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David WojnarowiczDavid Wojnarowicz 1986-1999: a set of 4 illustrated announcements1986-1999
1986-1999
About the Item
David Wojnarowicz 1986-1999: a set of 4 illustrated announcements:
A rare set of 4 vintage gallery announcement cards, 3 of which published during Wojnarowicz's lifetime. Published on the occasion(s) of:
- David Wojnarowicz, An Exploration of the History of Collisions in Reverse, Gracie Mansion Gallery, New York, NY, April 27-May 18, 1986.
- David Wojnarowicz, The Four Elements, Gracie Mansion Gallery, New York, September 17-October 18, 1987.
- David Wojnarowicz, In the Shadow of Forward Motion, P.P.O.W gallery, New York, NY, February 8-March 4, 1989.
- David Wojnarowicz, The Twentieth Century Collection, Jersey City Museum, Jersey City, NJ, October 7-March 13, 1999.
Offset printed announcement cards (set of 4).
Dimensions ranging from: 4x6 inches to 5.5x7 inches (with 2 folded cards, opening to larger).
Good overall vintage condition; minor signs of handling; card featuring buffalos contains center creasing.
Each unsigned from an edition of unknown.
Frontside images include:
David Wojnarowicz’s "A Work In Progress for Jan & Charlie", 1986.
David Wojnarowicz’s "Fire", 1987.
David Wojnarowicz’s "untitled", 1988.
David Wojnarowicz’s "Untitled", 1982.
David Wojnarowicz was an American artist and AIDS activist. Throughout his career, he used painting, performance, film, and photography to draw attention to civil rights and gay identity within American popular culture. Many of Wojnarowicz’s projects are drawn from his own life or from individuals he met during his travels: After dropping out of school, Wojnarowicz began hitchhiking across the United States before eventually settling in the New York art scene. While living there with AIDS in the 1980s, he wrote of his art: “I’m in the throes of facing my own mortality and in attempting to communicate what I’m expressing or learning in order to try and help others I am effectively silenced. I am angry.” He is perhaps best known for his black-and-white film A Fire in My Belly (1986–1987) which, 18 years after his death, sparked national controversy. When the piece was exhibited in 2010 at the Smithsonian in Washington, D.C., protests led by the Catholic League revived a conservative culture war similar to the one that had surrounded photographer Robert Mapplethorpe decades earlier, and brought renewed interest in Wojnarowicz’s life and work. Born on September 14, 1954 in Red Bank, NJ, he grew up partly in New York City, when he returned in the late 1970s and fell in with a group of East Village artists that included Nan Goldin, Kiki Smith, and Peter Hujar, all of whose work explored in on personal identity in various ways. Wojnarowicz's work are in the collections of the Whitney Museum of American Art in New York and the Walker Art Center in Minneapolis, among others. The artist died of AIDS at the age of 37 on July 22, 1992 in New York, NY.
Related Categories:
David Wojnarowicz prints. David Wojnarowicz prints. East Village artists. Peter Hujar. AIDS activism. Robert Mapplethorpe.
- Creator:David Wojnarowicz (1954 - 1992, American)
- Creation Year:1986-1999
- Dimensions:Height: 6 in (15.24 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354313117382
David Wojnarowicz
David Wojnarowicz was an author, poet, photographer, musician, filmmaker and painter whose work as an AIDS activist influenced his visionary and revolutionary art. Personal experiences of disenfranchisement and the stories of people he met living on the margins of society informed the narratives of his work, with identity, sexuality and a bristling against political structures all contributing to its visceral edge. Wojnarowicz unapologetically channeled his anger at the injustices exacted on minorities and alternative lifestyles through repressive governments and financial systems into his paintings, prints, collages and photography.
Wojnarowicz was born in Red Bank, New Jersey, in 1954. He had a tumultuous childhood, dropping out of high school and living on the streets by the time he was 16. He spent much of his youth hitchhiking, spending time in San Francisco and then Paris.
Wojnarowicz moved to New York’s East Village in 1978, where he began exhibiting his art, which he frequently made from found materials. He became a central figure in the culture wars of the 1980s and 1990s, refusing to censor his work, which often forthrightly reflected his queer sexuality and his fury at the conservative establishment. Particularly after the death of his lover Peter Hujar in 1987, he concentrated on the government’s political inaction during the AIDS crisis. As he wrote in his 1991 memoir, Close to the Knives, “To make the private into something public is an action that has terrific repercussions.”
Wojnarowicz died in 1992 from complications due to AIDS. His art is in major collections around the world, including the Museum of Modern Art, the Metropolitan Museum of Art, the Tate Modern and the Leslie-Lohman Museum of Art, which has championed LGBTQ+ artists such as Wojnarowicz for decades. In 2018, the Whitney Museum of American Art in New York held a retrospective of his work.
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