Margot Glass

Large Dandelion Seven, Gold Flowers, Leaves, Metallic Botanical Painting Black

2023

A futuristic animal hybrid is the focus of this fantastical landscape in acrylic ink on Arches watercolor paper by Peter Hamlin. The meticulously detailed owl-like creature in shades...

Geometric shapes in light sage green, pale pink, dark yellow, cobalt blue, ivory and a black and white floral pattern are vibrant against a mottled midnight blue background. The angl...

Geometric shapes in shades of blue from cobalt to pale periwinkle, and delicate angular lines in black and dark gray are dynamic against a soft background fading from dark navy at th...

Geometric shapes in shades of blue, black, red and yellow are colorful and vibrant against a sky blue background. The angles and soft gradation of color in the layered shapes suggest...

Geometric shapes in brown, dark blue, olive green, orange and teal are dynamic against a solid white background. Rebekah Andrade’s practice explores the intricate language of abstr...

Geometric shapes in shades of cobalt blue, black, red, yellow and a black and white botanical pattern are vibrant against a sky blue background. The angles and soft gradation of colo...

Artwork size: 67 x 51 cm. Frame size: 112 x 97 cm. Free shipment worldwide. Archive number SF 89-153 in the Sam Francis Foundation. Stamped with the Sam Francis Estate logo and stamped signature on verso. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

This captivating artwork is a weaving that beautifully captures the essence of flight, embodying the graceful movement of a bird in motion. Through a skilful interplay of vibrant hue...

Acrylic paint on paper Hand-signed on the left « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance the jig while thundering. A charivari of African masks, children's drawings and neon colors invades the meticulously meshed backdrops with volcanic overflows. It seems that within a kindergarten class, merry feathered wizards have joined together to cover the canvas or the paper with totemic figures strewn with the most inventively unexpected graffiti, in a creative frenzy so bubbling that the anarchy that threat recovers as in spite of itself a semblance of balance. The graphic design performs an enveloping and virtuoso dance that passes from the most wisely academic exercise to the most exuberant and Dionysian lyrical expressionism. It's flamboyant, paroxysmal and wonderfully joyful. Should we detect here any influence of the spirit of "outsider art", today widespread worldwide? Perhaps, but then it is undeniable that the personal temperament of Mohammad ARIYAEI...

Acrylic paint and ink on paper Hand-signed and dated on the left

The artwork is framed and floated to the backboard. The dimensions of 44 x 50 cm are that of the artwork only, excluding the size of the frame.

The artwork is framed and floated to the backboard. The dimensions of 44 x 50 cm are that of the artwork only, excluding the size of the frame.