Raul AnguianoMid Century Nude Figure Study of a Black Woman1968
1968
About the Item
- Creator:Raul Anguiano (1915 - 2006, Mexican)
- Creation Year:1968
- Dimensions:Height: 35 in (88.9 cm)Width: 43.75 in (111.13 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Soquel, CA
- Reference Number:
Raul Anguiano
Raúl Anguiano was born in Guadalajara, Jalisco, in 1915. He started drawing Cubist pictures at the age of 5, taking as his first model movie stars, like Mary Pickford, Pola Negri and Charlie Chaplin. Anguiano’s first artistic influence or aesthetic emotion came from the Holy Family by Rafael Sanzio. At the age of 12, Anguiano attended Guadalajara's Free School of Painting under the tuition of Ixca Farias. From 1928–33, he studied with the master painter José Vizcarra, the disciple of Santiago Rebull and José Salomé Piña, and organized the group "Young Painters of Jalisco" with other artists. During this period, Anguiano worked with different kinds of models, workmen, employees and a few intellectuals like Pita Amor. In 1934, Anguiano moved to Mexico City. He began teaching in primary schools and taught drawing and painting at La Esmeralda Academy and the UNAM School of Art.
Anguiano was a member of the Mexican Artistic Renaissance movement, which started in the 1920s by the Mexican School of Art to which he belonged. This renaissance began with the San Carlos Academy movement, among whose leaders were Ignacio Asúnsolo and Jose Clemente Orozco. It emerged out of the students' and teachers’ discontent with the traditional painting methods (academicism), and the close contact that the young artists had with the problems of Mexico and its people, which explains the marked critical realism to the painters of the time, including Anguiano himself. The same year, Anguiano received a commission to paint his first mural, Socialist Education, a 230-foot fresco located at A. Carrillo School in Mexico City. Other works followed, including Mayan rituals (oils on canvas and wood), for the Mayan Hall in the National Museum of Anthropology and Trilogy of Nationality (acrylic on canvas and wood), for the Attorney General's Office. In 1936, he moved into his Surrealist period, which lasted almost a decade. He painted circus performers and sex workers. The most notable among his works of the time are “The Madame” (gouache, 1936), “The Clown's Daughter” (oil, 1940), the “Pink Circus Artist” and the “Grey Circus Artist” (oil, 1941). Also, during this period, Anguiano produced a series of drawings based on his dreams, with cold tones and silver-greys predominating.
In 1937, Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of the Popular Graphics Workshop, where artists practiced a graphic style based on Mexico's folk traditions. This was due to the powerful influence of José Guadalupe Posada and Goya. Raúl Anguiano belonged to the so-called "Third Generation" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena, José Chávez Morado, Alfredo Zalce, Jesús Guerrero Galván and Julio Castellanos, all known for being unorthodox, associated in politics and art, while at the same time, holding to certain traditional canons. Anguiano's work is viewed as an expression of its time because of its undeniably Mexican flavor, and the link to his people is clear, not only in his murals but also on canvas, etchings, pencil and ink drawings, lithographs and illustrations, and additionally, in sculpture and ceramics. Without compromising his personality or ethnic roots, and at the same time not allowing them to limit him, Anguiano has vindicated and taken advantage of the principles of modern art, giving him a universal and transcending character of his boundary work.
Anguiano held his first solo exhibition, entitled "Raúl Anguiano and Máximo Pacheco," at the Palace of Fine Arts in Mexico City, in 1935. In 1940, he took part in his first collective exhibition "Twenty Centuries of Mexican Art.” These were followed by more than 100 shows in many countries such as Cuba, Chile, Colombia, Brazil, the United States, France, Italy, the former Soviet Union, Israel, Germany and Japan. His exhibitions include the presentation of a series of four-color lithographs, held at the Hall of Graphic Arts SAGA 88, from 1989–90, in Paris; and the retrospective look at Anguiano's work in graphics (1938–40), held at the National Print Museum in Mexico City in 1990. In 1982, Anguiano became a member of Mexico City's Academy of Arts, and since 1993, he was also the Creator Emeritus of the National System to the Creators of Art.
