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jean-Michel AtlanJean-Michel Atlan - Kafka - Original Lithograph1946
1946
About the Item
Original lithograph by Jean-Michel Atlan
For Description of a Struggle by Franz Kafka
Paris, Maeght Publisher, 1946.
Dimensions: 30.5 x 24.5
Edition: 300 on vellum
Mourlot
JEAN-MICHEL ATLAN (1913 - 1960)
Of Algerian-Jewish descent, Jean-Michel Atlan was born in Constantine (French Algeria) and moved to Paris in 1930 where he studied philosophy at the Sorbonne. He did not start painting until 1941 and was self-taught. His first paintings, though violently expressionist, contained images of figures and landscape, but he soon developed a more or less abstract style with dramatic rhythmical heavy black lines and metamorphic shapes
Arrested by the Nazis in 1942 for being Jewish and for his political activism, he pleaded insanity and was confined to the Sainte Anne asylum until 1944. In the sanatorium, Atlan encountered a world beyond the realms of everyday thinking which left a remaining imprint on his work. In 1944 he published a volume of poems Le Sang Profond and had his first one-man exhibition at the Galerie de l'Arc-en-Ciel, Paris.
In 1946 he met Asger Jorn and became involved with the CoBrA art group, and his studio became a meeting place for the collective in Paris. He produced fantastical, abstract animal shapes that were strongly influenced by the group and participated in their exhibitions. However, after achieving considerable initial success, he passed through a period of neglect and poverty and between 1947 and 1956 had no one-man exhibitions in Paris.
By 1956 his style was consolidated; strong, black, winding lines enclosing pastel coloured areas, which evoke organic and vegetable associations. That year Atlan achieved his breakthrough as an artist with a poster he designed for the exhibition of the new 'École de Paris' at the Charpentier gallery and an exhibition at the Bing Gallery in Paris. He received extensive attention in France, Japan, Britain and the US and was considered one of the most important exponents of 'Nouvelle École de Paris'.
Jean-Michel Atlan died in 1960 and in 1963 he was honoured with a retrospective at the Musée National d'Art Moderne in Paris. He left approximately 220 works, including tapestries and illustrations.
- Creator:jean-Michel Atlan (1913 - 1960, French)
- Creation Year:1946
- Dimensions:Height: 12.01 in (30.5 cm)Width: 9.65 in (24.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16122289993
Jean Michel Atlan was born in Constantine (Algeria) in 1913. After his studies in Constantine, he came to Paris in 1930 to prepare a bachelor’s degree in philosophy at the Sorbonne. He prepared the courses, while teaching in various provincial schools until 1940. He was dismissed by the Vichy government and moved to Paris. He wrote poems of a surreal nature, not yet painted. He then content himself sometimes to illustrate his poetry with simple drawings. Atlan began painting in 1941, in the middle of the war. His first works were expressionist. He contacted the Resistance and was arrested by the Germans; interned at Sainte-Anne, he simulated madness, which allowed him to «get out». After the long-awaited liberation, in 1944 Atlan participated in his first exhibitions, collective and individual. This date will be the starting point for many other exhibitions. From 1945, Atlan created abstract and fantastic figurative animal forms influenced by the high primitivism of the Cobra group and participated in its exhibitions. Around 1956, Jean-Michel Atlan’s style was strengthened. Very marked black winding lines surround fields with pastel tones reminiscent of organic and plant associations and whose theme is combat and fantasy resulting from a vision of the agnostic and biologistic world. Atlan’s artistic breakthrough in 1956 was due to a poster that the artist designed for the exhibition of the new "Ecole de Paris" in the Charpentier gallery and for an exhibition in the Bing gallery in Paris. In the 1950s, Atlan, considered one of the most important representatives of the "New School of Paris", enjoyed strong recognition in France as in Japan, but also in England and the USA. The artist died of cancer in Paris in 1960. It has already been paid tribute to Jean-Michel Atlan in 1963 by a retrospective at the National Museum of Modern Art. It leaves about 220 works to posterity among which one finds tapestries and illustrations.
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