Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

David Loggan
David Loggan: University of Cambridge Engraving 1690 Frontispiece and Dedication

1690

About the Item

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Frontispiece and Dedication for Cantabrigia Illustrata (1690) Engraving 38 x 55 cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells (b.1956) has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date.
  • Creator:
    David Loggan (1634 - 1692, British)
  • Creation Year:
    1690
  • Dimensions:
    Height: 14.97 in (38 cm)Width: 21.66 in (55 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Generally good; prints have been cleaned.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU795310745402
More From This SellerView All
  • 1804 Etching St George's Chapel Windsor Castle Architectural Prince Harry Meghan
    By Frederick Nash
    Located in London, GB
    From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis Arches and Columns London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x39cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
    Category

    Early 1800s Realist Landscape Prints

    Materials

    Etching, Engraving

  • John Speede Map The Countye Palatine of Chester with that most ancient citie
    By John Speed
    Located in London, GB
    To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
    Category

    17th Century Realist Landscape Prints

    Materials

    Engraving

  • David Loggan St Edmund Hall Oxford - Aula St Edmundi - 1675 engraving
    By David Loggan
    Located in London, GB
    To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) St Edmund Hall...
    Category

    1670s Realist Prints and Multiples

    Materials

    Engraving

  • The Original Entrance to the Cloisters at Magdalen College, Oxford Engraving
    Located in London, GB
    To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message...
    Category

    1780s Realist Prints and Multiples

    Materials

    Engraving

  • South Prospect of Somerset House engraving c. 1753 for Stow's Survey of London
    Located in London, GB
    To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
    Category

    1750s Realist Landscape Prints

    Materials

    Engraving

  • University Church of St Mary, Oxford by Pieter van der Aa after David Loggan
    By Pieter Van Der Aa
    Located in London, GB
    Pieter van der Aa (1659-1733), after David Loggan (1634–1692) The University Church of St Mary the Virgin, University of Oxford Engraving 12 x 16 cm An eighteenth-century view of the University Church, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. St Mary's was the first building of the University of Oxford and its parish consists almost exclusively of university and college buildings. Its eccentric Baroque porch, designed by Nicholas Stone, faces the High Street, and it boasts a spire which is claimed by some church historians to be one of the most beautiful in England. Radcliffe Square lies to the north and to the east is Catte Street. The 13th-century tower is open to the public and provides magnificent views across the heart of the historic university city, especially Radcliffe Square, the Radcliffe Camera...
    Category

    Early 18th Century Realist Prints and Multiples

    Materials

    Engraving

You May Also Like
  • Self Portrait by Jim Dine (plate four from Self Portraits portfolio 1971)
    By Jim Dine
    Located in New York, NY
    Jim Dine, Self Portrait drypoint on Hodgkinson Hand Made Tone-Weave paper Paper 18 x 14 in. / 46 x 36 cm Plate 8 x 6 in. / 20 x 15 cm plate one from Self Portraits (1971) portfolio ...
    Category

    1970s Realist Portrait Prints

    Materials

    Etching, Drypoint

  • Jeune Femme Cousant; Madame Helleu (Young Woman Sewing, artist's wife)
    By Paul César Helleu
    Located in Middletown, NY
    Paris: Gazette des Beaux Arts, 1892. Etching and dry point on cream laid paper. 7 9/16 x 5 7/8 inches (191 x 148 mm), full margins. Signed in pencil, lower right margin. A dark, ink...
    Category

    Late 19th Century Realist Portrait Prints

    Materials

    Drypoint, Etching

  • Le Bourg de Batz
    By William Strang, R.A., R.E.
    Located in New York, NY
    William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...
    Category

    1910s Realist Landscape Prints

    Materials

    Drypoint, Etching

  • La Fumee du Bateau
    By Jean-Francois Raffaelli
    Located in New York, NY
    Jean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...
    Category

    1910s Realist Landscape Prints

    Materials

    Drypoint, Etching

  • L’Hiver a Paris ou La Neige a Paris
    By Félix Hilaire Buhot
    Located in New York, NY
    Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
    Category

    1870s Realist Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

  • Printemps Breton
    By Jean-Emile Laboureur
    Located in New York, NY
    Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
    Category

    1920s Realist Landscape Prints

    Materials

    Engraving, Drypoint, Etching, Aquatint

Recently Viewed

View All