Philippe Dereux

Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux

1967

Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/50 lower left, titled in pencil center. This might be a silkscreen or lithograph technique. Philippe Dereux was a French artist, born in Lyon in 1918, he was a teacher by profession. Widely known and appreciated for his abstract and decorative collages based on fruit and vegetable peelings. His work was featured in exhibitions at the Collection de l'Art Brut and the Halle Saint Pierre. He was a collaborator of Jean Dubuffet in Vence in the mid-1950s, later going out on his own around 1960. Dereux's works are covered with plant elements (fruits or vegetable peels, flora and fauna). Abstract and decorative works in which he incorporated peelings of fruits, eggplants or potatoes glued with vinyl glue on cardboard and colored with gouache. He also made butterfly wing collage and assemblage works. His work, while boldly unique, bears many influences Art Brut, Outsider art, Enrico Baj, Aboriginal art, Tribal art, These works bear the influence of the black & white Op Zebra Art of Victor Vasarely and Yaacov Agam (He was collected and showed with Alphonse Chave. An art lover, dealer and collector. On November 15, 1947 in Vence, under the name Les Mages, he opened a contemporary art gallery which would also become a high place of art brut, Naive and unique art. The gallery took its final name - Galerie Alphonse Chave - in 1960. He exhibited Dado, Philippe Dereux, Jean Dubuffet, Max Ernst, Henri michaux, Louis Pons, Man ray, Dorothea Tanning, Zao Wou-ki as well as other creators.) Many public exhibitions were dedicated to him during his lifetime in Vence , Lyon , Grenoble and Paris : 1964: Fifty years of collages , Musée de Saint-Étienne, Musée des arts décoratifs de Paris. 1968: Living art, Fondation Maeght . 1984: Musée des arts décoratifs de Paris. 1985: Flaine Art Center. 1997: Neuve Invention Musée de l'art brut de Lausanne. 1999: Villefranche sur Saône cultural center and events in London and New York. 2003: Halle Saint-Pierre, Paris. Exhibitions at the Galerie Alphonse Chave in Vence: 1965: The peeling work 1968: Pure peelings, trimmed peels , paintings, lithographs. 1972: High Tension 1981-1983: XX years of peelings 1989: Theaters of peeling . 1994: The little treatise on peelings 1999: One life 2007: Retrospective of works from 1960 to 2000 2009: Exhibition Dereux / Dubuffet, Museum of Fine Arts of Lyon 2012: Philippe Dereux (1918-2001). Memories of peelings, Chave gallery, Vence. The retrospective is made up of Dereux's personal collection, many of which have never been shown. There are more than one hundred and forty works exhibited. 2014: Le Mur, works by Philippe Dereux exhibited, with the 1200 works from the Antoine de Galbert collection at La Maison rouge...

Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Blue Giant, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. This limited edition Giclée print on archival cotton paper presents an abstract artwork that captures the viewer's attention. The composition features a captivating arrangement of geometric shapes, both regular and irregular, spread across the canvas. These shapes create a dynamic and visually intriguing pattern that invites the observer to explore the painting further. A vivid and lively palette of colors adorns the artwork, with hues of blue, green, black, orange, yellow, white, fuchsia, and a light blue background. These vibrant colors blend harmoniously, adding depth and energy to the piece. The artist's skillful use of color evokes a sense of excitement and wonder. As viewers engage with the artwork, they are encouraged to use their imagination and interpret the title of the piece, "Blue Giant." The title sparks curiosity and invites contemplation about the significance of the blue giant, leaving room for personal interpretation and exploration. This abstract painting is presented in a fine art manner, with careful attention to detail and composition. The deliberate placement of shapes and the use of vibrant colors create a visually striking and thought-provoking experience for the viewer. It is a testament to the artist's creativity and skill in conveying emotions and concepts through abstract forms. Blue Giant, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 33 x 40 Inches Edition 1 of 5 + 2AP Limited Edition Print Signed by the artist ____________ About the Artist Francisca Oyhanarte...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

No Post, No Bills, Silkscreen on Archival Paper by Mr. Brainwash For more than a decade, Thierry Guetta, under his moniker, Mr. Brainwash, has been pushing the envelope of contemporary art. The orchestrated collision of street art and pop art has been his balancing act. The tipping point for Mr. Brainwash was his groundbreaking footage from the widely-acclaimed documentary, Exit Through the Gift Shop...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...