Grayson Perry

Comfort Blanket -- Blanket, Human figure, Text Art by Grayson Perry

2014-2023

Montreux Jazz Festival, 1983 Keith Haring Screenprint in colours, on wove Printed by Serigraphie Uldry Bern, Switzerland Published for the Montreux Jazz Festival Sheet: 100 × 70 cm...

KEITH HARING Montreux Jazz Festival, 1983 Screenprint in colours, on wove Printed by Serigraphie Uldry Bern, Switzerland Published for the Montreux Jazz Festival Sheet: 100.0 × 70....

Just Waiting, 2022 Tracey Emin Lithograph in colours, on Somerset Velvet Warm White 400gsm Signed, dated, titled and numbered from the edition of 50 Sheet: 65 × 84 cm (25.6 × 33 in)

Untitled (Some of the Facts), 2001 Antony Gormley Etching with aquatint, on wove paper Signed, dated and numbered from the edition of 200 Published by Tate St Ives, Cornwall Plate: ...

FREE, 2019 Antony Gormley Lithograph with screenprint glaze and hand poured varnish On Somerset Tub Sized Satin White 410gsm Signed, dated and numbered from the edition of 125 Produ...

Deconstructing Seurat (turquoise green), 2004 Michael Craig-Martin A pair of screenprints in colours, on wove Each signed, dated and numbered verso from the edition of 40 Published ...

KAWS Untitled (limited edition blanket) blue, 2019 100% cashmere 130 x 180 cm Edition of 85

KAWS Untitled (limited edition blanket) red, 2019 100% cashmere 130 x 180 cm Edition of 85

I Don't Want to be D. Hand tufted rug, wool and cotton 160 x 200 cm Made in France Limited edition of 20 copies, numbered & signed + 5 AP « Iannone resists any kind of expectation ...

Edition 2 of 3 with 2 APs framing is an additional $790. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien). Their current ph...

(After) Andy Warhol Flowers, 1968 Hand Woven Wool Tapestry 183 x 183 cm (72 x 72 in) Edition of 20 With the knotted name ‘ANDY WARHOL’ lower right and the embroidered annotation ‘WARHOL ©’ on the reverse Published by Modern Master Tapestries, NY Throughout art history, the flower and its symbolism have been a subject matter for many renowned artists. Andy Warhol explored the qualities of the flower image through his Pop Art prism in the Flower series of 1964, thus creating cartoon-like symbols that would be instantly recognized. The 1964 Flower series became one of his most iconic and successful works. Based on a discovered photograph of hibiscus blossoms, Warhol drenched the flowers’ floppy shapes with a variation of vibrant colors, transforming them into psychedelic indoor décor. Playing with traditional art historical themes, Andy Warhol gave a particular twist to this historically accepted symbol of life. The electric colors of his flowers, drawn from a darker and rich undergrowth background might be the indicator of an extreme vision of life, a life lived on the edge. Andy Warhol (1928-1987) was an American artist, a leading figure of the Pop Art movement. ​Using a variety of media materials from photographs up to computer-generated art, Warhol's works explore the relationship between artistic expression, celebrity, culture and advertisement that flourished by the 1960s. Emerging from the poverty and obscurity of an Eastern European immigrant family in Pittsburgh, Warhol became a charismatic magnet for bohemian New York. In 1960, he began to produce his first canvases depicting Popeye and Dick Tracy. After Marilyn Monroe’s death in August 1962, he started working from snapshots of the star’s already legendary face, which had been widely distributed by the world’s press. His choice of subjects clearly relates to an obsession with demise – his Marilyns, his Ten Lizies (created when the actress Elizabeth Taylor was seriously ill), and also his Elvis. Part of the “Death and Disaster” series, Andy Warhol´s...

(After) Andy Warhol Flowers, 1968 Hand Woven Wool Tapestry 183 x 183 cm (72 x 72 in) Edition of 20 With the knotted name ‘ANDY WARHOL’ lower right and the embroidered annotation ‘WAR...