Jason Andrew Turner

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This black and white figurative painting titled "BANGS" is an original acrylic on canvas painting measuring 60"h x 48"w by Jasjyot...

This figurative black and white painting titled "INWARD" is an original acrylic on canvas painting by Jasjyot Singh Hans measuring 60"h x 48"w. Jasjyot Singh Hans is an illustrator ...

This piece titled "Overheard" is an original artwork by Jason Andrew Turner made of acrylic on canvas. This piece measures approximately 20"h x 16"w. Jason Andrew Turner (b. 1982, B...

"An Invasion" is a piece by Qiaira Riley made from acrylic paint and beads on found wood. This piece measures measures 24"h x 24"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...

"Mini Mart" is a piece by Qiaira Riley made from acrylic paint and paper on found wood. This piece measures measures 24"h x 24"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...

"Hyde Park" is an original artwork by Qiaira Riley made from acrylic and paper on found wood. This piece measures measures 17"h x 24"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...

The painting is part of the MUSIC series and is dedicated to American CINEMA. Made on a rigid panel, it is a unique piece authenticated by the artist Acrylic enamels on panel measuri...

Acrylic painting by Robert Carroll, realized in 1969 ca. Very good condition. Robert Carroll is an american artist born in 1934 in Painesville, Ohio. He did study Arts at the Cleveland Institute of Arts where he graduated in 1957. Since the end of 1950s he has been associating with some of the most important writers and intellectuals of the beat generation...

This spectacular mural size painting was commissioned as a commercial assignment for a Bloomingdale's window backdrop. It's of monumental size and a rare statement piece. It was pu...

Quartz painting on cotton canvas, Lorenzo Maqced – pseudonym of Lorenzo Marroni (Città di Castello, 1993) – who structures this narrative through a variety of iconographies, explor...

Acrylic paint on paper Signed Unique work

Acrylic paint on paper Hand-signed on the left « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance the jig while thundering. A charivari of African masks, children's drawings and neon colors invades the meticulously meshed backdrops with volcanic overflows. It seems that within a kindergarten class, merry feathered wizards have joined together to cover the canvas or the paper with totemic figures strewn with the most inventively unexpected graffiti, in a creative frenzy so bubbling that the anarchy that threat recovers as in spite of itself a semblance of balance. The graphic design performs an enveloping and virtuoso dance that passes from the most wisely academic exercise to the most exuberant and Dionysian lyrical expressionism. It's flamboyant, paroxysmal and wonderfully joyful. Should we detect here any influence of the spirit of "outsider art", today widespread worldwide? Perhaps, but then it is undeniable that the personal temperament of Mohammad ARIYAEI...