Tseng Kwong Chi

Jean-Michel Basquiat

1987, printed in 2001

A photograph by Andy Warhol. "Carolina Herrera" is a Polaroid, Polacolor by American pop artist Andy Warhol. The artwork is numbered FA04.07026 and AWL064. The work is embosed in the...

A set of two photographs by Andy Warhol. "Andy Warhol Abroad" is a set of two Polaroids, Polacolors by American pop artist Andy Warhol. The artwork is numbered FA01.00184, FB01.00004...

A polaroid by Andy Warhol. ""Andy Painting"" is a Post-War Polaroid in a bold palette of blacks and reds by American Pop Artist Andy Warhol. The work has been given the Warhol Founda...

A photograph by Lawrence Schiller. “Robert Kennedy, San Diego” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

This is a black and white portrait of Marilyn Monroe with sparklers photographed by Lawrence Schiller in 1962. Edition 72/75 Lawrence Schiller only remembers the 60s in this way: Fa...

Edition 72/75 Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find...

Brunch At Brennans Sunday brunch at Brennan’s restaurant, New Orleans. A Wonderful Time – Slim Aarons Slim Aarons Chromogenic C print Printed 2024 Slim Aarons Estate Edition Pr...

Twiggy – at David Steen’s Home, Surrey Lesley Lawson (born 19 September 1949) is an English model, actress, and singer widely known by the nickname Twiggy. She was a British cultura...

A Vision you can't Capture (29 Palms, CA), 2007, 125x150 cm each, 3 pieces, installed 125x470cm, Edition 1/5, analog C-Print printed on Fuji Archive Paper, hand-printed by the artist...

Frenzy II (Sidewinder) 2005, 125x156cm, Edition 2/5. Analog C-Print, printed by the artist, based on an expired Polaroid. Certificate and Signature label. Artist Inventory No 3049.0...

EMMA SUMMERTON (*1970, Australia) Silverful, 2004 Chromogenic print Image 152,4 x 123,47 cm (60 x 48 5/8 in.) Sheet 182,3 x 153 cm (71 3/4 x 60 1/4 in.) Edition of 1; Ed. no. 1/1 Print only Emma Summerton (*1970 Australia) graduated from the National Art School in Sydney, where she studied fine arts majoring in Photography. Summerton moved to London in 1998, where she worked as an assistant to artist Fiona Banner...

Untitled (Lily and Azriza, Air Asia), 2006 From the monograph Flight Attendants powerHouse Books, 2008 Signed, numbered, and dated (archival label, ...