Renee Theobald

Passage

ca. 1965

Enrique Climent (1897-1980). Casas de Ibiza, c.1960. Oil and sand on canvas, 35 x 46 inches; 44.5 x 55.5 inches (frame). Signed lower left. Excellent condition with no damage or conservation. Instituo National de Bellas Artes lebel affixed en verso. Biography: Enrique Climent ( Valencia , Spain, 1897- Mexico City , 1980) was a Spanish painter and graphic designer, present in the Spanish Pavilion of the International Exhibition of Paris in 1937 , two of whose works are conserved in the National Museum Art Center Reina Sofía , as part of the collection of the Spanish Museum of Contemporary Art (MEAC). Exiled in Mexico , country in which he died at 83 years of age. He has been associated with the driving group in Spain of the "New Art". Born in a bourgeois family of the Valencian capital, despite paternal opposition, Climent studied at the School of Fine Arts of San Carlos , and with a scholarship received in 1919, traveled to Madrid to complete them in San Fernando . In the capital of Spain he participated in the gathering of Ramón Gómez de la Serna , for whom he illustrated some greguerías , and in the avant-garde activities of the then-called first Escuela de Vallecas , Associated with the Society of Iberian Artists . He also collaborated as an illustrator of Blanco y Negro magazine, 3 and illustrated books by Elena Fortún , Azorín , Juan Manuel Díaz Caneja and Manuel Abril . 3 Before, in 1924 he had been in Paris for two years, where he came to design some stage sets for opera shows. 6 He participated in three of the exhibitions of "Los Ibéricos" (San Sebastián in 1931, Copenhagen in 1932 and Berlin in 1933), as well as in the International Exhibitions of Contemporary Spanish Art in Paris and Venice in 1936. He was one of the Spanish exiles who in 1939 landed in Veracruz , after the crossing of the Sinaia , along with other intellectuals and artists (such as José Moreno Villa , Arturo Souto...

Beautiful abstract expressionist landscape by American artist, Morris Shulman (1912-1978). Untitled Landscape, 1958. Oil on masonite panel measures 24 x 36 inches. Signed and dated l...

Byron Browne (1907-1961). Provincetown Beach, 1957. Oil on canvas, 24 x 30 inches, 30 x 36 inches in vintage solid chestnut frame. Signed lower righ...

Andre Elbaz (b.1934). Landscape, ca. 1980 . Oil on card panel, image measures 14 x 20 inches; 18.5 x 24.5 inches framed. Signed lower right. Excellent condition. André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker. Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition. His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum. In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967" .[citation needed] Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...

James Earl Ray (1928-1998). Landscape with Orange Sky. ca. 1975. Oil on masonite panel measures 6.5 x 8.5 inches, 10.5 x 12.5 inches framed. Signed lowe...

Sol Wilson (1896-1974) End of Pier, Provincetown MA. ca. 1950s, panel measuring 9 x 12 inches; 16 x 19 inched framed. Signed lower right. Solomon ...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Original Period Newcomb Macklin Frame George William Sotter (1879 - 1953) Born in Pittsburgh on September 25, 1879, Sotter began his art education with local teachers and with Henry G. Keller, who had studied in various German academies. Keller, known for his superb, atmospheric watercolors, taught at the Cleveland School of Art but Sotter studied with him in Pittsburgh. Later Sotter would exhibit between 1903 and 1937 at the Pennsylvania Academy of the Fine Arts. His works were also shown at the Corcoran Gallery (1912-23), the Carnegie International (1901-26), the National Academy of Design (1913 and 1921), and at the Art Institute of Chicago (1911-27). In 1915, Sotter exhibited four works at the Panama-Pacific International Exposition in San Francisco, where he won a silver medal. Sotter was known mainly as a stained-glass artist; his work may be seen from New York City to Salt Lake City. Around a dozen craftsmen worked under him for these commissions. Sotter spent the summer of 1902 with Pennsylvania impressionist Edward Redfield in Boothbay Harbor, Maine. Between 1910 and 1919, Sotter taught at the Carnegie Institute of Technology. His paintings often feature large areas of sky filled with clouds and he frequently painted winter night scenes, such as Moonlight, Bucks County (Beacon Hill Fine Art), a perfectly successful depiction of a quiet, moonlit landscape filled with twinkling stars. Star-studded skies, although rare in landscape painting, go back at least to 1600 when they appear in the oeuvre of Adam Elsheimer...

We once viewed “nature” as the broad, creative and controlling force in the universe. Tania Dibbs studied both biology and art, and is interested in our changing relationship to to ...

Original oil Painting on canvas 60X50 cm, called Summer Ocean, is created to bring the feeling of the summer sea, fresh air and transparent clear water. Excellent condition.

