Nona Hatay

Vintage Signed Silver Gelatin Photo Card Tina Turner

1982

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude, doing the titular Ring around the Rosie. It's a great subject, with reference to the Black Death, Edward Muybridge motion studies and Henri Matisse's Dance painting. Skip Arnold was born in Binghamton, New York and currently lives and works in Marseille, France. Skip Arnold has maintained a transgressive practice of body performance art, photography, film and installation art. In the style of extreme body centered work that includes such practitioners as Marina Abramovic, Chris Burden, Paul McCarthy and Bob Flanagan and Fluxus Art. His work is grounded in body politics, Self as Subject, Performance Art, Film/Video, Contemporary Art, Provocative body art, confronting the body as a politicized entity. In his performance art, Arnold seeks out extremes and intensities, testing the limits of physical endurance. Although Arnold originally started using video simply to document, he ultimately ended up exploring the medium itself. Education: M.F.A. University of California, Los Angeles, B.F.A. State University College, Buffalo, New York. TEACHING EXPERIENCE Adjunct Faculty, Graduate Studio Fine Arts and Liberal Arts and Sciences, Art Center College of Design, Pasadena, CA. Senior Lecturer, Otis College of Art and Design, Los Angeles, CA. Visiting Faculty, ECOLE National Superieure D’ARTS Paris - Cergy Visiting Faculty, Video/ Multimedia/Performance, FaVU VUT Academy of Art, Brno, CZ Solo exhibitions include: Christine König Galerie (Vienna, Austria), Greene Exhibitions (Los Angeles, CA), Galerie Frederic Giroux (Paris, France), Aeroplastics (Brussels, Belgium), Spencer Brownstone Gallery NY, Kunsthalle Wien (Vienna, Austria). ACE Gallery, NYC, NY. Roberts and Tilton, Los Angeles, CA Shoshana Wayne Gallery, Santa Monica, CA Group exhibitions include: The J. Paul Getty Museum, Orange County Museum of Art (Newport Beach, CA), Art Unlimited, Art Basel/33, the Los Angeles County Museum of Art, the Louisiana Museum of Art (Humblebaek, Denmark), Offens Kulturhaus Linz. Audrey Love Gallery @ BAC, Miami FL Greater L.A., curated by Elenor Cayre, Benjamin Godsill, and Joel Mesler...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude, doing the titular Ring around the Rosie. It's a great subject, with reference to the Black Death, Edward Muybridge motion studies and Henri Matisse's Dance painting. Skip Arnold was born in Binghamton, New York and currently lives and works in Marseille, France. Skip Arnold has maintained a transgressive practice of body performance art, photography, film and installation art. In the style of extreme body centered work that includes such practitioners as Marina Abramovic, Chris Burden, Paul McCarthy and Bob Flanagan and Fluxus Art. His work is grounded in body politics, Self as Subject, Performance Art, Film/Video, Contemporary Art, Provocative body art, confronting the body as a politicized entity. In his performance art, Arnold seeks out extremes and intensities, testing the limits of physical endurance. Although Arnold originally started using video simply to document, he ultimately ended up exploring the medium itself. Education: M.F.A. University of California, Los Angeles, B.F.A. State University College, Buffalo, New York. TEACHING EXPERIENCE Adjunct Faculty, Graduate Studio Fine Arts and Liberal Arts and Sciences, Art Center College of Design, Pasadena, CA. Senior Lecturer, Otis College of Art and Design, Los Angeles, CA. Visiting Faculty, ECOLE National Superieure D’ARTS Paris - Cergy Visiting Faculty, Video/ Multimedia/Performance, FaVU VUT Academy of Art, Brno, CZ Solo exhibitions include: Christine König Galerie (Vienna, Austria), Greene Exhibitions (Los Angeles, CA), Galerie Frederic Giroux (Paris, France), Aeroplastics (Brussels, Belgium), Spencer Brownstone Gallery NY, Kunsthalle Wien (Vienna, Austria). ACE Gallery, NYC, NY. Roberts and Tilton, Los Angeles, CA Shoshana Wayne Gallery, Santa Monica, CA Group exhibitions include: The J. Paul Getty Museum, Orange County Museum of Art (Newport Beach, CA), Art Unlimited, Art Basel/33, the Los Angeles County Museum of Art, the Louisiana Museum of Art (Humblebaek, Denmark), Offens Kulturhaus Linz. Audrey Love Gallery @ BAC, Miami FL Greater L.A., curated by Elenor Cayre, Benjamin Godsill, and Joel Mesler...