Edward Weston

Wing of Pelican, 1931

1931

Artist stamp, monogrammed 'W.J.', titled in pencil and numbered in red crayon on mount verso.

Artist stamp, monogrammed 'W.J.', titled in pencil and numbered in red crayon on back of mount.

Signed on the front. Contact gallery for prices and available sizes.

Signed on the front. Contact gallery for prices and available sizes.

Director, Glenn Lowry: This image of a pepper is one of Weston’s most iconic photographs. Assistant Curator, Esther Adler: Peppers often curve in on themselves and can kind of twist ...

Director, Glenn Lowry: This image of a pepper is one of Weston’s most iconic photographs. Assistant Curator, Esther Adler: Peppers often curve in on themselves and can kind of twist ...

Palm Springs Pool Side, photography from Richard Heeps Dream in Colour series, taken at the Ballantines Movie Colony. This artwork captures the ...

Blackberries, silver gelatin print, signed and numbered, limited edition, signed Storytelling comes naturally for photographer Keith Carter whose East Texas roots have greatly influ...

Thomas Brummett has been working as an artist and professional photographer since 1983 when he graduated with a Master of Fine Arts from the Cranbrook Academy of Art. His work has be...

Tress uses a bed, the juxtaposition of two rakes and a scattering of fallen leaves to enter a sexy anthropomorphic world. Often men are called "rakes" to suggest amoral activity. In...

“It takes the passage of time before an image of a commonplace subject can be assessed. The great difficulty of what I attempt is seeing beyond the moment; the everydayness of life gets in the way of the eternal.” --George Tice GEORGE TICE was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self taught photographer. Two years later, when his picture of an alleyway was commended by a pro photographer critiquing club members' work, Tice was off and running with what would become his life’s work.. Tice studied commercial photography for a short time at Newark Vocational and Technical High School then decided to join the Navy. After, he worked as a traveling portrait photographer for almost 10 years. In 1959, Edward Steichen, then director of photography at MOMA acquired Tice's photo of an explosion aboard the USS Wasp for the museum. Later he aided Lee Witkin in establishing the seminal Witkin Gallery in NYC. His work was included in the opening group show in 1969 and the first of many solo shows there began the following April. George’s change to larger format cameras in the 60’s furthered his ability to craft carefully toned and detailed prints. He portrayed traditional Amish and Shaker communities, as well as the hard lives of fishermen in Maine. In the 1970s, Tice began explore his native NJ and began to document the vestiges of American culture on the verge of extinction, the work he is best known for. Whether it is the rural people who reside in small communities or suburban buildings and neighborhoods in decline, his great talent is finding deep meaning and emotional content in the most mundane subjects. In 1972, Tice was the subject of a one-man show at the Metropolitan Museum of Art. A fellow of the Guggenheim Foundation and the National Endowment for the Arts, George Tice’s work is included in more than 80 major museum collections including the Museum of Modern Art (MoMA) in New York and the J. Paul Getty Museum in Los Angeles, as well as countless private collections. Some of his iconic New Jersey images form the scenic backdrop...

Edition 2/7 Signed on print margin. Printed 2011 Frame included. Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochroma...