Charles March Gere, RA, RWS

A Cotswold Stonebreaker - Charles March Gere - Early 20th Century British Oil

1938

ARTHUR BOYD HOUGHTON (1836-1875) Sunday Afternoon Signed l.l.: Houghton Oil on canvas Framed 20.5 by 25.5 cm., 8 by 10 in. (frame size 30.5 by 34.5 cm., 12 by 13 ½ in.) Provenance: William Drummond; Private collection. Probably painted in 1864, the present work evokes the peaceful contentment of everyday family life, with its small scale further reinforcing the intimacy of the scene. It is one of a series of small intimate family scenes produced during this happy period of his life. A male figure, possibly the artist’s himself, slumbers in a chair, a handkerchief draped over his face whilst Susan, the artist’s young wife reads by the window. Their child, either Arthur or Georgina, plays on the floor with a discarded newspaper. The room is at 4 Adelaide Villas, St Mary’s Grove, Richmond, the house Arthur and Susan moved to shortly after their marriage in 1861. The chaise and window, with its pots of geraniums, also feature in the 1864 painting Coach and Horses (private collection) which depicts Susan, with her hair down, playing with Arthur and Georgina. A pot of daffodils placed beside the same geraniums in the present work suggest it may have been painted in the spring of that year. Such domestic bliss would shortly come to a tragic end when Susan died of pyaemia following the birth of their third child in June 1864. Houghton was born in India, the son of a captain in the East India Company’s marine service. Both is father and older brother were accomplished military draughtsmen and he probably received early training from them. His family returned to England in the early 1850s and he began studies at Leigh’s and the Langham...

OLIVER MESSEL (1904-1978) Dancer Signed l.r.: Oliver Messel Oil and watercolour on paper Framed 60 by 50 in., 23 ½ by 19 ¾ cm. (Frame size 76.5 by 66.5 in., 30 by 26 ¼ cm.) Bor...

BRITISH SCHOOL (circa 1890) The Farmer Oil over a photographic base, on card and mounted onto original canvas Framed in original frame and behind glas...

JOHN COLE (1903-1975) A Shop Front in Moor Street, Cambridge Circus Signed l.r.; signed, inscribed with title and the artist’s address on a label on the reverse, oil on panel 30 b...

ALBERT GOODWIN, RWS (1845-1932) Naples Signed with monogram l.r. and inscribed with title l.l. Oil on board Framed 19 by 26 cm., 7 ½ by 10 ¼ in. (frame size 40 by 48 cm., 15 ¾ by 19 in.) Provenance: Tom Coates, NEAC, RWS and Mary Jackson...

WALTER JAMES, 3rd BARON NORTHBOURNE (1869-1932) Landscape Oil on panel Framed 20 by 31 cm., 8 by 12 ¼ cm. (frame size 32 by 42 cm., 12 ½ by 16 ½ in.) ...

Christopher Clark's "New York City, Jazz" is an original, hand made oil painting that depicts a night scene of a bustling cityscape.

This painting is part of a series of paintings Girardet made of washerwomen by the river. Upon their presentation they had a considerable success, which endures till now. In 2008 another painting of this series was sold at Christie's . Karl Girardet was born in 1813 in Le Locle, which at the time was part of France but is now part of Switzerland. Girardet lived and worked most of his life in Paris. After beginning his career as a painter of landscapes, he became a well-known history painter. As a confidant of the French king Louis Philippe I...

Old bath-house. Oil on canvas, 51, 5 x 64, 7 cm

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...

LUIS GRANER Y ARRUFI Spanish, 1863 - 1929 MOONLIT RIVER SCENE signed and dated "L. Graner, 1925" (lower right) Oil on canvas 20-1/8 X 30 inches (51X 76 cm.) framed: 25-3/4 X 35-3/4 inches (65 X 90.5 cm.) PROVENANCE NEAL AUCTION COMPANY, New Orleans, LA, USA Private Collection, Barcelona Graner paints this work, Moonlit on the river, during his stay in the United States in the last stage of his artistic life, from 1910 to 1928, in full stage of maturity. This artwork reflects the constant search of the artist for the effects of light in his work. This persistent concern for light remains throughout his artistic life, which he learned in his Parisian stage under the influence of the painter Frances Platour. The silver light of the moon and the small lights at distance, which are tiny foci of artificial light, reflecting the river water, forming a chromatic range of greens, ocher and pearly that give a certain mystery to the composition, creating a modern approach to the landscape, by placing the two large trees at the edge of the river in the foreground Luís Graner y Arrufí, Spanish (1863–1929) was a Catalan painter in the Realistic style. He was born in Barcelona, and studied at the Escola de la Llotja from 1883, with Antoni Caba (color/composition) and Benet Mercadé (drawing). During his final year at school, he received a grant to study in Madrid, where he copied and learned from the Old Masters at the Museo del Prado. After that, supported by a fellowship, he moved to Paris and became a member of the Academie des Beaux-Arts. Later, he returned to Barcelona, but continued to travel to cities throughout Europe, including Berlin, Munich and Düsseldorf. Influenced by Richard Wagner's concept of "Gesamtkunstwerk" (Total Work of Art), he was motivated to create his own total art experience and organized the "Sala Mercè" (Mercy Hall) in Barcelona's Rambla District. The project involved contributors from every artistic discipline, including the new field of cinematography. The room was decorated by Antoni Gaudí. Other participants included Adrià Gual, Santiago Rusiñol, Ramon Casas...

Dianne L. Massey Dunbar's (US based) "Cityscape in Green" is an oil painting that depicts a busy city street lined with cars and buildings, all cast in a cool greenish blue light. ...