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David HallidayCherries (Contemporary Still Life Study of Red Cherries in Light Box)2000
2000
About the Item
11.25 x 11.25 inches unframed
Archival pigment print
edition of 12
Some of David Halliday's most engaging works are those from his Box Series in which he merges classical ideas about light and composition or still lifes with contemporary experiments of fresh color. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude.
In this particular image, the bright red Bing cherries with their bright green stems are piled high into a silver goblet, gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting!
About the work:
The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window light to illuminate his subjects, Halliday's direct formal approach offers a fresh take on the historic art prototypes of still life and portraiture. The simplicity of his visual language produces images that transcend time.
- Creator:David Halliday (1958, American)
- Creation Year:2000
- Dimensions:Height: 11.25 in (28.58 cm)Width: 11.25 in (28.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2271386613
David Halliday
David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing.
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