Ann Nooney

Ann Nooney, (Demolition with Windows, NYC)

1936-39

This subject was published by Associated American Artists in an edition of 162. In the AAA catalogue raisonné of publications, by Gail Windisch, Art for Every Home, it serves as the...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NY...

World traveler that he was, Bendiner was clearly at home in Paris. He found everyone fascinating and has made this print a compendium of local characters and types. Nothing escapes h...

The world was Bendiner's oyster, but here he shows us a all we need in a small corner of Paris. It's charming and safe: the 'Flic et Bonne' (gendarme and nursemaid) are together, goi...

The Place St. Andre des Arts, on the Left Bank in Paris, would have been a natural environment for Bendiner. It was the Latin Quarter, just south of the Louvre and near everything im...

The full title really should be ...And So I Give Your The Next President of the United States. The scene is the Republican Convention, in Philadelphia, in 1948. There are so many fas...

Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Matted to museum standards, unframed. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Scarce. Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Born in Massachusetts, Nicholas Panesis (1913-1967) studied art at Syracuse University, NY, and went on to teach ceramics at Alfred University, NY. Panesis moved to San Francisco in the early 1930s shortly before settling in Los Angeles, where he worked for different animation studios...

JOHN STOCKTON DE MARTELLY (American 1903 - 1980) THE EVANGELIST, 1941 (Zink 19) Lithograph, signed, dated and numbered 80/100 in pencil below image. Signature and date in lighter pencil. Image. Very Good Condition. image, 13 1/2 x 9 3/4". Full sheet with deckle edges, 16 x 11 3/4". The Evangelist apparently represents de Martelly's New Hampshire neighbor Lizzy Osgood. De Martelly worked in an American Regionalist Style, often depicting his New Hampshire neighbors. He was associated with Thomas Hart Benton at the Kansas City Art Institute. Most of de Martelly's regionalist prints were published by Associated American Artists in editions of 250. This lithograph is scarcer in an edition of only 100. He became an art professor at Michigan State University. After the 1940's de Martelly abandoned his Regionalist style for abstraction. Roger Genser...

THOMAS HART BENTON (1889-1975) COMING ROUND THE MOUNTAIN (MISSOURI MUSICIANS) 1931 (Fath 4) Lithograph, signed in pencil. Although Fath indicates an edition of 75, it is numbered ...

History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Ga...

History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Ga...

A wonderful portrait of a Bostonian dated 1858, by Leopold Grozelier, the artist best known for creating the first electoral poster ever, bearing the portrait of Abraham Lincoln (186...