Pillsbury Picture Co

Morning Clouds at Sunrise Over Sunrise, 1915

Titled and dated in pencil on verso Vintage sepia toned silver print 10x13"

Pentti Sammallahti Inawashiro Lake, Japan 2005 Gelatin Silver print

Pentti Sammallahti Kökar, Finland 1974 Gelatin Silver print

Gelatin Silver print mounted to archival board. Stamped on verso with signature, title, number and date in pencil. Signed, numbered and dated in pencil on recto. Edition of 45.

Gelatin Silver print mounted to archival board. Stamped on verso with signature, title, number and date in pencil. Signed, numbered and dated in pencil on recto. Edition of 45.

Gelatin Silver print mounted to archival board. Stamped on verso with signature, title, number and date in pencil. Signed, numbered and dated in pencil on recto. Edition of 45.

Tea-stained gelatin silver print Signed, titled, dated, and numbered (6/25), verso 20 x 16 inches, sheet This photograph is offered by ClampArt, located in New York City.

Bowling (Ghost Town) - 2020 Sketches of a downtown disappearing. 20x20cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back wit...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This artwork is offered by ClampArt, located in New York City. “Meatyard searched continually for a non-objective art that would be wordless poetry, spontaneous music without sound. The ‘Motion-Sound’ pictures of his later years brought Meatyard’s passion for music and, paradoxically, the silence of Zen Buddhism together in photography. In creating the series, he focused the camera on a natural scene (or one containing plain rural architecture) and then moved it slightly. The result of this action is an image that suggests sound while abstracting natural forms. The landscapes of the ‘Motion-Sound’ series are in stark contrast to the evocative, more traditional views of the Red River Gorge that Meatyard was executing during the same years.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), p. 122 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay, before moving to New York in 1986. He now divides his time between Paris and New York. ...

Street Photography /2000. Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Gelatin Silver Print Signed, titled, negative date & print date on verso. Ana Maria is visual ar...

Gelatin silver print Paper size: 20 x 16 in., Image size: 15 x 15 in. Signed, titled, dated, and print date by Mario Algaze Mario Algaze is a contemporary Cuban-American photographer whose work articulates the counter-culture of Latin America, the Caribbean and Cuba. In 1960, at only thirteen years old, Algaze was exiled from Cuba. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture. In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture. The vision Algaze has made him an award-winning photographer and in 1985 was the recipient of the Individual Florida Artist Fellowship and in 1989, received the Cintas Foundation Fellowship in Visual Arts. A retrospective collection of his work from 1974-2008 is showcased in his book A Respect for Light: The Latin American Photographs...