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India. Hyderabad - Dschitah - Original Vintage Photo - 1893

1893

Garden of Italy is one of the best photo on canvas realized by Giuseppe Marani in 2010. Always passionate about landscapes and photography, the artist then devoted himself to landsc...

View on a China street is a b/w photograph in gel print taken very likely in 1925. The picture, taken through the streets of Wuchon, immortalizes some bystanders among the houses. Indications in pen in German on the back...

Historical Photo of Prison  is a vintage black and white photograph realized in the 1970s. Good conditions.

Disappeared Rome - Palazzo Desideri is a vintage photographic print on single-coated paper. On the back "Fotovedo" ink agency stamp and handwritten notes in pencil. Excellent cond...

Red slopes is one of the best photo on canvas realized by Giuseppe Marani in 2010. Always passionate about landscapes and photography, the artist the...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

"Fooling Around 03" Photography 23" x 33" inch Edition 1/5 by Patricio Gonzalez Photographs intervened (1/5 ) / 300gr paper museum quality Not framed. Ships in a tube. From "Tell me how to behave" series "The simulacrum is not what hides the truth. It is the truth that conceals that there is no truth. The simulation is true " TELL ME HOW TO BEHAVE Series of photographs digitally intervened and road signs transformed (life-size), who wonder about the infinite possibilities, without losing sight of the fact that in all of them. There is the possibility of death. With this in mind, the work seeks to relate to the viewer, in terms of the experience lived, decisions in time, or personal history, which are common to all. Functioning as a counter-proposal to the expectations that the group expects from the individual. The dislocated-edited reality makes us ask about our reality and to what extent. Sample freedom of choice is influenced by external agents, mass control systems, mass media, etc. Waste, immaturity, successes, time lived. The series plays with the presentation of bad possibilities, absurd and impossible, and their relationship with time. Letting you see the paradox of memories and experience, raising its relationship with the present. Where the image of the road, as an American space of freedom, opens up to the idea of ​​a space large enough to imagine the possibility of reinvention in every second. Curriculum vitae Born on February 14, 1974, Santiago, Chile. Study at the School of Fine Arts of t he University of Chile and the University Complutense Hotels guest, Spain. He also attended workshops in painting, drawing and engraving the Circulo de Bellas Artes in Madrid. Work in the study of Guillermo Muñoz Vera, Madrid. SOLO EXHIBITIONS 2018 Kadoshiro Art Gallery “Looking for Happiness” Eduardo Lira Art Gallery “IT ́s not here” 2017 Off the wall / serie Golden Bitches/Beaches>(march 9) Galeria Artium-Miami,Usa 2016 ”Razones para la venganza” Galeria Artium-Miami,Usa. 2015 "Out Doors", Gallery Latam Santiago-Chile. 2013 "Coming down like flies" Latam Gallery Santiago, Chile. 2012 "Coto de Caza" Artium Gallery, Santiago, Chile. 2010 "Reasons for permanecia" Praxis Gallery, Santiago, Chile. 2009 "Fissure postcard" fifhy one Dot Gallery, Miami USA. 2008 "Connotations Sinister Galeria Trece, Santiago-Chile. 2007 "From the periphery to the center" Gallery 000 ", Santiago-Chile. 2005 "Lost Time" Gallery Forest, Consepcion- Chile. 2006 "Permanent Revolution" Artium Gallery, Santiago-Chile. 2005 Providencia Santiago Chile-Cultural Center, “Carrera” 2004 "personal mythologies", Praxis Gallery, Santiago-Chile GROUP EXHIBITIONS 2019 West palm Beach Art...

'Yoga Dunes' exemplifies the long-exposure photography of Robert Kawika Sheer. In the image, across an arabesque sand dune, silhouettes of the artist perform yoga, each figure drawin...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Tilted (Malibu) - 2004 57x56cm, Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist. on Fuji Crystal Archive Paper, matte surface - Vintage Print. Based ...

Photo-impressionist work from a birds-eye view Signed and dated on lower right, numbered on verso, 2/15 Printed later, other size available, unframed

Edition 1/10 - Walsham Le Willows, Suffolk,, Silver Gelatin Photograph Edition of 10 + 5 APs. Front: Signature and edition number with artists blind stamp. 
 Back: Ink stamp and pri...