(Biography provided by Robert Azensky Fine Art)- ShippingRetrieving quote...Ships From: Soquel, CA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Seated Woman Figurative PortraitBy Doris WarnerLocated in Soquel, CAVintage watercolor portrait of a seated female figure with red robe in front of a plant by Doris Ann Warner (American, 1925-2010). Signed "Warner" in the lower left corner. Presented...Category
1970s American Impressionist Figurative Drawings and Watercolors
MaterialsConté, Paper, Watercolor
- "The Artists Wife" Realistic Nude Woman in Conté on Paper by Garth BentonLocated in Soquel, CA"The Artists Wife" Realistic Nude Woman in Conté on Paper by Garth Benton Detailed nude drawing by Paul "Garth" Garfield Benton (American, 1940-2012). Portrait of Christine Rosamond...Category
1980s American Impressionist Nude Drawings and Watercolors
MaterialsPaper, Conté
- Portrait of George Arliss in Conte Crayon on Cardstock 1934Located in Soquel, CAStately portrait of George Arliss by Ivan Opffer (Danish, 1897-1980). Mr. Arliss is depicted wearing his signature monocle, looking directly at the viewer. Although this piece appears to be done rapidly, there is a clear confidence in Opffer's work - he was an accomplished portrait artist - and the resemblance to the subject is unmistakable. George Arliss (born Augustus George Andrews; 10 April 1868 – 5 February 1946) was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in Disraeli (1929) – as well as the earliest-born actor to win the honour. He specialized in successful biopics, such as Disraeli, Voltaire (1933), and Cardinal Richelieu (1935), as well as light comedies, which included The Millionaire (1931) and A Successful Calamity (1932). Signed and dated "Ivan Opffer 1934" in the lower right. Titled "Mr. Arliss" in the lower left. Presented in a new off-white mat with foamcore backing. Mat size: 22"H x 16"W Art size: 17.5"H x 12"W Ivan Opffer (Danish, 1897-1980) was born in Nyborg, Denmark, on June 4, 1897, to a family of Danish scholars and journalists. His brother was Emil Opffer, a Danish merchant seaman and journalist who was known for his relationship with American writer Hart Crane. Ivan was raised in Mexico City and New York, where his anarchist father was the editor of a radical Danish-language newspaper. His involvement in painting and drawing began at an early age. At a summer workshop, he met and studied drawing with Winslow Homer, then went on to study at the National Academy of Design and the Art Students League of New York. When the US entered World War I, Opffer was one of the members of the American Army Camouflage Corps, headed by Homer Saint-Gaudens (whose mother was a relative of Winslow Homer), the son of Augustus Saint-Gaudens. As a camoufleur, Opffer served with other artists and architects, some of whom became well-known, including Barry Faulkner, Sherry Edmundson Fry, Kimon Nicolaides, Robert Lawson, Abraham Rattner, Kerr Eby, and others. It was this same unit, while still in training in at Camp American University in Washington DC, that launched a camp newspaper called The Camoufleur. Only three issues were published before the unit’s deployment to France in late 1917. In the October 31 issue, a satirical portrait by Opffer of Homer Saint-Gaudens (titled “Our Boss”) was published on page 5. After the war, Opffer returned to New York, where he became known for his caricatures of leading Modern writers, among them James Joyce, Edgar Lee Masters, Siegfried Sassoon, George Bernard Shaw, Carl Sandburg, G.K. Chesterton, and Thomas Mann. In the years between the wars, Opffer married Betty à Beckett Chomley, and settled in Paris, where he was a student at the Academie Julliard. He also lived in London and Copenhagen, where his drawings were frequently published in newspapers and magazines. With the outbreak of World War II, he and his family returned to New York and lived in Greenwich Village. Among his friends in that era were William Butler Yeats, F. Scott and Zelda Fitzgerald...Category
