Island from San Francisco's Crissy Field. Willard Dixon, who is one of the finest American contemporary re...

Oil painting by Willard Dixon featuring figures enjoying an evening at a beach. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coas...

Willard Dixon, 'San Francisco, Dusk' was painted in 2023. The original painting is 25 X 37 inches. Framed in a contemporary minimal hardwood, 25.5 x 37.5 inches. Ready to hang and en...

Willard Dixon, 'Marin Islands' was painted in 2023. The original painting is 19 X 52 inches. Framed in a contemporary minimal hardwood, 19.5 x 52.5 inches. Ready to hang and enjoy ov...

oil on canvas, framed This landscape was based on glass plate negatives taken by the artist's great-grandfather in the 1880s in Yellowstone National Park. Artist made raw wood frame American countryside, American West, manifest destiny, Rocky Mountains, painting of the American West, painting of the Western countryside, the great outdoors, landscape painting About the artist: A visit to Mark Beard’s studio is like discovering Michelangelo’s lair: oil paintings layer the walls, lifedrawings litter the table at the feet of heroic bronzes; ceramics, architectural maquettes are everywhere; virtuosity, in every medium. And then it gets even more interesting. Mark’s talent is so overflowing that, years ago, he needed to channel himself into alter egos. Mark invented the persona of “Bruce Sargeant,” an imagined English artist, contemporary of E. M. Forster, Rupert Brooke, and John Sloan. Mark also created Bruce Sargeant’s teacher, Hippolyte-Alexandre Michallon, a 19th-century French Academist. Michallon also taught Edith Thayer Cromwell...