Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Davide Monteleone
The Red Thistle #003, Documentary and color Photography, Photojournalist

2007-2011

About the Item

An original print by Italian documentary photographer Davide Monteleone. The work is a Giclee Print on Photo Rag Baryta 308 g from "The red Thistle" series. Signed on a sticker label. Russia to the edges of the Empire, where Europe becomes Asia, and the birch trees give way to redwoods. The mountain range stretching from the Caspian Sea to the Black Sea traces the restless, misunderstood mosaic of the Northern Caucasus, which features in the media predominanty when the endless sporadic wars turn into massacres or genocides. In this inaccessible and inhospitable land, enclosed between two seas, Monteleone has found his theme. A scrupulous narrator, he follows the line drawn by “concerned photography”, and by linking images he constructs a narrative of places and people. In a geographic area as large and rugged as this, the morphology disappears into the fragments of a photograph formed in the perfect square of the medium format: it is forced to share the vision of the author, with no possibility of escape. The desire to tell a story is clear, far from being left to chance, there is a perfect coherence and continuity. And it’s not a coincidence that the work is shot mainly on film: the moment that the shutter is released is distinct from the moment of selection, dilating the need for narrative and releasing it from a sense of urgency to allow it to follow the pace of the journey. Meticulous, attentive to detail and interiors, Monteleone opens his vision to the landscape allowing natural light to define the nuances of color and the changing seasons. An invisible presence inside the houses, he describes a private world and alternates it with the vision of a scarred and desolate landscape, in a balanced dialogue between the individual and his environment. The photographer knows that it is not enough just to travel for miles, it is necessary to have a centre from which to explore; he goes to Grozny and, over a three year period, in addition to Chechnya, he travels to South and North Ossetia, Abkhazia, Ingushetia, Dagestan, Kabardino-Balkaria, and Karachay-Cherkessia. He lives in the places he talks about, interested in the people, he learns to understand their words and their behavior. Each image in this book contains a complex story in which the photographer plays the difficult role of being a witness of events and the guardian of memory, weaving together the stories of the Caucasus and the stories of these men and women. In the best of cases, when an artist photographs he is searching for himself. Witnessing events, he digs into his own feelings. That is why the work is not just a fresco evoking the political and social nature of conflicts and their dramatic consequences. He goes further, achieving a powerful lyricism through his ability to evoke, and to show more closely, a painful world, never just simply chronicling it or describing the geography. And so, the reverence of the author can be seen in the portraits of women – resigned protagonists – in the images of tombstones and shrines as well as in the buildings destroyed by the explosions of yesterday or today, and the memory of the war finds its place between private tragedy and collective drama. As with every story, that of the Caucasus is also full of puzzles, of questions without an answer. That is why from time to time, open to doubt, Monteleone lets himself give way to surreal images, which are able to hold on to the small mysteries, and to disrupt the conscious balance with which he has built this work. He returns to the magical power of photography, which doesn’t confirm things, but continually proposes new questions. The piece is accompanied by a certification of authenticity issued by a gallery. The conditions of the piece are mostly perfect. The piece could travel unframed in order to have cheaper and safer shipping upon the buyer's request. Other framing options are available. As the piece travels from Italy, please consider that the fulfillment of exportation papers requires a minimum of one week from the moment of purchase.
  • Creator:
    Davide Monteleone (1974, Italian)
  • Creation Year:
    2007-2011
  • Dimensions:
    Height: 16.93 in (43 cm)Width: 16.93 in (43 cm)Depth: 1.19 in (3 cm)
  • More Editions & Sizes:
    Edition 1/10Price: $3,544
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Milano, IT
  • Reference Number:
    1stDibs: LU2064211677302
More From This SellerView All
  • Moon Catcher, 2007, Fotografia notturna, Fotografia contemporanea
    Located in Milano, IT
    Giclée print on baryta paper by American artist Tim White-Sobieski, is a 2007 photograph part of the "Closer To Fall" series. Mostre: - The Phair 2023, May 5-7, Turin. - The Memo...
    Category

