David Johnson

"Byram Lake, New York" David Johnson, Hudson River School Landscape, Westchester

James Britton Gantt (1911 - 1984) Child in an American Landscape, 1940 Egg tempera on board 17 1/2 x 14 inches Signed and dated lower right Provenance: Private Collection, San Francisco Regarding this painting, the artist's daughter said, "The subject matter of your painting reflects my father's propensity for presenting minority figures with dignity, as well as an admiration for the contributions of hard-working people. The painting's background packs in details reminiscent of the technique he used working on mural projects." Painter, printmaker, muralist. Born in Lawrence, Douglas County, Kansas (some sources wrongly indicate Kansas City), the son of Euphemia Lane Fox Blackburn (1883 – 1929) and Charles Whittle Gantt (1881 – 1952). He was the grandson and namesake of Judge James Britton Grant (1845 – 1912), a former Chief justice of the Supreme Court of Missouri. His father, Charles, though trained as a lawyer, suffered from alcoholism and instead worked for the railroad. James Gantt...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

Lawton Parker Sunlit Landscape, circa 1910 Oil on board 10 x 12 inches Provenance: Adamson-Duvannes Galleries, Los Angeles Goldfield Galleries, Los Ange...

Orrin White California Mountain Landscape Signed lower right Oil on board 8 x 10 inches A nationally known landscape painter, who spent the prime of his career in California, Orrin White was born in Hanover, Illinois. He was artistically inclined at an early age but did not pursue an art career until he was in his thirties. After receiving a Bachelor of Arts degree from Notre Dame University...

George Sotter Bucks County Landscape, 1908 Signed Lower Right: Sotter 08; signed on the reverse: G. W. Sotter Oil on artist board 12 x 9 inches Born in Pittsburgh in 1879 to Nicholas and Katherine Sotter, George William Sotter painted the rivers and mills of that city in his early youth. He apprenticed with several stained-glass studios there prior to becoming a partner in the studio of Horace Rudy in Pittsburgh around 1901. He took leave from the studio and came to Bucks County in 1902, to study at the Pennsylvania Academy of the Fine Arts as well as with Edward W. Redfield, the premier painter of the New Hope School. In 1903, he participated in the annual exhibition at the Pennsylvania Academy of the Fine Arts. He continued his studies at the Academy from 1905 – 1907 under William Merritt Chase and Thomas Anshutz. George William Sotter lived in Holicong, Pennsylvania, near New Hope, in a converted 19th Century stone barn. There, in his studio, he painted landscape scenes of Bucks County, which link Sotter to the New Hope School of American Impressionism...

Nathan Hoffman Ocean Parkway Beach, October 2, 1941 Signed, titled, dated on the reverse Oil on artists board 9 3/4 x 14 inches Born in Russia, the son...

Looking Up Through Bright Green Leaves to Feel Joy by Emily Finch [2021] original Oil on wood panel Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x...

Hawthorn in Bloom By Lynda Minter [2021] Original Oil paint on board Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:3cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Decpiticing a Hawthron tree in bloom in a field. Lynda Minter is a London-based artist who has an interest in capturing impressions of how the landscape and cityscapes appear in a fleeting moment, bringing to life the complexity of how light and colour transforms shapes and mood which she finds exciting. Lynda’s colourful palette combining thick brushstrokes with rich colour to capture the vivacity of Britain’s varied landscape: recording over her long career the ever-changing skyline of London parks and the river Thames. St Martin’s School of Art BA hons in Fine Arts 1984 where she studied sculpture and a few years later made the transition into oils at the Slade Summer School. In 2013 Lynda was artist in residence at the River and Rowing Museum, Artist in Focus at The Dover Street Arts Club 2006 and has contributed to many solo and mixed exhibitions including the Royal Academy Summer Exhibition , The Discerning Eye, The Mall Galleries, The Chelsea Arts Society, The Painter’s Fine Art Society, Christie’s Wine Art...

small oil landscape on cardboard “Village 3”, drawn by Natalya Shiporina, signed to the verso. The painting is part of a series of three paintings...

Includes a Certificate of Authenticity

The very changeable weather in England for the open air is the concentration artist on the motive in a short period of time. Wet grass after rain is completely different in color and...

Artist: Shapoval Ivan Leontyevich Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2008 Title: Mikhailovka Village Si...