Henri Farge

Au Bois de Boulogne - Original Etching by H. Farge - Mid 20th Century

Mid 20th Century

Village is a modern artwork realized by Maurice de Vlaminck in 1950. Black and white etching. Hand signed and dated on the lower margin. Edition of 100 specimen as reported on th...

Figures in the Landscape is an original artwork realized by Jules Adrian Flour in 1916. Original etching on paper. The artwork is glued on cardboard. Hand-signed in pencil by the ar...

Wonderful etching, aquatint, drypoint, and wheel on laid ivory colored paper. Signed inside out on plate on the lower margin at the center. Each image of the composition is hand-titled on the plate on lower margins. Fourth state on nine. Edition of the “L’Art. Excellent conditions, including ivory colored cardboard passe-partout (cm 33.5 x 49). The print has been given the titles of “L’Hiver à Paris “ or “ La Neige à Paris”. The modern artwork represents the rigorous winter of 1879 with Arctic temperatures and vast quantities of snow covered the Parisian streets. Reference: B.G. I28 The present print, one of his best known, exemplifies these preoccupations. The published version appeared in the journal L'Art (n° 314) in January 1881. As Bourcard clearly states "There were numerous trial proofs pulled and an extraordinary variety of printings in the various impressions of this plate. There exist a few rare artist's proofs of the state before the words: L'Art, the number 25, L'Hiver de 1879 à Paris." Félix Hilaire Buhot...

Very fine print on verge crème. Some small traces of oxidation, dust and some flowerings on external edges of sheet, otherwise excellent conditions. Full margins. Ref. Wentworth 50.

Study for a Nude is a contemporary artwork realized by the French artist Angèle Delasalle in the Mid-20th Century. Original etching and drypoint. Si...

Working is a contemporary artwork realized by the French artist Angèle Delasalle in the Mid-20th Century. Original etching and drypoint. Signed and ...

"When Day is Done" is an original etching and aquatint signed lower right in pencil by the artist John Edward Costigan. It depicts a man and a woman with their young child at the end...

"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...

Quai Boïeldieu, à Rouen by Camille Pissarro (1830-1903) Lithograph 27.7 x 36 cm (10 ⁷/₈ x 14 ¹/₈ inches) Stamped lower left and numbered lower right, 8/14 Executed circa 1896 Delteil...

Colorful Fauvist screen print of a bride and groom with flowers in front of a colorful cityscape by Zamy Steynovitz (Polish, 1951-2000). Numbered "104/...

This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...

HENRI DE TOULOUSE-LAUTREC Amazone et Tonneau 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches