Axel Wallert

Axel Wallert, Seated Woman With Mandolin, Etching

1918

This late-19th-century etching by German draughtsman Albert Kruger (b. 1858) is after a painting by Max Liebermann (1847-1935). The rhythmical monotony of the spinners, organised like a rigid machine, echoes through the low barn. Youths, hunched by square windows, wind flax onto spindles. While women stand in clogged feet, working tirelessly with aching bones. Liebermann captured their daily grind with aplomb, avoiding sentiment in favour of laborious reality. Yet, amid this harsh environment, he celebrates their efforts. The composition conveys determination with its lines and strong verticals while the atmosphere is one of steel rather than tortuous circumstance. Liebermann was a realist yet he found light among the ordinary. Originally published in The Art Journal...

This late 18th-century engraving from Thomas Bankes’ ‘New and Authentic System of Universal Geography’ depicts the evolution of ladies' fashion between 1590 and 1630. In this unusua...

This charming late 19th-century lithograph was produced by Freudenthal & Co for clothing manufacturers, TJ Thomas & Ellis Jones, to showcase the latest fashion. There are 17 styles including the DB Gladstone (after the Prime Minister), Ulster, Demi Sac, Tourist Blouse, Frock Coat and D B Prince Alfred. There’s also a Riding Habit for the lady. TJ Thomas & Ellis Jones were based at 138 Queen Victoria Street...

This late 19th-century mixed-method engraving by George Sidney Hunt (1856-1917) after Edwin Long RA (1829-1891) is one in a series of three depicting the Old Testament story of Jephthah. Here, we see Jephthah’s daughter contemplating her fate during a two-month sojourn in the wilderness. The heart-rending story of Jephthah captured Victorian minds and inspired artist Edwin Long to produce three exhibition pieces, which are now held at the Russell Cotes Art Gallery & Museum. Prior to a fearsome battle with the Ammonites, Jephthah, a leader in Isreal, committed a vow to God that he’d make a sacrifice if his armies were triumphant. “whatever comes out of the door of my house to meet me when I return in triumph from the Ammonites will be the Lord’s, and I will sacrifice it as a burnt offering...

This early 20th-century post-impressionist oil painting by Swedish artist Nils Kjellberg (1871-1938) depicts a field worker sowing the land. It’s inspired by Jean-François Millet’s w...

This early 20th-century expressive landscape painting by Danish artist Julius Paulsen depicts a cottage nestled in the woods. It’s painted quickly with a rhythmical approach and poet...

Polychrome etching and sugar-lift aquatint. Signed lower right, 'Ruth Weisberg' (American, born 1942) and dated 1967; additionally titled, lower center, 'Joseph Dreamed a Dream' and...

Curves by Orovida Pissarro (1893 - 1968) Etching, trial proof no. 54 20.2 x 15 cm (8 x 5 ⅞ inches) Signed and dated lower right, Orovida 1919 Inscribed lower left Trial proof no. 54 ...

Etching with drypoint on cream wove paper, 11 3/4 x 13 3/4 inches (297 x 347 mm), full margins. Signed in pencil and numbered 32/40, lower margin. Minor mat tone and several small lo...

Charlotte and Amalia by Lélia Pissarro (b. 1963) Etching 22.7 x 27.5 cm (9 x 10 ⁷/₈ inches) Signed lower left, Lélia Pissarro Numbered lower right, 2/15 Artist biography: Born in P...

Henri Matisse Head of a Young Boy, 1946 Original etching Printed signature in the plate On BFK Rives vellum, 33 x 25 cm (c. 12,9 x 9,8 inch) Edition limited to 300 copies (unnumbere...

Village is a modern artwork realized by Maurice de Vlaminck in 1950. Black and white etching. Hand signed and dated on the lower margin. Edition of 100 specimen as reported on th...