Items Similar to Ocean without a Shore (Grey)
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Do Byung-KyuOcean without a Shore (Grey)2012
2012
About the Item
The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes stare aloof and distant, like those of someone dreaming of restraint. Their equivocal gazes reveal nothing, reminding us of images in the mirror that reflect the deepest undercurrents of the human emotions.
- Creator:Do Byung-Kyu (Korean)
- Creation Year:2012
- Dimensions:Height: 64 in (162.56 cm)Width: 50 in (127 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU156628959362
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2010
1stDibs seller since 2021
29 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Pacifier IIBy Do Byung-KyuLocated in New York, NYThe medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...Category
2010s Contemporary Portrait Paintings
MaterialsWood Panel, Polyurethane, Oil
- Ocean without a Shore (Black)By Do Byung-KyuLocated in New York, NYThe medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...Category
2010s Contemporary Still-life Paintings
MaterialsWood Panel, Polyurethane, Oil
- Side Track 17Located in New York, NYEarth, air, water, and fire are the center subjects of my art. I live in New York City-it is close to the ocean, and I’ve developed a deep affinity for the sea, which has also evoked sentiments in me for what has across on the other side of the ocean. Majestic mountains in Europe and the U.S. those I’ve seen with spectacular ridgelines or forms are what I want to pay homage to. The sky’s ever-changing atmosphere, fire’s brilliance, and all the energies embodied in nature are the most things that I am in awe of. —- Leigh WenCategory
2010s Contemporary Mixed Media
MaterialsCanvas, Paint, Cotton Canvas, Mixed Media, Oil, Acrylic
- Side Track 31Located in New York, NYLeign Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affinity for the elemental power of water and the forces of nat...Category
2010s Contemporary Still-life Paintings
MaterialsCanvas, Linen, Cotton Canvas, Mixed Media, Oil
- High TideBy Gigi MillsLocated in New York, NYGigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...Category
2010s Contemporary Still-life Paintings
MaterialsPaper, Crayon, Oil
- Side Track 65Located in New York, NYEarth, air, water, and fire are the center subjects of my art. I live in New York City-it is close to the ocean, and I’ve developed a deep affinity for the sea, which has also evoked...Category
2010s Contemporary Mixed Media
MaterialsCanvas, Cotton Canvas, Mixed Media, Oil, Acrylic
You May Also Like
- Secret Moon Garden (The Shepherdess), Girl, Bird, PortraitLocated in Deddington, GBOriginal painting by Angela Smith showing girl enchanted by humming bird. A portrayal of young girl with brown hair tied back by white flowers looking up...Category
2010s Contemporary Portrait Paintings
MaterialsOil
- Tuesday's Girl (Sakura), Original Painting, Girl, Portrait, Floral, Woman, PinkLocated in Deddington, GBOriginal painting by Angela Smith showing back of girl's head. A portrayal of young girl with brown hair tied back by pink flowers. Surrounded by a vibr...Category
2010s Contemporary Portrait Paintings
MaterialsOil, Wood Panel
- Single Hummingbird, Original Painting, Bird, Animal, NatureLocated in Deddington, GBSingle hummingbird, oil on panel by Angela Smith Hummingbird on a green background, perfectly painted with lots of detail. ADDITIONAL INFORMATION: Singl...Category
2010s Contemporary Portrait Paintings
MaterialsOil, Wood Panel
- Diptych of Single hummingbird & Tuesday's Girl (Sakura), Originals, Floral, GirlLocated in Deddington, GB2 original paintings by Angela Smith. Slightly different sizes, both sold framed - Tuesday's Girl (Sakura): Complete size of framed work: 53 H x 53 W x 3.5 D cm (20.87 x 20.87 x 1.38 in) Single Hummingbird, Framed size: 45.5 H x 45.5 W x 2.5 D cm (17.91 x 17.91 x 0.98 in) TUESDAY'S GIRL (SAKURA): Original painting by Angela Smith showing back of girl's head. A portrayal of young girl with brown hair tied back by pink flowers. Surrounded by a vibrant damask pink...Category
2010s Contemporary Portrait Paintings
MaterialsOil, Wood Panel
- Katie with Frying Pan IIBy June GlassonLocated in Denver, COJune Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...Category
2010s Contemporary Portrait Paintings
MaterialsOil, Wood Panel
- "Rhapsody in the Tropics" Metamorphosis and Connection: Surrealist PaintingLocated in Bogotá, BogotáIn this painting by L-Xiua, a central figure's head transforms into a complex amalgamation of shapes and beings, challenging the boundaries between human and animal. The creatures em...Category
2010s Contemporary Figurative Paintings
MaterialsOil, Canvas