David Pugh

“Untitled” (from Body Series)

2018

Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24 x 24 inches (60.96 x 60.96cm) Edition: 15 Signed, titled and dated on label COA provided *Framing options available....

Nick Vedros Cubist Poodle Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 9.5x14in Edition: 12 Signed, dated and numbered by hand on label Stamped COA pro...

Nick Vedros Ducati Girl Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2012 Size: 16x10in Edition: 15 Signed, dated and number...

Lord Fauntleroy Sir Barksalot - Beagle 2023 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24 x 24 inches (60.96 x 60.96cm) Edition: 15 Signed, titled and dated on lab...

Artist : Helen Graham Title : Concentrated Materials : Archival Pigment Print Date : 2019 Unframed Photography has always been a way for Helen Graham to express her emotions in a silent way. Through her photos she intends on stirring your imagination and touch your heart. Helen Graham also will show you things that sometimes in our busy world we miss seeing. She intensely focuses on capturing a specific moment while never losing her natural sense for composition. Contemporary Photography, contemporary photographers, still life, still life photography, color photography, cinematography, cinematic, scenic, photography, interior, interior photographs, human from, figurative photography, documentary photography, portrait, hair salon, Cindy Sherman, Hiroshi Sugimoto, Andreas Gursky, Alec Soth, Gregory Crewdson, Rinko Kawauchi, Michael Wolf, Robert Adams, Wolfgang Tillmans, Tina Barney, Richard Mosse, Julie Blackmon, Ren Hang.

Artist : Helen Graham Title : The Wait Materials : Archival Pigment Print Date : 2019 Unframed Photography has always been a way for Helen Graham to express her emotio...

IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979 Archival Pigment Print, Framed Image size 30 x 30 cm Frame: 55 x 45.5 cm © Brian Griffin "I remember this...

"I wrap, cover or paint my body with the same pattern as the backdrop and represent myself as a part of that landscape. With this act, I am building my own identity through the entou...

This piece is a reference to the Greek naiad Daphne. There are several versions of the myth in which she appears, but the general narrative, found in Greco-Roman mythology, is that due to a curse made by the fierce wrath of the god Cupid, son of Venus, on the god Apollo...

This piece is named after the eponymous Greek naiad. There are several versions of the myth in which she appears, but the general narrative, found in Greco-Roman mythology, is that due to a curse made by the fierce wrath of the god Cupid, son of Venus, on the god Apollo...

"The 2021 photo performance Blue Flight reflects the ways Paredes draws from numerous spheres including her autobiography, literature, mythology, and spirituality, to grapple with th...

“I walked into a timeless place … full of supporting actors and actresses of every conceivable role,” Abramson wrote in Light: On the South Side, published by Chicago’s Numero Group in 2009. “Brassai, who photographed nocturnal Paris around 1930, had always been one of my favourite. Having seen, his pictures and, later, read about his experiences, I was fascinated by the implied romance with which he viewed his photography. (…) When I photographed on the South Side, especially in Peppers Hideout, it was very much in recognition of a Brassai–type world. Whether it be ambiance, gestures, or dress, there seemed to be a direct correlation with the Parisian bistros and dance halls that Brassai had photographed.” - Michael Abramson, “Black Night Clubs of Chicago’s South Side”, May 1977. Print details: © Michael L Abramson, Untitled #112, CA. 1974 -1977 Vintage Gelatin Silver Print, in custom made frame Image size: 20.5 x 30.5 cm, Printed on 11 x 14" paper (27.9 x 35.4 cm), white border Series: 1970s Nightclubs of Chicago South Side Stamped; "Provenance Authenticated by Michael L Abramson Estate, 2011" on verso Frame: 38 x 48 cm (Custom made classic hardwood frame, stain in black, museum mount board and antireflective UV AR protective art glass) All prints from 1970s South Side Chicago series are available for purchase as the singular works or as the group of images - please view a selection on 1stDibs and the gallery storefront. All works are Vintage Silver Gelatin prints made by the photographer at the time there were taken. All prints can be purchased in bespoke hardwood frames, museum mount board and anti-reflective UV protective Art Glass. If you wish to ship or purchase unframed prints, we are happy to arrange that for you. About the Photographer: Michael L Abramson was born in New Jersey in 1948, the late American photographer graduated with Master of Photography from Institute of Design, Illinois Institute of Technology in Chicago in 1977. His work was regularly featured in Time, New York Times, Newsweek, People, Forbes, Harpers, Wall Street Journal and other popular American and international magazines. He was a highly sought after commercial portrait photographer and photojournalist. His subjects comprised celebrities, prominent stars from sport, politics and the entertainment industry included Bill Clinton, Steve Jobs, Steven Spielberg, Michael Jordan, Oprah Winfrey and many more. Yet it was his 1970s series documenting the Chicago South side club scene that made Abramson’s name. Influenced by Brassaï’s photographs of the 1920s Paris, Abramson caught the stylish nightlife of the funk and soul era in full, alluring swing. His work was exhibited frequently since 1978, including a solo show at Museum of Contemporary Photography, Chicago, in 2014 and in the same year the group show on American Photography since 1950 at Madison Museum of Contemporary Arts (US). Following Abramson’s death in 2011 a new book entitled Gotta Go Gotta Flow: Life, Love, and Lust From Chicago’s South Side was released by Chicago-based Chicago City...