Lynn Curtis

'Spring', Large Modernist Oil, Dartmouth, Slade School, McDowell Colony Fellow

Oil landscape showing a view of several age-worn buildings near waters edge, with two sailboats making their way past, and gold and lavender hued hills in the background. Signed low...

Signed lower right, 'Thomas Nash' and painted circa 1900; additionally, signed and titled verso 'Hermosa Beach, Drawing in the Fish Net'. A turn of the ...

Signed verso, 'Keith Longcor', dated 1989 and titled, 'Diamond Auto Electric'. A kinetic, post-industrial landscape showing a view of various automobiles parked on a garage forecour...

Signed lower left, "Kathleen Gee" and painted circa 1970. A delicate Modernist oil landscape showing a view of verdant coastal foliage with the setting sun reflected in a calm Pacif...

Signed lower left, 'K. Loncor' and dated 1999; retains original artist card, verso. A view of a California auto shop with a Jeep International Harvester...

A muted, mid-century oil on canvas view of a street scene in Brussels with vintage cars parked and a group of people conversing beside billboards with a view of a church in the distance. Signed lower left, 'P. van Mol...

Bluebell Woods Large is a limited edition canvas print by artist Michael Sanders. These stunning prints are created using fine art archival quality inks and canvas with three layers ...

Artist: Jacques Pergel, French Title: House on the Water Year: 1968 Medium: Oil on Canvas, signed and dated lower right Size: 24 x 36 in. (60.96 x 91.44...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

A dreamlike landscape by Winifred Lucy Shaffer (American, 20th Century). Signed lower right; signed and titled on verso. Displayed in wood and giltwood frame. Image, 22"H x 24"L. W...

Antique American modernist sunset cityscape painting. Oil on canvas, circa 1959. Signed. Image size 20L x 24H. Housed in a period modern frame.

Joseph Stella (1877 - 1946) Tree, Trunk, and Roots, Bronx, New York, circa 1924 Oil on canvas 12 x 16 inches inscribed in another hand Joseph Stella/Estate and bears Joseph Stella Estate stamp (on the reverse) Provenance: The Estate of the Artist Rabin & Kreuger, New Jersey Parke Bernet Galleries, New York, March 14, 1968, Lot 147 ACA Galleries, New York Thence by descent Stella was born June 13, 1877 at Muro Lucano, Italy, a mountain village not far from Naples. He became painter laureate of Muro Lucano when he was in his teens with a representation of the local saint in the village church. Stella immigrated to America in 1896 and studied medicine and pharmacology, but upon the advice of artist friend Carlo de Fornaro, who recognized his undeveloped talent, he enrolled at the Art Students League in 1897. Stella objected to the rule forbidding the painting of flowers, an indication of his lifelong devotion to flower painting. He also studied under William Merritt Chase in the New York School of Art and at Shinnecock Hills, Long Island in 1901-1902, displaying the bravura brushwork and dark Impressionist influence of Chase. Stella liked to paint the raw street life of immigrant society, rendering this element more emotionally than the city realists, the Aschcan School headed by Robert Henri. Stella went through a progression of styles--from realism to abstraction--mixing media and painting simultaneously in different manners, reviving styles and subjects years later. The "Survey" sent Stella to illustrate the mining disaster of 1907 in Monongah, West Virginia, and in 1908 commissioned him to execute drawings of the Pittsburgh industrial scene. Steel and electricity became a major experience in shaping his responses to the modern world, and Stella succeeded in portraying the pathos of the steelworkers and the Pittsburgh landscape. Stella went abroad in 1909 at the age of thirty-two, lonely for his native land. He returned to Italy, traveling to Venice, Florence and Rome. He took up the glazing technique of the old Venetian masters to get warmth, transparency, and depth of color. One of Stella's paintings was shown in the International Exhibition in Rome in 1910 and was acquired by the city of Rome. The influence of the French Modernists awakened his dormant individuality. His friendship with Antonio Mancini, a Futurist, also played a role in his new style. At the urging of Walter Pach...