Scott McDermott

Portrait of Nick Offerman with Slinky Eye

2018

Dye-Sublimation print on aluminum

This piece is an original dye-transfer print taken of Lauren Hutton by Milton Greene in 1966. It is hand signed by Greene and marked as an Artist's Proof...

Series: Historical Fiction Dye Transfer All available sizes & editions for each size of this photograph: 18" x 18" Edition of 3 "Hannah Colorized is a new DYE transfer print, which I also used a brand new technique for this was shot on black and white film, then colored by hand using special paints to create a KODACHROME look. This is a process that took me years to perfect and will be immortalized in the DYE transfer printing process forever. These are the rarest color prints in existence and will each and everyone be museum pieces these masterworks are tailored only for top collectors. They are the longest-lasting highest-tone color images ever made. The Kodak company stopped making the chemicals in 1994 and these are the last remaining chemicals in the world, after my run, there will never be Dye Transfer prints again. The color process depends on superimposing three images in the subtractive colors: cyan, magenta, and yellow in the exact register facilitated using register pins mounted at the edge of a glass rolling bed...

Series: Provocateur Dye Transfer Available Size & Edition Information: 18" x 18" Edition of 3 ONE LEFT There is something contagious about ideas, the more people you surround y...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Disco...