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude, doing the titular Ring around the Rosie. It's a great subject, with reference to the Black Death, Edward Muybridge motion studies and Henri Matisse's Dance painting. Skip Arnold was born in Binghamton, New York and currently lives and works in Marseille, France. Skip Arnold has maintained a transgressive practice of body performance art, photography, film and installation art. In the style of extreme body centered work that includes such practitioners as Marina Abramovic, Chris Burden, Paul McCarthy and Bob Flanagan and Fluxus Art. His work is grounded in body politics, Self as Subject, Performance Art, Film/Video, Contemporary Art, Provocative body art, confronting the body as a politicized entity. In his performance art, Arnold seeks out extremes and intensities, testing the limits of physical endurance. Although Arnold originally started using video simply to document, he ultimately ended up exploring the medium itself. Education: M.F.A. University of California, Los Angeles, B.F.A. State University College, Buffalo, New York. TEACHING EXPERIENCE Adjunct Faculty, Graduate Studio Fine Arts and Liberal Arts and Sciences, Art Center College of Design, Pasadena, CA. Senior Lecturer, Otis College of Art and Design, Los Angeles, CA. Visiting Faculty, ECOLE National Superieure D’ARTS Paris - Cergy Visiting Faculty, Video/ Multimedia/Performance, FaVU VUT Academy of Art, Brno, CZ Solo exhibitions include: Christine König Galerie (Vienna, Austria), Greene Exhibitions (Los Angeles, CA), Galerie Frederic Giroux (Paris, France), Aeroplastics (Brussels, Belgium), Spencer Brownstone Gallery NY, Kunsthalle Wien (Vienna, Austria). ACE Gallery, NYC, NY. Roberts and Tilton, Los Angeles, CA Shoshana Wayne Gallery, Santa Monica, CA Group exhibitions include: The J. Paul Getty Museum, Orange County Museum of Art (Newport Beach, CA), Art Unlimited, Art Basel/33, the Los Angeles County Museum of Art, the Louisiana Museum of Art (Humblebaek, Denmark), Offens Kulturhaus Linz. Audrey Love Gallery @ BAC, Miami FL Greater L.A., curated by Elenor Cayre, Benjamin Godsill, and Joel Mesler...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude, doing the titular Ring around the Rosie. It's a great subject, with reference to the Black Death, Edward Muybridge motion studies and Henri Matisse's Dance painting. Skip Arnold was born in Binghamton, New York and currently lives and works in Marseille, France. Skip Arnold has maintained a transgressive practice of body performance art, photography, film and installation art. In the style of extreme body centered work that includes such practitioners as Marina Abramovic, Chris Burden, Paul McCarthy and Bob Flanagan and Fluxus Art. His work is grounded in body politics, Self as Subject, Performance Art, Film/Video, Contemporary Art, Provocative body art, confronting the body as a politicized entity. In his performance art, Arnold seeks out extremes and intensities, testing the limits of physical endurance. Although Arnold originally started using video simply to document, he ultimately ended up exploring the medium itself. Education: M.F.A. University of California, Los Angeles, B.F.A. State University College, Buffalo, New York. TEACHING EXPERIENCE Adjunct Faculty, Graduate Studio Fine Arts and Liberal Arts and Sciences, Art Center College of Design, Pasadena, CA. Senior Lecturer, Otis College of Art and Design, Los Angeles, CA. Visiting Faculty, ECOLE National Superieure D’ARTS Paris - Cergy Visiting Faculty, Video/ Multimedia/Performance, FaVU VUT Academy of Art, Brno, CZ Solo exhibitions include: Christine König Galerie (Vienna, Austria), Greene Exhibitions (Los Angeles, CA), Galerie Frederic Giroux (Paris, France), Aeroplastics (Brussels, Belgium), Spencer Brownstone Gallery NY, Kunsthalle Wien (Vienna, Austria). ACE Gallery, NYC, NY. Roberts and Tilton, Los Angeles, CA Shoshana Wayne Gallery, Santa Monica, CA Group exhibitions include: The J. Paul Getty Museum, Orange County Museum of Art (Newport Beach, CA), Art Unlimited, Art Basel/33, the Los Angeles County Museum of Art, the Louisiana Museum of Art (Humblebaek, Denmark), Offens Kulturhaus Linz. Audrey Love Gallery @ BAC, Miami FL Greater L.A., curated by Elenor Cayre, Benjamin Godsill, and Joel Mesler...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude, doing the titular Ring around the Rosie. It's a great subject, with reference to the Black Death, Edward Muybridge motion studies and Henri Matisse's Dance painting. Skip Arnold was born in Binghamton, New York and currently lives and works in Marseille, France. Skip Arnold has maintained a transgressive practice of body performance art, photography, film and installation art. In the style of extreme body centered work that includes such practitioners as Marina Abramovic, Chris Burden, Paul McCarthy and Bob Flanagan and Fluxus Art. His work is grounded in body politics, Self as Subject, Performance Art, Film/Video, Contemporary Art, Provocative body art, confronting the body as a politicized entity. In his performance art, Arnold seeks out extremes and intensities, testing the limits of physical endurance. Although Arnold originally started using video simply to document, he ultimately ended up exploring the medium itself. Education: M.F.A. University of California, Los