Early 18th century portrait of a Lady in a blue gown, dated 1710.
Want more images or videos?
Request additional images or videos from the seller
1 of 8
John VerelstEarly 18th century portrait of a Lady in a blue gown, dated 1710.1710
1710
About the Item
- Creator:John Verelst (1648 - 1734)
- Creation Year:1710
- Dimensions:Height: 37.6 in (95.5 cm)Width: 33.08 in (84 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bath, GB
- Reference Number:1stDibs: LU9526795962
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2002
1stDibs seller since 2015
36 sales on 1stDibs
Typical response time: 1 hour
Associations
The British Antique Dealers' AssociationLAPADA - The Association of Arts & Antiques DealersInternational Confederation of Art and Antique Dealers' Associations
More From This SellerView All
- 17th century portrait of a ladyBy Nicolaes MaesLocated in Bath, SomersetPortrait of a lady by Dutch Golden Age painter Nicolaes Maes (1634-1693). Half-length, within a feigned oval, the lady wears a pearl necklace and earrings, an ivory silk gown adorned...Category
17th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- English 17th century portrait of James Thynne as a young boy by a fountainBy Johann KerseboomLocated in Bath, SomersetPortrait of the Hon. James Thynne (c. 1680-1704), full-length, in the gardens of Longleat House, seated beside a fountain, holding a shell beneath water spouting from a horn blown by a cherub on a dolphin. A glimpse of part of Longleat House can be seen upper left. Oil on canvas in a period giltwood frame, decorated with leaves and acorns. C. 1682. Dimensions: 145 x 123cm (57 x 48in) in frame Provenance: Ex Longleat House, Wiltshire Private collection, Bath James Thynne was the youngest son of Thomas Thynne, 1st Viscount Weymouth and Frances Finch of Longleat House, Wiltshire. He died in his youth and his Aunt, Anne Kingsmill Finch, Countess of Winchilsea (1661-1720), wrote a moving poem on his death. He was buried in the family vault at Longbridge Deverill, Wiltshire. A mezzotint of this painting by William Faithorne the Younger is held in the Royal Collection. Johann Kerseboom (d.1708) was the nephew of Frederick Kerseboom and first worked in Germany before coming to England in the 1680's where his sitters included the 'Electress Sophia Dorothea' (known from a mezzotint by William Faithorne). His early works were influenced by William Wissing...Category
17th Century Old Masters Portrait Paintings
MaterialsOil, Canvas
$24,916 Sale Price20% Off - Attributed to John Riley, 17th century English portrait of a girl on a terraceBy John RileyLocated in Bath, SomersetPortrait of a young girl, full-length, wearing a blue silk gown, standing on a terrace beside a classical urn holding a branch with blossom. Attributed to John Riley...Category
17th Century Old Masters Portrait Paintings
MaterialsOil, Canvas
$25,954 Sale Price25% Off - 17th century Dutch portrait of a Lady in Red adorned with PearlsBy Pieter NasonLocated in Bath, SomersetPortrait of a lady, half-length in a feigned oval wearing a ruby coloured silk gown holding entwined strings of pearls across her bodice. Signed 'PNason' and dated 1667 (lower right)...Category
17th Century Old Masters Portrait Paintings
MaterialsOil, Canvas
$24,916 Sale Price20% Off - 18th century portrait of the artist’s daughter, Catharina, playing the celloBy Balthasar DennerLocated in Bath, SomersetThe sitter, seated in a yellow silk gown trimmed with a pink bow playing the cello, is believed to be the artist Balthazar Denner's eldest daughter Catharina (1715-1744), after his marriage to Esther Winter in Hamburg in 1712. She is also recognisable in another portrait of the Denner family in the Hamburg Kunsthalle, painted circa 1740 by the artist's son, Jacob Denner (1722-1765). Oil on canvas in a period giltwood frame. Provenance: Private collection, Northern Germany Professor Helmut Borsch-Supan, Berlin, confirmed the authenticity of the painting after examining it in 2013. The painting will also be included in the forthcoming catalogue raisonnée of the artist, by Ute Mannhardt. Balthasar Denner...