Paul Nicklen

Home Ice Advantage, Antarctica by Paul Nicklen - National Geographic - Penguins

2006

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 78 inches 67 x 112 inch...

The Siberian Heilongjiang, China - 2024 LARGE 48” x 103” Unframed 48” x 118” Framed Edition of 12 STANDARD 36” x 77” Unframed 51” x 92” Framed Edition of 12 "I firmly believe that...

Archival inkjet print on Hahnemühle fine art matte paper Edition size: 11 16 x 20 inches 20 x 24 inches Susan Aurinko, photographer and curator, has shown her work in solo exhibit...

Archival inkjet print on Hahnemühle fine art matte paper Edition size: 11 Paper size: 16 x 20 inches Also, available in 11" x 14" • 20" x 24" For larger sizes, please inquire ...

Syrian Girl Beqaa Valley, 2015 Zack Whitford’s expertise lies in capturing facial expressions and emotions as they occur, creating truly empathetic images. The gaze of the young Syrian girl who was photographed at a refugee camp in the Beqaa Valley incorporates the entire thesis of Humanity, instantly drawing the audience to her and forcing them to care for her, whether consciously or not. To view this image is to realize that Whitford’s stance is not to convey his own emotions, but to reveal to his audience that which already exists in the world of humankind and why we should care for it. Archival Pigment Print on Archival Canson Platine Fibre Rag paper. Signed and numbered by the artist. Edition size: 25 16" x 20" Print Please inquire for framing options. BIO: A gifted young street photographer, who just happens to be the son of Aerosmith’s rhythm guitarist, Brad Whitford, is set loose with the band. The result is a take on rock photography that blows through all the commercial conventions of hype-driven money shots. - Michael Weinstein...

Limited edition Archival Pigment Print on Archival Canson Platine Fibre Rag paper. Signed and numbered by the artist. Edition size: 25 16" x 20" Print Please inquire about framing options. BIO: A gifted young street photographer, who just happens to be the son of Aerosmith’s rhythm guitarist, Brad Whitford, is set loose with the band. The result is a take on rock photography that blows through all the commercial conventions of hype-driven money shots. ~Michael Weinstein...

Archival pigment print Signed and numbered on label, verso 20 x 24 inches (Edition of 10) 43 x 50 inches (Edition of 7) This photograph is offered by ClampArt, located in New York City. Since the great success of her monkey portraits...

Archival pigment print Signed and numbered on label, verso 24 x 20 inches (Edition of 10) 50 x 43 inches (Edition of 7) This photograph is offered by ClampArt, located in New York ...

Dark Flora #5 - May Foxgloves, 2020 Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8 Foraged from Sussex Wealden woodland in early summer, it includes Foxgloves, beech, heather and star moss surrounding a woodland bird’s nest. Foxglove’s sometimes used to be called dead man’s bells due to every part of the plant being poisonous... Inspired by Victorian era taxidermy dioramas...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...