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Sebastian MattaUntitled from Paroles Peintes Suite - 1970s - Sebastián Matta - Aquatint/Etching1971
1971
About the Item
Untitled Etching from Paroles Peintes Suite is a wonderful limited edition print.
Etching with aquatint on Japon paper. Hand-signed in pencil on the lower right; numbered on the lower left in pencil. Edition of 85 prints. Excellent conditions.
This superb plate was realized in 1971 and represents an erotic scene in Matta's style, with an extraordinary use of ink on a very fine paper.
Image Dimensions: 23.5 x 17.5 cm
- Creator:
- Creation Year:1971
- Dimensions:Height: 15.16 in (38.5 cm)Width: 11.11 in (28.2 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
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- ShippingRetrieving quote...Ships From: Rome, Italy
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Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. 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