18th Century Italian School

A Pair of 18th century Venetian Canal Scenes in the Style of Francesco Guardi

Circa 1800

Rene Charles Edmond His (1877 – 1960) French 'A Church on a Hill' A View of Villefranche, South of France Oils on canvas: 13x16 in. (Frame: 20x2...

Yakov Besperstov (1929-1989) A Venetian Canal Scene Oil on canvas: 13 x 18in. Frame: 18 x 23 in. Circa 1970’s Yakov Tarasovich Besperstov was a Soviet painter who lived and did much ...

North Cape, Norway Oil on canvas :26 x 39 in. Frame:35 x 48 in. Signed & dated München 1886. Michael Haubtmann wa...

José Weiss (1859-1919) British Fishing on the River Arun Oil on canvas.15x20 in. (frame:20x25 in.) Signed Jose Weiss (Joseph Vincent Nicholas Francis We...

Emily Beatrice Bland (1864-1951) British Road to Biot, Provence Oil on board. 8 x 10 in. Frame.12 x 14 in. Signed and titled on label on reverse...

Vernon Southward (1911-81) British Winter in Sussex `78 Exhibited: Paris Salon1980. No.2959, illustrated. Oil on Canvas: 16 x 20 in. frame. 23 x 27. Signed& dated ’78. Original Ga...

A very fine painting by the renowned seascape painter Arthur Joseph Meadows,Off Calais; fishing fleet returning at low tide. Housed in an antique style gilt frame the size overall is...

Work on paper mounted on cardboard

Benjamin Killingbeck (act. 1769-1783) A dark bay racehorse held by his trainer on a racecourse Oil on canvas Canvas Size - 40 x 50 in Framed Size ...

Balthasar Van Den Bossche (Antwerp, 1681 - 1715) Alexander the Great and Campaspe in the studio of the painter Apelles The canvas was exhibited in Perugia (Museo di Palazzo della Pe...

Lucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...

Joseph van Bredael 1688-1739 Flemish The Adoration of the Magi Oil on copper Painted on copper and exhibiting an exquisite luminosity, this exceptional painting...