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Johnny FriedlaenderMontagne Aprés La Pluie, 1965 Etching Aquatint by Johnny Friedlaender
About the Item
Johnny Friedlaender (German/French, 1912-1992)
Signed: Friedlaender (Lower, Right)
Numbered: 52/95 (Lower, Left)
" Montagne Aprés La Pluie ", 1965
(Mountain After The Rain)
Etching Aquatint on BFK Rives Paper
Image Size: 30 3/8" x 22 5/8"
Sheet Size: 39" x 29 1/2"
Slight toning from original matting and backing but in otherwise good condition. Please view all photos. Will be carefully rolled in a sturdy shipping tube.
This original print is included on page 61 in the book " Johnny Friedlaender Oeuvre 1961-1965 ".
- Creator:Johnny Friedlaender (1912 - 1992, Polish)
- Dimensions:Height: 30.375 in (77.16 cm)Width: 22.625 in (57.47 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Grand Rapids, MI
- Reference Number:1stDibs: LU2380212207972
Johnny Friedlaender
Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. 1978 brought a retrospective of Friedlaender's works at the Musee d'Art Moderne de la Ville de Paris. He was awarded the Lovis Corinth Prize in Regensburg three years later. On his 75th birthday, Friedlaender was given a retrospective in the Bremen Art Museum. On his 80th birthday he held a retrospective exhibition in Bonn at the municipal council offices. Friedlaender died in Paris at the age of 89.
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