A. Lorenz

“Paris, France”

Circa 1940

Original oil on heavy cardboard (old chocolate candy box cover) of a hill view landscape by Whitney Myron Hubbard. Signed lower left. Signed and titled verso. Circa 1930. Conditi...

Miniature oil on board original painting of a view of Place du Tertre in Montmartre, Paris. France. Circa 1975. Signed illegibly lower right. Condit...

Small well executed oil on card stock mounted to board miniature painting of two treesq on a hillside. Signed lower right “Goodwin 05”. Condition is very good. Artist unknown. The a...

Wonderful double sided oil on heavy fiber board paintings done by the well known North Fork Peconic Bay artist Caroline Bell. The coastal sailing painting is signed lower left. The haystack painting verso is signed in pencil lower right. The sailing painting is in good condition; the haystack painting is in good condition. Both done circa 1930. In a period but not original gold leaf over wood frame. Framed measurements are 19 by 23.75 inches. Provenance: A Long Island, New York estate. (1874-1970) Caroline Bell was the leader of a group of artists known as the Peconic Bay Impressionists...

Oil on wooden panel painting of the iconic Flatiron building in New York City by the British artist Claude Cahill Cooper. Signed lower right. Condition is excellent. Circa 1975. The painting is housed in its original ornate gold leaf frame. Overall framed measurements are 23.25 by 19.25 inches. Claude Cahill Cooper (b. 1941) An Impressionist painter, he uses the pointillist method in many of his paintings. . Claude Cahill Cooper was born in London, England to parents who were both doctors. Recognizing his talents in drawing at an early age, his parents enrolled him at the Coventry Art School while he was still attending primary school. In later years he attended the London Art Institute and had his first show a few years later. His works are exhibited in London, Paris, and New York and his typical signature is C.C. Cooper. Flatiron Building, originally Fuller Building, steel-framed skyscraper in New York City that was completed in 1902. It is one of the city’s oldest surviving skyscrapers. The Flatiron Building on Fifth Avenue is significant not only in its unusual appearance but also as one of the key buildings in the Beaux-Arts Classicist movement. Its architect, New York–born Daniel Burnham, is better known for his work and plans in Chicago than in his city of birth. In 1873 he formed a partnership with John Wellborn Root that was significant in creating a group of architects and engineers called the Chicago School. The commercial office tower scheme, named initially after the building’s promoter George Fuller...

Very well executed oil painting of the Bay of Naples showing fishermen netting their catch with a smoldering Mount Vesuvius in the background. Signed R. ...

Vibrant and playful landscape by California artist Richard "Don" Klopfer (1920-2009). Signed and dated "R. Klopfer 3.86" on verso. No frame. Board size: 13"H x 19"W Richard "Don" Klopfer (1920-2009) attended the National Art School in Washington D.C. and the California College of Arts and Crafts in Oakland, California. Klopfer was a life-long, passionate visual artist who worked in a variety of mediums, including oil paints, wood and bronze. His gallery "The Flair" was on Pico Blvd West Los Angeles from 1954 to 1980 was a gathering place for artists, friends and collectors. He was recognized for the use of brilliant color in his paintings and for leaving drawings everywhere he went. Klopfer's painting "My Old House" is on permanent exhibition at San Luis Obispo Museum of Art (SLOMA). He has also exhibited at The Los Angeles County Art Museum, Esther Robles Gallery, Third Street Gallery, Westwood Art Association, Barnsdale Park, and Robert Pyle Gallery. Selected Exhibitions: 1990 - Wild Horse Gallery - San Luis Obispo, CA 1991 - “South County Journey” - El Camino Arti Association Gallery - Pismo Beach...

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...

This beautiful oil-on-board painting was created by Pierre-Edmond Peradon (1893 - 1981). This is a large-size oil painting by the well-listed French Post-Impressionist painter, Pierr...

A luminous composition depicting the Russian countryside in summertime. A rustic wood cabin sits on a riverbank in the foreground surrounded by colorful wildflowers. The midground ...

By Julian Petrie 15" x 12" Oil on Board

Mystery Artist Untitled (Townscape), 20th century Oil on board 19 x 26 3/8 in. Framed: 24 x 31 x 1 1/4 in. Signed lower right