André Massonoriginal lithograph1969
1969
About the Item
- Creator:André Masson (1896-1987, French)
- Creation Year:1969
- Dimensions:Height: 12.21 in (31 cm)Width: 9.45 in (24 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Henderson, NV
- Reference Number:1stDibs: LU2365211701812
André Masson
Born in 1896 in Balagny-sur- Thérain, a small village in France, André Masson spent most of his youth in Brussels, Belgium working as a pattern maker at an embroidery atelier. Masson began his schooling in 1907 at the Académie Royale des Beaux-Arts in Brussels. In 1912, he relocated to Paris, where he attended the École des Beaux-Arts. In 1914, the artist was called to military duty for the First World War, where he was severely wounded and sent back to Paris. Much of Masson’s work is influenced by this trauma; his drawings and paintings executed during the 1920s represent battle scenes, blood, death, birds and fish. The strange realities of trench warfare and the immediate contiguity of life and death are drawn upon, and his imagery suggests a confrontation of life at an abnormal level of experience. His signature style deals with violence, evident in terrifying, fragmented figures, which reflect the horrors of the Spanish Civil War and WWII, as well as his troubled psyche in the aftermath of his service in WWI.
After WWI, Masson moved to the South of France, where he met Juan Gris, André Derain, Joan Miró and André Breton. Breton championed the Surrealist Manifesto and Masson joined in the group exhibition of the first Surrealists. An iconoclast, whose abrupt stylistic transitions defy classification, Masson also explored automatism (automatic drawing), a process that sought to express the creative force of the unconscious. These automatic drawings had no preconceived subject or composition. Like a medium channeling a spirit, Masson let his pen travel rapidly across the paper without conscious control. He soon found hints of images, fragmented bodies and objects, emerging from the abstract, lacelike web of pen marks. At times, Masson elaborated on these with conscious changes or additions, but he left the traces of the rapidly drawn ink mostly intact. Masson’s oeuvre explores several techniques of painting, drawing and sculpture and displays rich, colorful abstraction as well as monochrome imagery and automatic linear representations. An early Surrealist and student of Cubism, Masson went on to inspire the New York Abstract Expressionists. Masson developed a technique of automatic painting that retained the element of chance; he dripped glue onto paper to form drawings and then covered it with sand. These ‘sand paintings’ are unquestionably his most iconic style.
When Masson emigrated to the U.S. in 1939, he strongly influenced several American painters with this technique, the most evident example being Jackson Pollack. After his time in America, he returned to Europe and while living in Spain during the mid-1930s, he became enraptured with Spanish themes—bullfights, matadors and Spanish mythology. Masson finally settled down in France (Aix-en-Provence), where he took up a late interest in impressionistic landscape, but he ultimately came to a place where he painted nearly exclusively abstract images. Masson dedicated his life as an artist to encouraging the non-rational purpose in art, to the direct transference of subconscious thought and to the primal forces of conflicts that he experienced in the trenches of World War One. Masson sought to convey in his work a deeper reality of man’s behavior, his own complex personal imagery, and his belief that painting is not a matter of developing style but a part of life itself.
- ShippingRetrieving quote...Ships From: Henderson, NV
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- "Corne a Licou" original lithographBy Maurice EstèveLocated in Henderson, NVMedium: original lithograph. Executed for XXe Siecle (issue No. 25), printed in Paris by Mourlot and published in 1965 by San Lazzaro. Sheet size 12 1/4 x 9 1/2 inches (310 x 240 mm)...Category
1960s Abstract Prints
MaterialsLithograph
- original lithographBy Maria Elena Vieira da SilvaLocated in Henderson, NVMedium: original lithograph. Printed by Mourlot in 1962 for the art revue XXe Siecle (issue No. 18). Size: 12 1/4 x 9 1/2 inches (313 x 242 mm). Not signed. Condition: there is cre...Category
1960s Abstract Prints
MaterialsLithograph
- "Black Gouache" lithographBy (after) Sol LeWittLocated in Henderson, NVMedium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...Category
1990s Abstract Abstract Prints
MaterialsLithograph
- "Black Gouache" lithographBy (after) Sol LeWittLocated in Henderson, NVMedium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...Category
1990s Abstract Abstract Prints
MaterialsLithograph
- "Black Gouache" lithographBy (after) Sol LeWittLocated in Henderson, NVMedium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...Category
1990s Abstract Abstract Prints
MaterialsLithograph
- "Black Gouache" lithographBy (after) Sol LeWittLocated in Henderson, NVMedium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...Category
1990s Abstract Abstract Prints
MaterialsLithograph
- Circle E blue and yellow modern abstract lithograph by Gordon HouseBy Gordon HouseLocated in London, GBTo see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...Category
20th Century Modern Abstract Prints
MaterialsLithograph
- UntitledBy Keith HaringLocated in Hollywood, FLArtist: Keith Haring Title: Untitled (Plate 1) Size: 24 x 36 in. (61 x 91.4 cm) Medium: Lithograph of Arches Paper Edition: 23 of 40 Year: 1982 Notes: From a suite of six prints. S...Category
1980s Street Art Prints and Multiples
MaterialsLithograph
- Lament for LorcaBy Robert MotherwellLocated in London, GBLithograph on white Tyler Graphics Ltd. (TGL) handmade paper 44x61 in (111.8x154.9cm) Edition of 52Category
1980s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Blue Face from the Brushstroke Figures SeriesBy Roy LichtensteinLocated in Miami, FLLithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...Category
1980s Contemporary Abstract Prints
MaterialsLithograph, Screen, Woodcut
- Seeing Voice Welsh HeartBy Paul JenkinsLocated in New York, NYA very good impression of this color lithograph on Rives BFK. Signed and numbered 30/40 in pencil. Printed by Mourlot, Paris. Published by Galerie Karl Flinker, Paris. From the same-...Category
1960s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Ellsworth Kelly: Ferus Gallery (Gate) Poster /// Abstract Geometric MinimalismBy Ellsworth KellyLocated in Saint Augustine, FLArtist: (after) Ellsworth Kelly (American, 1923-2015) Title: "Ellsworth Kelly: Ferus Gallery (Gate)" Year: 1966 Medium: Original Lithograph, Exhibition Poster on cream wove paper Lim...Category
1960s Abstract Geometric Abstract Prints
MaterialsLithograph