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Stefanie Schneider
Her last Call III - Women, 21st Century, Polaroid, Figurative, Photograph

2016

About the Item

'Her last Call III' (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10, Archival C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory # 16501. Not mounted. Stefanie Schneider is a photographer whose work transports viewers into dreamlike realms, blurring the lines between daydreams and sleeping fantasies. She captures surreal scenes in the South West of the USA, where reality and imagination intertwine. The people she photographs, the motives behind their actions, and the narratives within her photo series are all elusive and intangible. Schneider's art deliberately incorporates atmospheric disturbances, creating a narrative that draws viewers into a world of memories and gaps in recollection. She skillfully uses media, but her materials, notably expired Polaroid film, introduce an element of unpredictability. Despite this, Schneider has mastered techniques involving bulk purchases, careful storage, and precise temperature and timing to harness the material’s potential. One of Schneider's significant works, "Mind Screen," embraces the fragility of reality. Through dreamlike sequences, she juxtaposes the real and the comprehensible with magical realism, leaving the interpretation of the storyline to the viewers. Her art defies categorization, effortlessly blending genres like road movies, acts of violence, and self-sacrifice. Familiar film references, like Wim Wenders' "Paris, Texas" and "Thelma and Louise," are distorted, adding layers of complexity to her creations. Despite the expired film and unpredictable processes, Schneider's work captivates audiences with its shimmering, unreal scenes. Viewers are entranced, unable to step out of the dreamlike experience, unable to distinguish fact from fiction. Stefanie Schneider, holding an MFA in Communication Design from Folkwang Schule Essen, Germany, has exhibited her work in prestigious venues such as the Museum for Photography in Braunschweig, Museum für Kommunikation in Berlin, and Les Rencontres d'Arles, among others.
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    By Stefanie Schneider
    Located in Morongo Valley, CA
    Officer's Wives Club (29 Palms, CA), diptych - 1999 Edition of 23/25, 40x40cm each, installed 40x87cm, including gap. 2 Analog C-Prints, hand-printed by the artist, based on the 2 Polaroids. Signed on back with Certificate. Artist inventory number: 316. Mounted on Aluminum with matte UV-Protection. 29 PALMS, CA is a film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. The world depicted in the film is inspired by the photographs of German artist Stefanie Schneider in that it combines the notions of reality and fantasy and explores the resonance of both within a desert landscape and a transient culture. The characters portrayed in the film, (an actress, a singer, a DJ, a motel owner and his wife, a US army soldier, a mystic, a princess, a recluse, a movie ticket seller, two hitchhikers, a doctor, and so on), are to be played by both actors and non-actors. The story is constructed through the interpretation of real-life communications (i.e. phone calls, emails, conversations) that have taken place as the individuals depicted in the story try to make sense of events that have occurred in real life. In this sense, the story is, in part, a biography and social commentary, and the characters are the exaggerated alter egos of the individuals who play them. The structure of the plot is fairly simple. An actress working as a telemarketer is inspired by a singer who is new to town and is featured on the local radio station. The radio station runs a program for lonely hearts and a charismatic DJ uses the show to reveal the hopes and dreams of the town's “hottest women”. One night a panicked German female caller captivates the community with a painful story about a sexy “Smoke Jumper” (a mysterious and super real alpha male). Everybody in town is listening to the program and nobody is quite sure what to say. Life in general continues and we witness and explore the various interactions. The actress meets the singer and they become famous. The US Army soldier dies on his way to battle. The foreign princess discovers that the jewels she has come to sell are fake. The motel owner‘s wife has an affair with the pool boys and so on. All the while the community is united by their loyalty to the “Lonely Hearts” radio show and through the disturbing revelations of the German woman...
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  • Buried - Contemporary, Landscape, Figurative, expired, Polaroid, analog
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    Buried (Stranger than Paradise) - 1999 Edition of 10, 58x56cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory N...
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    Car Wash (Stranger than Paradise) - 1999 64.6x59.5cm including the white 'Polaroid' frame. Edition 2/10. Analog C-Print, hand-printed by the artist, mounted on Aluminum with mat...
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    Early 2000s Contemporary Color Photography

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  • Untitled - Till Death do us Part, analog, mounted
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  • Accident II - with Ewan McGregor and Ryan Gosling, Polaroid, 21st Century, Color
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    Early 2000s Contemporary Figurative Photography

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    C Print, Color, Polaroid, Archival Paper, Photographic Paper

  • White Trash Beautiful I - 29 Palms, CA featuring Radha Mitchell
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    Located in Morongo Valley, CA
    White Trash Beautiful I (29 Palms, CA) featuring Radha Mitchell - 1999 128x125cm, Edition 3/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based o...
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    Early 2000s Contemporary Color Photography

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    Archival Paper, Photographic Paper, C Print, Color, Polaroid

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