Henri Reboa

Still Life of Roses in a Vase, Mid-Century French Oil on Canvas.

Circa 1950's

Mid Century Italian still life tablescape by Italian artist Fulvio Pendini. The painting is signed bottom right and is presented in a period gilt wood and cloth frame under glass. Th...

Mid-century tablescape in orange, oil on canvas on board, presented in a custom built red wooden caisse, by Italian artist Matilde Sacchi. Sacchi is a 20th century artist known for ...

Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...

Early 20th century Impressionist still life of flowers in a Faïance tureen. Signed bottom right by the artist but as yet undeciphered. Presented in a period painted wooden frame. A ...

French Impressionist oil on canvas, interior view, plants at a window by June Fortan. The painting is signed bottom right. A colourful and exuberant interior view of a collection of...

French mid century still life, oil on canvas, showing chanterelle mushrooms and the delights of an autumn harvest by Claude Le Baube. Signed to the fron...

Bold outlines and strong weighty forms coalesce with a compositional delicacy that forms the hallmark of Hartley's work. The work has a long and distinguished provenance and exhibit...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Vessels by Yosl Bergner (1920-2017) Oil on canvas 65 x 81.4 cm (25 ⁵/₈ x 32 inches) Signed and dated upper left Execute...

Rodney Gladwell (British, 1928 – 1979) Aubergines, 1959 Signed and dated ‘Gladwell 59’ (lower left) Oil on board 79.1/2 x 31.1/2 in. (202 x 80 cm.) including frame Painter Rodney Gl...

Joseph Raskin painted still lifes throughout his career, often using them for formal and technical experimentation. Here, the artist renders a bouquet of a wide variety of flowers in...

Vita Merca Latvian artist born 1951. Her father was a conductor, her mother was fascinated with violin and entered Vita in the music world and later in fine arts. Vita has been interested in painting since thirteen years of age. "in the fairy tales by Karl Skalbe, in the poems ofFricis Bard. I also try to approach this subtle soul vibration," says Merca. She emphasizes that she feels free of pompousness and more when she is painting, painting as a means of expression, managing techniques and paying attention to the nuances and motifs, without excessive volume. "Conceptualism does not exist for me, I want more so that a person, by contacting the painting, reveals what I want to say. It is looking for my contemporaries, the souls of the soul," she says. The artist is painting very specific things, but the reflection of water in her is not only general, it connects the earth and the sky. "It's like serving beauty," says Merca about her relationship with painting. Education: Jahn Rozenthal Riga Art Academy(1963-1970) and the Department of Painting of the Latvian Academy of Arts (1970-1977), graduated in 1977. at Eduard Kalniņš, in 1983 graduated from the postgraduate studio of the Art Academy of the USSR Riga with Professor Eduard Kalniņa. Graduated from the Art Academy at the master's studio in Riga. Participated in exhibitions since 1976. Member of the Artists' Union of Latvia since 1980 and member of the association "B - 13" (1993 - 1998) from 1993. Has had personal exhibition in Jelgava (1991) and Riga (1993). Regularly participated in group exhibitions in Riga, Vilnius, Moscow, Finland, Sweden, Germany, Poland, Italy, France, Japan and elsewhere. Works are in the State Art Museum, the Latvian Artists' Union, the collections of the Latvian National Museum of Art, Riga and Talsi museum Ģederta Eliasa Jelgava History and Art Museum, Works in private collections in Latvia, Estonia, Denmark, Sweden, Germany, France, Russia, Canada, USA, Australia, Israel, Italy Popular painter...

Floral painting. Flowers in a vase. Mortimer Borne, Printmaker, painter, sculptor, and educator was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art Students League, The Beaux-Arts Institute of Design, and with Charles Webster Hawthorne, founder of the Cape Cod School of Art in Provincetown. Painted in a thick impasto style similar in technique to Samuel Rothbort and David Burliuk. Borne himself taught at The New School for Social Research in New York City from 1945-1967. From the 1920s through the 40s he was a prolific producer of New York City cityscapes and genre scenes. In later decades, he adopted a more modernist style apparently influenced by Picasso, producing color drypoints of abstracted figures. His works were widely exhibited in museums in the U.S. and abroad from 1931 and later, including the Art Institute of Chicago, the American Institute of Graphic Arts, Museum of Modern Art, Metropolitan Museum of Art, Corcoran Gallery of Art, New York Public Library, Carnegie Institute, and Royal Society of Painters, Etchers and Engravers in London. He taught at The New School for Social Research in New York City from 1945-1967, and at the Tappan...