Claire Lieberman

Big Butterfly

2022

"BB" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's primary mediu...

"Three Eye" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper....

"Grenade With Flowers" is a relief print with piercing printed in black ink on handmade Korean paper. This unique paper has natural fiber inclusions which were placed into the pulp d...

"Bubbles" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's primary ...

"Blam" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's primary med...

"Cuties" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's primary m...

AGNES MARTIN Praise, 1976 Lithograph on Dalton Natural Bond paper. Gold stamped signature on the front An unnumbered proof, aside from the regular edition of 1000 Accompanied by the ...

Delicate embossed composition by Patricia A. Pearce (American, b. 1948). This piece has been painted in a bronze tone that shimmers and morphs depending on the light source and angle...

Delicate embossed composition by Patricia A. Pearce (American, b. 1948). This piece has been painted in a bronze tone that shimmers and morphs depending on the light source and angle...

Peter Halley (American, born 1953) Organizational Charts, 1990 Medium: Portfolio of four silkscreens on mylar Dimensions sheet 1, Is it an Arrival or a Departure?: 83 x 57 cm Dimensi...

Sol Lewitt Black with White Lines, Vertical, Not Touching, from Conspiracy: The Artist as Witness (Krakow 1970.07; 3. Kornfeld), 1971 Lithograph on Wove Paper Edition AP (A rare Artists Proof, aside from the regular edition of 150) Hand-signed by Sol Lewitt: pencil signed on the reverse (see photos), annotated Artists Proof, blindstamp of the publisher; copyright stamp reads: COPYRIGHT 1971 BY SOL LEWITT Published by: Bank Street Shorewood Atelier Frame included: Held in original vintage metal frame Measurements: Framed: 25 inches x 28 inches Sheet: 17 inches x 23 ½ inches This one-color lithograph pulled by hand from stone on Arches paper at the Shorewood Bank Street Atelier in New York by American master Sol Lewitt is a classic example of pure Minimalist art from the early 1970s - the most influential and desirable era. A very rare Artists Proof, aside from the regular edition of 150. "Vertical Lines Not Touching (Black)" was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman...

Alpha 137 Gallery is honored to offer this historic offset lithograph of legendary American artist Peter Halley's 1998 exhibition of small paintings at Galerie Bruno Bischofberger in...