Phillip BuehlerHair Dryers
About the Item
- Creator:Phillip Buehler (American)
- Dimensions:Height: 24 in (60.96 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU6921011033
Phillip Buehler
The photographer Phillip Buehler has devoted his career to exploring obsolete sites, what he calls “modern ruins.” Captured in states of evocative decay, his subjects have included an abandoned psychiatric asylum, a Cold War missile silo and an offline power plant.
In late 2019, Buehler's body of work on view in the exhibition “Mallrat to Snapchat: The End of the Third Place” — at Front Room Gallery, in New York — may have elicited more nostalgia than the others. It was a look at New Jersey’s defunct Wayne Hills Mall and, by extension, at the dying culture of middle-class suburban shopping centers across the country.
"I started photographing abandoned places the same year the mall opened, 1973, when I was a senior in high school," Buehler told The Study. "At the time, New York was falling apart, with empty piers and abandoned or burned-out buildings everywhere. Back then, nobody was photographing them, so I had no art references — most were cinematic. Two films released in 1968 made a big impression on me: 2001: A Space Odyssey and Planet of the Apes."
Browse a collection of Phillip Buehler's photography on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- "Salt Shed" Contemporary Color PhotographBy Phillip BuehlerLocated in New York, NYThe graphic red orange and white pattern of the tent canopy, composed with the metal trestle arches creates a visual symmetry in this color photograph. The soft geometry of the central salt pile mimic the arch and undulating forms in orange ceiling pattern of the shed. 24"x48" will photograph, signed and editioned on reverse. (edition of 5). Unframed, please inquire about framing options. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Be My ValentineBy Ashok SinhaLocated in New York, NYAshok Sinha's luminous color photograph "Be My Valentine" features the shadows of a mother and an infant. The pairs silohuette is bathed in an amber glow against the wall, with a crib...Category
2010s Contemporary Figurative Photography
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- "Photocenter 2000" Wayne Hills Mall, New Jersey (Modern Ruins) color photographBy Phillip BuehlerLocated in New York, NYlimited edition of 5, signed on reverse by the artist, Phillip Buehler. A flood of water creates a reflected surface of debris along the floor of the abandoned store in this photograph. Buehler has captured the time capsule effect of the remnants of the store with its geometric patterns in pink, teal and grey denoting the former 'glory days' of the Wayne Hills Mall...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- "Blimpie" Wayne Hills Mall, Wayne, NJ (Modern Ruins) color photographBy Phillip BuehlerLocated in New York, NYlimited edition of 5, signed on reverse by the artist, Phillip Buehler. Flooded hallways and abandoned kiosks are all that remains of the shops at Wayne Hill's Mall. This photograph depicts the once active Blimpie's sandwich shop. It's famous logo and neon sign still intact in the dilapidated mall. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- "Atrium" Wayne Hills Mall, New Jersey (Modern Ruins) color photographBy Phillip BuehlerLocated in New York, NYlimited edition of 5, signed on reverse by the artist, Phillip Buehler. A view of the open panel ceiling of the atrium in the abandoned Wayne Hills Mall...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- "Sam Goody Exterior" Wayne Hills Mall (from Modern Ruins series) photographBy Phillip BuehlerLocated in New York, NYlimited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts what remains of the of the Sam Goody entrance at the deserted Wayne Hills Mall, in Wayne, New Jersey. The prominent sign to the entrance of the mall, has been removed yet, there is still the vaguely visible lettering on the grand entrance to the closed retailer. Phillip Buehler captures the last stages of the life of the once bustling mall, with the empty corridors and dilapidated storefronts and kiosks. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Loading Zone, Color Photograph, Archival Pigment Ink Print, signed and numberedBy Julie BlackmonLocated in Sante Fe, NMLoading Zone is from Julie Blackmon's ongoing series Domestic Vacations. Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used to...Category
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- Markus Klinko - The Book, Photography 2001, Printed AfterBy Markus KlinkoLocated in Greenwich, CT"Markus Klinko is an award-winning, international fashion/celebrity photographer and director, who has worked with many of today's most iconic stars of film, music, and fashion. Kli...Category
Early 2000s Contemporary Color Photography
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- Wheels ( 48 x 64" / 122 x 163cm )By Frank SchottLocated in San Francisco, CAWheels by Frank Schott 48 x 60 inches / 122cm x 152cm edition of 7 signed 32 x 40 inches / 76cm x 102cm edition of 25 signed archival quality fine art pigment print limited art ed...Category
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- Hydrea #005 – Emma Summerton, Fashion, Model, Fine Art Photography, Colour, ArtBy Emma SummertonLocated in Zurich, CHEMMA SUMMERTON (*1970, Australia) Hydrea #005 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...Category
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- Hydrea #002 – Emma Summerton, Fashion, Model, Fine Art Photography, Colour, ArtBy Emma SummertonLocated in Zurich, CHEMMA SUMMERTON (*1970, Australia) Hydrea #002 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...Category
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- Hydrea #011 – Emma Summerton, Fashion, Model, Fine Art Photography, Artwork, ArtBy Emma SummertonLocated in Zurich, CHEMMA SUMMERTON (*1970, Australia) Hydrea #011 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment