Christine So

Foggy Morning Pines (Hand-Printed original cyanotype, 24 x 18 inches)

2022

Unframed. New from 2024. Hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints made. This is a hand-printed contact photograph using t...

Brand-new addition to the Foggy Woods Collection of forests in northern California near San Francisco. New as of May 14, 2024. This is a hand-printed contact photograph using the ant...

Brand-new addition to the Foggy Woods Collection of forests in northern California near San Francisco. New as of May 14, 2024. This is a hand-printed contact photograph using the ant...

Unframed. 2023. Signed on the back. Narrower than "The Journey's End." This photograph was taken a year after the artist's husband died, revisiting the same path but photographing ...

Unframed. 2022. Signed on the back. This photograph was taken just weeks after the artist's husband died, thus the title, "The Journey's End." Paths that disappear into the mist, p...

FRAMED. Image itself measured 20 x 30 inch original photograph and is matted and framed in 24 x 36 inch (60 x 91cm) white metal gallery frame with a 1-inch profile. This photograph ...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Wetterhorn, Bern 2020 Edition on 2 Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 68 x 76 x 3 cm Other edition in 3 sizes, 3-2-1 + AP To get a fresh look at natures beauty in a modern era, Zak van Biljon went beyond the visible spectrum to capture these vivid images. The technique, developed for military surveillance and crop surveys, captures near-infrared light: wavelengths of electromagnetic radiation that fall between what we see as red and the longer wavelengths used for thermal imaging. The pigment in plant leaves, chlorophyll, strongly absorbs visible light which they use as a source of energy in the process of photosynthesis. The cell structure of the leaves, on the other hand, strongly reflects near-infrared light. A strong absorption at these wavelengths would only result in overheating the plant and possibly damaging the tissues. The human eye is unable to perceive infrared light but it is exactly this reflected energy, which reacts with infrared-sensitive material to create electric pinks and vibrant reds. The idea of landscapes is not landscape by itself. Nothing exists by itself but only through perception. Our perception, however, is subject to both individual watching and classifying what we see. The classification is strongly subdued to the imagery with which we are confronted every day. The famous Windows computer desktop image “Bliss” and others of this kind have become a kind of nature of which we believe that is is “true” nature. Pictures of natures are not about falsifying nature itself but are reflecting our perception of nature. What kind of image do we have? On social media channels user are sharing zillions of filtered photos of nature...

Val Roseg, Grisons 2019 Edition of 2. Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 68 x 93 x 3 cm Editions in 3 sizes, 3-2-1 + AP To get a fresh look at natures beauty in a modern era, Zak van Biljon went beyond the visible spectrum to capture these vivid images. The technique, developed for military surveillance and crop surveys, captures near-infrared light: wavelengths of electromagnetic radiation that fall between what we see as red and the longer wavelengths used for thermal imaging. The pigment in plant leaves, chlorophyll, strongly absorbs visible light which they use as a source of energy in the process of photosynthesis. The cell structure of the leaves, on the other hand, strongly reflects near-infrared light. A strong absorption at these wavelengths would only result in overheating the plant and possibly damaging the tissues. The human eye is unable to perceive infrared light but it is exactly this reflected energy, which reacts with infrared-sensitive material to create electric pinks and vibrant reds. The idea of landscapes is not landscape by itself. Nothing exists by itself but only through perception. Our perception, however, is subject to both individual watching and classifying what we see. The classification is strongly subdued to the imagery with which we are confronted every day. The famous Windows computer desktop image “Bliss” and others of this kind have become a kind of nature of which we believe that it is “true” nature. Pictures of natures are not about falsifying nature itself but are reflecting our perception of nature. What kind of image do we have? On social media channels user are sharing zillions of filtered photos of nature...

Dammagletscher Uri 2020 Edition 1, AP. Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 144 x 128 x 7 cm. Other ...

Bredarsdorp, Western Cape, 2019 Pigment print on Canson photographic rag 310g, mounted on dibond in a smoked oak wood frame with museum glass Edition of 2 Framed: 68 x 76 x 3 cm Oth...

Rothko 2020 Edition 1, AP. Pigment print on Canson photographic rag 310g, mounted on dibond in grey oak wood frame with museum glass. Framed: 144.6 x 128 x 7 cm Other editions in 3 ...