1930s American Impressionist Portrait Drawings and Watercolors
MaterialsConté, Postcard, Illustration Board
- Vintage Figurative Landscape -- Sleeping Among the TreesLocated in Soquel, CACompelling figurative nude with a surrealist feel by Ken Bower (American, 20th-C) a San Francisco Bay area artist. Pastel chalk color on paper created in 1980. Signed “Ken Bower 80' ...Category
1980s American Impressionist Nude Drawings and Watercolors
MaterialsPaper, Chalk, Pastel
- Redhead On A Yellow Blanket - Original San Francisco AbstractLocated in Soquel, CARedhead On A Yellow Blanket - Original Figurative Nude Study Original San Francisco figurative nude painting depicting a redhead model laying on a yellow blanket. Her hand lays over...Category
1970s American Impressionist Figurative Paintings
MaterialsAcrylic, Paper
- Seated Nude Woman Bay Area Figurative School Abstract ExpressionistLocated in Soquel, CASeated Nude Woman Bay Area Figurative School Abstract Expressionist Seated wearing a hat by Santa Cruz and San Francisco artist Heather Speck (American,...Category
Early 2000s American Impressionist Figurative Paintings
MaterialsPaper, Oil
- "Lean Back, " Abstract Nude Figure DrawingLocated in Westport, CTThis abstract nude figure drawing by Kelly Rossetti is made with charcoal and pastel on paper. It features a light grey, white, and vibrant pink accent,...Category
2010s Contemporary Nude Paintings
MaterialsPaper, Charcoal, Pastel
- 1960s "Leaning Over" Gouache & Oil Pastel Bay Area Figurative MovementBy Gloria DudfieldLocated in Arp, TXGloria Dudfield "Leaning Over" c. 1960s Gouache and charcoal on newsprint Unsigned 18" x 12" framed silver bamboo frame black mat 19.25"x25.25" Gloria...Category
Mid-20th Century American Modern Figurative Drawings and Watercolors
MaterialsOil Pastel, Gouache, Paper
- Les fleurs du mal by ErtéBy Erte - Romain de TirtoffLocated in New Orleans, LAErté (Romain de Tirtoff) 1892-1990 Russian-French Fleurs du Mal(The Flowers of Evil) Signed "Erté" (lower right) Inscribed 114.6 (en verso) Gouache on paper Captivating and vibrant, this colorful gouache entitledFleurs du Mal showcases Erté's masterful creativity and keen eye. Inspired by Les Fleurs du mal, the famed volume of poems by French writer Charles Baudelaire, this ensemble marries light purple and green floral motifs with the suggestive form of red lips poised for a smooch. This daring yet feminine appearance encapsulates the Art Deco allure for which the artist's creations are cherished. The sophisticated arrangement emanates the fundamental richness and theatricality that can only be accomplished by Erté, often hailed as the "Father of Art Deco." First published in 1857, Baudelaire's Les Fleurs du mal was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several themes to create original fashion sketches...Category
20th Century Art Deco Figurative Drawings and Watercolors
MaterialsPaper, Gouache
- 'Leaving the Garden of Eden', Mid-century American Expressionist, Adam and EveLocated in Santa Cruz, CASigned lower right, 'John T Stephens' (American, 20th century) and painted circa 1965; additionally inscribed, verso, with title, 'Leaving the Garden of Eden' and signed. Paper dime...Category
1960s Expressionist Figurative Drawings and Watercolors
MaterialsAcrylic, Gouache, Laid Paper
- 'Seated Nude', Paris, Louvre, LACMA, Académie Chaumière, SFAA, California FauveBy Victor Di GesuLocated in Santa Cruz, CAEstate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. An elegant figural interior showing a young woman seated on a bed beside a table bearing a vase...Category
1950s Post-Impressionist Nude Paintings
MaterialsHandmade Paper, Watercolor, Gouache
- Untitled - An Orange Figure In The Water, Ink and Cyanotype - New ExpressionLocated in Salzburg, ATGrażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...Category
2010s Contemporary Nude Paintings
MaterialsPaper, Ink