    Early 2000s Contemporary Color Photography

    Materials

    Giclée

  • Dad, Color Photography, Celebrity Photography, Human Figures
    Located in Milano, IT
    A limited edition Giclee print on Baryta paper 315 gr. from the "Paparazzi" series. “These images have a deceptive character which contradicts the sensationalism they would like to convey” (Mazaccio & Drowilal). The starting point of the series “Paparazzi” was a collection of celebrities’ pictures from their everyday activities such as shopping and jogging, and golfing, but all shot by the paparazzi. After collecting them from magazines and the internet, the duo gathered the images in the same picture allowing them “for the sensational side to be neutralized, so there was a shift from the «scoop» of catching a celebrity, to an anonymous crowd.”(Mazaccio & Drowilal). Working principally with photography and collage, Mazaccio & Drowilal deconstruct multiple facets of contemporary visual culture through their process of gathering and arranging mass-media images. Their visual practice and aesthetic approach are heavily influenced by the Internet’s new iconographies and digital culture. Mazaccio & Drowilal have explored a wide breadth of subjects pertaining to celebrity, branding, artificiality, and identity. Exhibition History: - Mazacciology, Glenda Cinquegrana Art Consulting, Milan, Italy. Solo exhibition, October 27, 2021 - January 10, 2022. -Paparazzi, Glenda Cinquegrana Art Consulting, Milano, Italy, Online...
    Category

    2010s Contemporary Color Photography

    Materials

    Giclée, Digital

  • The Kiss, Color Photography, Celebrity Photography, Human Figures
    Located in Milano, IT
    A limited edition Giclee print on Baryta paper 315 gr. from the "Paparazzi" series. “These images have a deceptive character which contradicts the sensationalism they would like to convey” (Mazaccio & Drowilal). The starting point of the series “Paparazzi” was a collection of celebrities’ pictures from their everyday activities such as shopping and jogging, and golfing, but all shot by the paparazzi. After collecting them from magazines and the internet, the duo gathered the images in the same picture allowing them “for the sensational side to be neutralized, so there was a shift from the «scoop» of catching a celebrity, to an anonymous crowd.”(Mazaccio & Drowilal). Working principally with photography and collage, Mazaccio & Drowilal deconstruct multiple facets of contemporary visual culture through their process of gathering and arranging mass-media images. Their visual practice and aesthetic approach are heavily influenced by the Internet’s new iconographies and digital culture. Mazaccio & Drowilal have explored a wide breadth of subjects pertaining to celebrity, branding, artificiality, and identity. Exhibition History: - Mazacciology, Glenda Cinquegrana Art Consulting, Milan, Italy. Solo exhibition, October 27, 2021 - January 10, 2022. -Paparazzi, Glenda Cinquegrana Art Consulting, Milano, Italy, Online...
    Category

    2010s Contemporary Color Photography

    Materials

    Giclée, Digital

  • Taking Selfies, 2019, Color Photography, Paparazzi, VIP, Post photography
    Located in Milano, IT
    Stampa Giclée in edizione limitata su carta baritata 315 gr. della serie "Paparazzi". "Queste immagini hanno un carattere ingannevole che contraddice il sensazionalismo che vorrebbe...
    Category

    2010s Contemporary Color Photography

    Materials

    Digital, Giclée

  • With The Dog, 2012, Fotografia a colori, Paparazzi, VIP, Post fotografia
    Located in Milano, IT
    Stampa Giclée in edizione limitata su carta baritata 315 gr. della serie "Paparazzi". "Queste immagini hanno un carattere ingannevole che contraddice il sensazionalismo che vorrebbero trasmettere" (Mazaccio & Drowilal). Il punto di partenza della serie "Paparazzi" è stata una raccolta di immagini di celebrità tratte dalle loro attività quotidiane, come lo shopping, il jogging e il golf, ma tutte scattate dai paparazzi. Dopo averle raccolte da riviste e da internet, il duo ha riunito le immagini in una stessa foto che ha permesso di "neutralizzare l'aspetto sensazionale, passando così dallo "scoop" della cattura di una celebrità a una folla anonima" (Mazaccio & Drowilal). Lavorando principalmente con la fotografia e il collage, Mazaccio & Drowilal decostruiscono molteplici sfaccettature della cultura visiva contemporanea attraverso il loro processo di raccolta e sistemazione delle immagini dei mass media. La loro pratica visiva e il loro approccio estetico sono fortemente influenzati dalle nuove iconografie di Internet e dalla cultura digitale. Mazaccio & Drowilal hanno esplorato un'ampia gamma di argomenti riguardanti la celebrità, il branding, l'artificialità e l'identità. Mostre: - Mazacciology, Glenda Cinquegrana Art Consulting, Milano, Italia. Mostra personale, 27 ottobre 2021 - 10 gennaio 2022. - Paparazzi, Multimedia Art...
    Category

