Guelfo Bianchini

In a Dream - Etching by Guelfo Bianchini - 1995

1995

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with slight foxing. Signed in the plate. The artwork is depicted through confident strokes. The...

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Signed in the plate. Good conditions with foxing and folding. The artwork is depicted through confident strokes....

Portrait of La Fontaine is an artwork realized by Salvador Dalì, 1974. Etching and drypoint with stencil. 65 x 50 cm. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. ...

In Dream is a Contemporary Artwork realized in Italy by Guelfo Bianchini (Ancona, 1937) in 1995 . Colored Etching on paper. Hand-signed and dated in pencil on the lower corner: G...

Oxygeno en Marte is an original contemporary artwork, plate n. 52 from the series "Les Caprices de Goya". Heliogravure with pochoir by J.J.J. Rig...

El arcabuz produce monsters is an original contemporary artwork, plate n.35 from the series "Les Caprices de Goya". Heliogravure with pochoir by J.J.J. Rigal after Goya...

Salvador Dali - Freud with a Snail's Head - Original Signed Engraving Handsigned in pencil and Numbered Edition: F195/195 - Printer: Atelier Rigal. - Paper: Rives vellum ; each etch...

ARMODIO (1938) Abstract Composition Original Etching Signed and justified c.p.a Dimensions: 49,5 x 34,5 cm. Armodio was born in Piacenza in 1938. His training depends not so much on the attendance of the "Gazzola" Art Institute in his city, but also on the encounter with the painter Luciano Spazzali, whose study is the ideal place for experimentation and contamination. Here he met the painter Gustavo Foppiani, first teacher and then a fellow traveler; the two work together and then join the painter Carlo Bertè who will divide the study until 1980. This formed a free grouping animated by curiosity towards the most varied manifestations of culture, intent on reading reality under the sign of irony and inclined towards playful transgression. The first Piacenza personal exhibition was in 1963 at the Genocchi Gallery in Piacenza and in 1964, thanks to Foppiani, the Obelisk of Rome...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Sheet size: 26 x 19.8. Edition: of 400. All reasonable offers will b...

Color etching with aquatint on Rives paper. From Songes portfolio. Hand signed and numbered by Marc Chagall. Cramer 112. Published by Éditions Gérald Cramer, Geneva. Printed by Lacou...

Hand signed and numbered by the artist. Etching and aquatint on lana paper. Image size 19.3 x 14.9 in. Frame size approx 29 x 25 in. Edition of 95. Certificate of authenticity includ...

An etching by Leonor Fini depicting a gnarly old man with two youthful angels one sitting at his feet and the other standing close to his right side. This is a signed limited edition etching numbering 62 out of 100. There is also a signature by the artist embossed in the paper just below the pencil signature. The paper is very fibrous and has a couple of inherent creases that are part of the makeup of the fibrous paper. These are to the right of the figures. The edges of the paper are deckled. The paper size is 25.75 x 20 Image size 15.50 x 12.50. This original etching is in very good condition. Argentinian-born artist Leonor Fini (1907-1996) is considered one of the great female artists of the twentieth century. She moved to Paris in the early 1930’s where she spent most of her life and almost immediately formed friendships with Salvador Dali, Cartier- Bresson, Max Ernst and other intellectuals of the time. At twenty five she had her first one person show in Paris and was included in the 1936 pivotal exhibition at MOMA…Fantastic Art, Dada and Surrealism…..and that same year had an exhibition at a famous avant garde gallery in New York. Although Fini never considered herself a Surrealist she maintained close personal relationships with several members of the group. One can see how their ideology influenced her work but she remained firmly rooted in the tradition of Symbolism, Metaphysics and Italian and German Romanticism Her works can be found in most important collections of modern art around the world. Fini was renowned as a portraitist and as a painter of erotic sexual tensions with a mysterious atmosphere. She was adamant about being independent and not belonging to any one group. She lived life on her own terms and is sometimes referred to as …..the female Dali. She was also involved with designing for fashion and creating elaborate sets for opera and theatre. As a feminist she was definitely ahead of the times. She produced the first erotic male nude...