Divide by artist Doug Freed is a deep blue contemporary abstract landscape oil on canvas painting that measures 72 x 96 and is priced at $18,000. Doug Freed attempts to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. In his luminescent multi-paneled oil paintings Freed tries to find the gray area between traditional landscape painting and its abstraction into color fields. Artist Statement For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those references by painting oil landscape vistas of horizons, clouds and bodies of water. These paintings consist of two or more vertical panels. Usually one panel is landscape imagery. The adjacent panels are often atmospheric voids with vestiges of recognizable landscapes. I try to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. My intent is to create paintings imbued with a meditative, spiritual presence suggesting issues about time and ecology. I do this by softly modulating color, tone and value. The color varies from quiet, monochromatic works to fully orchestrated chromatic ones. By blending from one hue to another I create color which makes its self gradually felt, weeping forth. In this manner, I create illusions of mysterious emanations of light, places where ones eyes and spirit are invited to linger. I try to imbue my work with a monumental presence, epic in both size and scope. I do this by orchestrating the separate elements of color, texture and structure into a harmonious whole. I seek a somewhat reductive image rich in value and contrast. The surface of the work is devoid of textural incidence. I don’t want anything to distract from the illusion of depth so I deny any marks which would hold the viewer on the surface of the painting. In my luminescent multi- paneled oil paintings I try to find the grey area between traditional landscape painting and its abstraction into color fields. The compositions are about ambiguities of form and void, foreground and background and surface and deep space. My roots lie in tonalism, color field painting and minimalism. However, my work contains an ever-present awareness of the dramatic use of light of the post-renaissance chiaroscurists. It combines a classical awareness of structure with a romantic use of color always in combination with a unique sense of ambiguity. My work continues in its evolution of style the search for an abstract means of probing the ambiguities of physical and spiritual experience of light, and its power to foster a more intense life of the spirit through profound emotional experience of form, color and composition. SELECTED PUBLIC COLLECTIONS K.U. Medical Center, Wichita, KS Museum of Art & Archeology University of Missouri, Columbia, Missouri Hoecht Marion Roussel (Commission), Kansas City, Missouri FBL Financial Group, Des Moines, IA Kemper Museum of Contemporary Art, Kansas City, Missouri Wichita Center for the Arts, Wichita, Kansas Daum Museum of Contemporary Art, Sedalia, Missouri The Newark Museum, Newark, New Jersey St. Louis Art Museum, St. Louis, Missouri Springfield Art Museum, Springfield, Missouri Mildred Lane Kemper Art Museum, Steinberg Collection, Washington University, St. Louis, Missouri Arkansas Art Center, Little Rock, Arkansas College of Architecture and Design, Kansas State University, Manhattan, Kansas Fort Hays, Kansas State University, Hays, Kansas Memorial Union Collection, University of Missouri, Columbia, Missouri Norman R. Eppink Art Gallery, Emporia State University,, Emporia, Kansas Hutchinson Community College, Hutchinson, Kansas Johnson County Community College, Overland Park, Kansas Lincoln College, Lincoln, Illinois State Fair Community College, Sedalia, Missouri Hallmark Cards Inc., Kansas City, Missouri Sprint Corporation, Kansas City, Missouri MacGraw Hill Publishing Co., New York City, New York Pioneer Hybrid, Des Moines, Iowa Pella Corporation, Pella, Iowa Fort Smith Public Library (Commission), Fort Smith, Arkansas Deloitte & Touche (Commission), St. Louis, Missouri Publishing Enterprises, Inc. (Commission), Sedalia, Missouri Parks & Recreation Department, Columbia, Missouri United Telephone Systems, Inc., Kansas City, Missouri American Family Doctors, National Headquarters, Kansas City, Missouri DST Corporation, Kansas City, Missouri Crown Center, Hallmark Art Collection, Kansas City, Missouri Hewlett Packard Corporation, St. Louis, Missouri Emerson Electric (Commission), St. Louis, Missouri Mark Twain Bank, Creve Coeur, Missouri Boone County Bank, Columbia, Missouri Landmark Bank, Madill, Oklahoma Septagon Industries (Commission), Sedalia, Missouri KEO Building Corporation (Commission), Sedalia, Missouri D & W Leasing, Sedalia, Missouri 1st National Bank, Rockford, Illinois Mark Twain Bank Shares, Ladue, Missouri Bank of Olathe, Olathe, Kansas Blue Cross/Blue Shield of Missouri, St. Louis, Missouri Cessna Aircraft...

"Magnolias (diptych)" is a large scale nature-inspired abstract painting featuring hues of cool grey. Carlyle Wolfe’s paintings & works on paper are about an awareness of the natura...

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) -...