    2010s Contemporary Color Photography

    Materials

    Giclée, Digital

  • With a Yoga Mat, Color Photography, Celebrity Photography, Human Figures
    Located in Milano, IT
    A limited edition Giclee print on Baryta paper 315 gr. from the "Paparazzi" series. “These images have a deceptive character which contradicts the sensationalism they would like to convey” (Mazaccio & Drowilal). The starting point of the series “Paparazzi” was a collection of celebrities’ pictures from their everyday activities such as shopping and jogging, and golfing, but all shot by the paparazzi. After collecting them from magazines and the internet, the duo gathered the images in the same picture allowing them “for the sensational side to be neutralized, so there was a shift from the «scoop» of catching a celebrity, to an anonymous crowd.”(Mazaccio & Drowilal). Working principally with photography and collage, Mazaccio & Drowilal deconstruct multiple facets of contemporary visual culture through their process of gathering and arranging mass-media images. Their visual practice and aesthetic approach are heavily influenced by the Internet’s new iconographies and digital culture. Mazaccio & Drowilal have explored a wide breadth of subjects pertaining to celebrity, branding, artificiality, and identity. Exhibition History: - Mazacciology, Glenda Cinquegrana Art Consulting, Milan, Italy. Solo exhibition, October 27, 2021 - January 10, 2022. -Paparazzi, Glenda Cinquegrana Art Consulting, Milano, Italy, Online...
    Category

    2010s Contemporary Color Photography

    Materials

    Giclée, Digital

You May Also Like
  • The Messenger
    By Phil Marco
    Located in New York, NY
    Face Mounted Plexi. Aluminum braced archival print. Mysterious subject matter. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...
    Category

    2010s Conceptual Figurative Photography

    Materials

    Giclée

  • Next Sign - large format landscape photograph with conceptual road sign
    By Frank Schott
    Located in San Francisco, CA
    Next Sign by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale print s...
    Category

    21st Century and Contemporary Conceptual Color Photography

    Materials

    Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

  • YES - large format photograph of conceptual motivational message sign at night
    By Frank Schott
    Located in San Francisco, CA
    large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West YES by Frank Schott 48 x 67 inches (122 x 171cm) signed edition of 7 29 x 40 inches (74 x 102cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity _______________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...
    Category

    21st Century and Contemporary Conceptual Color Photography

    Materials

    Giclée

  • Project 12:31 [ House ] 48 x 69" / 122 x 175cm
    By Frank Schott
    Located in San Francisco, CA
    PROJECT 12:31 [ HOUSE ] by Frank Schott long exposure light drawings using motion graphics of scientific scans to recreate the human form 48" x 69" / 122cm x 175cm edition of 7 ...
    Category

    21st Century and Contemporary Conceptual Color Photography

    Materials

    Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

  • HOPE ( 4 Artworks 21.6 x 32" / 55 x 81cm )
    By Christian Stoll
    Located in San Francisco, CA
    H-O-P-E by Christian Stoll large scale conceptual photography playing with viewer's perspective 4 individual photographs individual artwork size 21.6 x 32 inches (55 x 81cm) horiz...
    Category

    21st Century and Contemporary Conceptual Figurative Photography

    Materials

    Giclée, Archival Pigment, Archival Ink, Archival Paper, Photographic Paper

  • Billboard - large scale monochromatic photograph of iconic Americana road sign
    By Frank Schott
    Located in San Francisco, CA
    a monochromatic photographic homage to artist Ed Ruscha from a series of iconic Americana roadside billboard signs and conceptual signage BILLBOARD by Frank Schott 48 x 76 inches...
    Category

    21st Century and Contemporary Conceptual Color Photography

    Materials

    Archival Paper, Photographic Paper, Archival Pigment, Giclée

Recently Viewed

View All