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 18th century painting of the Dalbiac family in the gardens of a country houseBy Charles PhilipsLocated in Bath, SomersetThe painting depicts James (Jacques) Dalbiac, his wife Louise (ne de la Porte) and their five children, James, Charles, Louise, Marianne and Martha in the ornamental gardens of a grand country estate. The extensive gardens extend into the distance with gardeners working in the background and figures strolling through the avenues of trees. A peacock and peahen can be seen on the wall to the left and a potted orange tree to the right. Louise Dalbiac holds an orange taken from the orange tree, aluding to the family's faith and their loyalty to the protestant King William of Orange and their adopted country. The Dalbiacs were wealthy London silk and velvet merchants of French Huguenot origin who had fled France at the end of the 17th century to escape persecution for their protestant faith. England offered safe refuge and their skills and industriousness allowed them to establish one of the most successful businesses in London's Spitalfields which became a new centre of the silk trade, effectively leading to the collapse of the once dominant French silk industry. Both sons, James and Charles followed their father and Uncle into the family business, successfully growing the family's fortune and each going on to own their own country estates. A conversation piece is a genre of painting used to describe group portraits of families and friends, often depicted with their servants and family pets and set within an elegantly furnished interior or the garden of a grand country house. They were a celebration of the intimacy of family relations as well as a sign of status, property and the power of succession. The informality of conversation pieces grew popular in 18th century England, allowing the sitters to present themselves in a more relaxed pose, perhaps engaged in intellectual conversation or showing their talents or interests. In this present portrait, the Dalbiacs are shown richly dressed and and at leisure in a grand country house setting, conveying their success and cultural and social aspirations. Charles Philips (c.1703–1747) was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. He was the son of portrait painter Richard Philips...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
You May Also LikeView All
- 17th Century by Giuseppe Assereto Portrait of an Elderly Woman Oil on CanvasBy Giuseppe AsseretoLocated in Milano, LombardiaGiuseppe Assereto (Genova - 1626 ca – Genova 1656/57) Portrait of an elderly woman, possible portrait of Maddalena Massone, wife of Gioacchino Assereto Oil on canvas, cm. 65,5 x 51,5...Category
Early 17th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- Portrait of Lady Caroline PriceBy George RomneyLocated in Miami, FLDESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...Category
1970s Old Masters Portrait Paintings
MaterialsCanvas, Oil
- SIMON PETER TILEMANN, Family Portrait, 1658, Old Master. Baroque Rococo PaintingBy Simon Peter TilemannLocated in Berlin, DEExtremely decorative and large oil painting from the 17th century. Restored in places. Signed and dated Simon Peter Tileman 1658 fecit 'lower right Dimensions without frame. From Wikipedia, the free encyclopedia: Simon Peter Tilemann (1601, Lemgo – 1668, Vienna), was a German Baroque painter who was active Bremen, Kassel and Italy. According to Houbraken he first learned to paint flowers and he had a daughter who could paint flowers in watercolors. He was a good landscape painter who spent many years in Italy, but later switched to portrait painting and who painted the portrait of Ferdinand...Category
1650s Old Masters Portrait Paintings
MaterialsCanvas, Oil
- Ritratto di Uomo di LeggeLocated in Balerna, TIMarcantonio Bassetti (Verona 1586-1630) Ritratto di uomo di legge Olio su tela, cm 38x27,5; con cornice cm 59,5x48,5 Le caratteristiche pittoriche della persona ritratta sembrano rin...Category
17th Century Old Masters Portrait Paintings
MaterialsOil, Canvas
- Portrait of a Lady, 17th Century Flemish Oil Old MastersBy Jacob HuysmansLocated in London, GBJacob Huysmans Flemish 1633 - 1696 Portrait of a Lady Oil on canvas Image size: 49 x 40 ¼ inches Gilt frame Huysmans was born in Antwerp and came to England during the reign of Charles II where he became one of the fashionable painters of the court.. The diarist Samual Pepys noted the artist as capable of a more exact likeness than Lely. Certainly the diarist records that by August 1664 in the circle of Queen Catherine...Category
17th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil, Acrylic
- SPRING PORTRAIT- French School Impressionist - Italian Oil on Canvas PaintingBy Jean Philipe MorenoLocated in Napoli, ITSPRING PORTRAIT - Oil on canvas cm.30x24 by Jean Philipe Moreno, Italy 2002. Frame available on request from our workshop. Moreno’s portrait depicts a young Parisian woman, her face ...Category
2010s Old Masters Portrait Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
145 Antiques
Antique Chemise
Queen Anne 1700s
Odile Vintage
Painting 17thc
Portrait Of Lord Nelson
18th C French Lady Paintings
18th C Portraits Women
Christina Dior
Christopher Polentz
Elizabeth Stuart
Hair Dryer
Hyacinthe Rigaud
Martin Richardson
Shannon Wood Paintings
Tiffany Quilting
1600s Portrait Painting
C Freeman Oil Painting