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John PiperJohn Piper: 'Nursery Frieze II' lithograph1936
1936
About the Item
To see our other Modern British Art (including many other John Piper prints), scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. We also have Nursery Frieze I listed.
John Piper C.H. (British 1903-1992)
Nursery Frieze II
500 x 1250 mm
Lithograph 1936
One of Piper's many seascapes, Frieze II is an exercise in abstract capriccio. Piper draws together the muted grey, pink, and blue of the lithograph's fragmented background with foreground details in black, white, and bright red, picking out particular moments of the frieze for the viewer.
The lighthouse has no keeper; the beach and the pier are empty; the train has neither passengers nor driver. The church at the top of the rocky hill is a brilliant cubist borrowing, showing both the West end and the North side simultaneously - and it has no congregation. The only human figures present in the frieze are those collected around the bonfire, watching the flames and the show of fireworks. The scene is at once devoid of people and intensely human. Piper was just 24 when he made Frieze II.
- Creator:John Piper (1903-1992, British)
- Creation Year:1936
- Dimensions:Height: 19.69 in (50 cm)Width: 49.22 in (125 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Generally very good, backed to linen with small - and entirely invisible - areas of restoration.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU79536029592
John Piper
Born in Epsom, John Egerton Christmas Piper studied at Richmond School of Art and the Royal College of Art from 1926-8. In the mid 1930a, after a visit to Paris, he turned to abstraction. He became a member of the London Group in 1933 and the ‘Seven and Five’ group in 1934-5. During this period he became friends with Oliver Simon of the Curwen Press and his interest in lithography and print making grew. During the Second World War, Piper was appointed as an official war artist recording the effects of the blitz on Britain’s buildings. After the war, he became a Trustee of the Tate and National Galleries and in 1959 he became a member of the Royal Fine Art Commission. Piper is best known for his extensive studies of British architecture and landscape in oil, watercolour and print, and for his photography, stained glass, ceramics, fabric design, murals, stage sets and costume design. His work is held in many Museums and Galleries.
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