Angeles, B.F.A. State University College, Buffalo, New York. TEACHING EXPERIENCE Adjunct Faculty, Graduate Studio Fine Arts and Liberal Arts and Sciences, Art Center College of Design, Pasadena, CA. Senior Lecturer, Otis College of Art and Design, Los Angeles, CA. Visiting Faculty, ECOLE National Superieure D’ARTS Paris - Cergy Visiting Faculty, Video/ Multimedia/Performance, FaVU VUT Academy of Art, Brno, CZ Solo exhibitions include: Christine König Galerie (Vienna, Austria), Greene Exhibitions (Los Angeles, CA), Galerie Frederic Giroux (Paris, France), Aeroplastics (Brussels, Belgium), Spencer Brownstone Gallery NY, Kunsthalle Wien (Vienna, Austria). ACE Gallery, NYC, NY. Roberts and Tilton, Los Angeles, CA Shoshana Wayne Gallery, Santa Monica, CA Group exhibitions include: The J. Paul Getty Museum, Orange County Museum of Art (Newport Beach, CA), Art Unlimited, Art Basel/33, the Los Angeles County Museum of Art, the Louisiana Museum of Art (Humblebaek, Denmark), Offens Kulturhaus Linz. Audrey Love Gallery @ BAC, Miami FL Greater L.A., curated by Elenor Cayre, Benjamin Godsill, and Joel Mesler...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude, doing the titular Ring around the Rosie. It's a great subject, with reference to the Black Death, Edward Muybridge motion studies and Henri Matisse's Dance painting. Skip Arnold was born in Binghamton, New York and currently lives and works in Marseille, France. Skip Arnold has maintained a transgressive practice of body performance art, photography, film and installation art. In the style of extreme body centered work that includes such practitioners as Marina Abramovic, Chris Burden, Paul McCarthy and Bob Flanagan and Fluxus Art. His work is grounded in body politics, Self as Subject, Performance Art, Film/Video, Contemporary Art, Provocative body art, confronting the body as a politicized entity. In his performance art, Arnold seeks out extremes and intensities, testing the limits of physical endurance. Although Arnold originally started using video simply to document, he ultimately ended up exploring the medium itself. Education: M.F.A. University of California, Los Angeles, B.F.A. State University College, Buffalo, New York. TEACHING EXPERIENCE Adjunct Faculty, Graduate Studio Fine Arts and Liberal Arts and Sciences, Art Center College of Design, Pasadena, CA. Senior Lecturer, Otis College of Art and Design, Los Angeles, CA. Visiting Faculty, ECOLE National Superieure D’ARTS Paris - Cergy Visiting Faculty, Video/ Multimedia/Performance, FaVU VUT Academy of Art, Brno, CZ Solo exhibitions include: Christine König Galerie (Vienna, Austria), Greene Exhibitions (Los Angeles, CA), Galerie Frederic Giroux (Paris, France), Aeroplastics (Brussels, Belgium), Spencer Brownstone Gallery NY, Kunsthalle Wien (Vienna, Austria). ACE Gallery, NYC, NY. Roberts and Tilton, Los Angeles, CA Shoshana Wayne Gallery, Santa Monica, CA Group exhibitions include: The J. Paul Getty Museum, Orange County Museum of Art (Newport Beach, CA), Art Unlimited, Art Basel/33, the Los Angeles County Museum of Art, the Louisiana Museum of Art (Humblebaek, Denmark), Offens Kulturhaus Linz. Audrey Love Gallery @ BAC, Miami FL Greater L.A., curated by Elenor Cayre, Benjamin Godsill, and Joel Mesler...

Underwater photograph of naked young woman processed in an abstract black and white symmetrical composition. Original gallery quality archival pigment print signed by the artist. ...

Savannah Spirit The Remedy Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch: "When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since. To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection. The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there. Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning. Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture. During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..." - Katie Peyton Hofstadter Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...

Savannah Spirit My Body, My Choice Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monog...

In this rich self portrait, Savannah Spirit takes the tradition of black and white female nude photography, and turns the gaze back on itself. In this series, the muse is the artist,...

Savannah Spirit Amor de Artuño Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch: "When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since. To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection. The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there. Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning. Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture. During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..." - Katie Peyton Hofstadter Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...

David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is n...