Sofia Borges

cave, people, bear face, drawing, brain or homo sapiens saying hi

2014

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Transformed Brooklyn Bridge (gone wild) Archival pigment print 40 x 40 inches

Suprematist Dynamism Study, 2005 Archival pigment print on heavy rag paper 42 x 63 inches Edition of 7+2AP A study of forms. Forms that are mechanical: cold engineering but designed...

Where Are We Going?, 2004 Archival pigment print on heavy rag paper 40 x 63 inches Edition of 7+2AP A study of forms. Forms that are mechanical: cold engineering but designed with f...

WAVE II by Christian Stoll large scale abstract photograph of soothing mesmerizing fluid liquid waterscape 58 x 58 inches (147 x 147cm) edition of 7 signed 48 x 48 inches (122 ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

This is part of a series of abstract art photography. This series of sultry fluid rings evokes a timeless elegance. The aesthetic patterns evol...

This is part of a series of abstract art photography. This series of sultry fluid rings evokes a timeless elegance. The aesthetic patterns evol...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

An unconventional rendering of the classic Hollywood sign. Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye for the vis...