Stefanie Schneider

Memories of Love - 21st Century, Polaroid, Figurative, Women, Color

2013

Field of Dreams (Sidewinder) - 2005 80 x 78 cm, Edition of 5, analog C-Print, hand-printed by the artist, based on the Polaroid, Artist Inventory 3131.02, Not mounted Stefanie ...

A Man and a Woman (Sidewinder) - 2005 20x20cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 3213. Signature label and Cer...

OK Corral - part 2 - (Stranger than Paradise) - 1999, 20 x 20 cm, Edition 5/10, Archival C-Print based on a Polaroid Artist Inventory 3182.18. Not mounted Stefanie Schneider's s...

'Untitled' (Oilfields) - 2004 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1207. Not mounted. OILFIELDS...

Abstract I (Sidewinder) - 2005 part of DECONSTRUCTIVISM - about the narrative potential of images. 20x20cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 38...

'Ewan McGregor' (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid Certificate and Signature label artist Inventory No. 5007.01 Not mounted Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas...

Please bear in mind that all prints are produced to order and lead times are expected between 15-20 days. Basketball, Clapham I is a stunning C-Type Print by contemporary photograph...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. This is an 80cm x 80cm Digital print on 100cm x 100cm Cotton Paper. This sized...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Hong Kong Football is a dynamic C-Type Matte Print by Contemporary photographer Chri...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Due to currency fluctuations prices may change. Youth II is a stunning C-Type Print by contemporary photographer Ben Thomas...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Due to currency fluctuations prices may change. Bondi Foundations is a gorgeous C-Type Print in an Edition of 10 in this size by contemporary photographer Ben Thomas...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Due to currency fluctuations prices may change. Bondi Interpretation is a dynamic C-Type Print in an Edition of 10 in this size by contemporary photographer Ben Thomas...