Items Similar to “Bank Notes”
Want more images or videos?
Request additional images or videos from the seller
1 of 11
James Gillray“Bank Notes”1797
1797
About the Item
James Gillray (13 August 1756 – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
Description:
Pitt (left) as a bank-clerk, very thin and much caricatured, a pen thrust through his wig, stands behind an L-shaped counter offering a handful of bank-notes to John Bull. In his right hand is a scoop with which he sweeps up notes from the counter. John is a yokel no longer bewildered. He stands stolidly, holding out his left hand for the notes, his right hand in his coat pocket. Fox (right) wears a high cocked hat with tricolour cockade, bag-wig, and laced suit. Sheridan bends towards John. Behind (right), hands of other Foxites are raised in warning, and on the extreme right is the profile of Stanhope. Behind (left), men hasten towards Pitt with large sacks of notes on their heads. The first two, in judge's robes, are Loughborough and Kenyon each with a sack. Behind is Grenville with another sack. Bearers of other sacks are hidden. Under Pitt's counter is a row of large sacks of gold and padlocked. On the end of the counter, facing the spectator, is posted a bill (BM). / On the issue of paper money, to save the Bank from the consequences of Pitt's financial measures. The Whigs, Fox, Sheridan, Stanhope, &c., who opposed the paper money system with all their might, are here endeavouring to persuade John Bull to refuse the notes. The gold is safely locked up under the counter (Wright/Evans).
James Gillray (English, 1756-1815)
published by Hannah Humphrey (English, c. 1745-1818). Hand colored original etching. Image size is 6.25 by 9 inches. Published in 1797. Condition is very good for this rare etching. Light crease running vertically to the right of clerk. No foxing; mild toning consistent with age. Strong colors. Under glass. Recently professionally matted. Overall framed measurements in antique wood and gold leaf frame 12.5 by 15.5 inches. This etching can be found in the collection of the Art Institute of Chicago and the British Museum. Provenance: Howard L. Price 2 Fine Art, Lake Worth, Florida.
- Creator:James Gillray (1757 - 1815, British)
- Creation Year:1797
- Dimensions:Height: 6.25 in (15.88 cm)Width: 9 in (22.86 cm)Depth: 0.25 in (6.35 mm)
- Medium:
- Movement & Style:
- Period:1790-1799
- Condition:Light crease in paper running vertically to the right of clerk. No foxing; mild toning of paper consistent with age.
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU14111501602
James Gillray
James Gillray was a British caricaturist, best-known for his artworks representing political and social satires, like his political cartoons against George III of England. His works were mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2013
476 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Southampton, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- “Chess Players”Located in Southampton, NYARTIST Hey, Paul, 1867-1952, artist TITLE Chess players OTHER TITLE(S) Die Schachspieler PHYSICAL DESCRIPTION 1 print : etching ; sheet size 11 1/2" x 15" (30 x 39 cm.) Date: 1898 SUMMARY Three men are sitting around a chess board, two are playing and one is observing. The men are all late middle aged to old aged. The print has some fine details, and cross hatching is used extensively. On the table, besides the the chess set, are two coffee cups and a glass of water. Lower left in margin in pencil “original etching” in German. Lower right margin in pencil “chess players” written in German. No visible signature. The same etching by Paul Hey...Category
1890s Academic Figurative Prints
MaterialsArchival Paper, Etching
- “La Femme aux Figues”By Paul GauguinLocated in Southampton, NYOriginal etching and lavis in black ink on Arches watermarked crème laid paper by Paul Gauguin. Titled: “La Femme aux Figues” (The Woman with Figs). This impression is from the 3rd s...Category
1970s Academic Figurative Prints
MaterialsArchival Paper, Etching
- “Scene in Union Square, New York on a March DayBy Winslow HomerLocated in Southampton, NYOriginal wood engraving on paper. Taken from Harper’s Weekly, April 7, 1860. Signed “Homer” in the plate. Condition is good. Slight staining lower left. Very slight tear to the l...Category
1860s Academic Figurative Prints
MaterialsArchival Paper, Engraving
- “Placidas and the Stag”Located in Southampton, NYOriginal photo mechanical print handcolored throughout by the French artist, Lucy Garnot. Signed left bottom. Circa 1900. Condition is very good. T...Category
Early 1900s Academic Figurative Prints
MaterialsArchival Paper, Photogravure
- Chartres La Mort de la Viegre X111”Located in Southampton, NYOriginal photo mechanical print handcolored throughout by the French artist, Lucy Garnot. Signed and titled bottom. Circa 1900. Condition is very go...Category
Early 1900s Academic Figurative Prints
MaterialsArchival Paper, Photogravure
- “Morning”By Morris Henry HobbsLocated in Southampton, NYDrypoint original etching on archival paper by the well known American artist, Morris Henry Hobbs. Circa 1935. Signed in pencil by the artist bottom right margin. Titled “Morning” ...Category
1930s Academic Figurative Prints
MaterialsEtching, Drypoint
You May Also Like
- "The Temptation of Saint Anthony " Etching, SignedBy Fernand CormonLocated in Milwaukee, WI"The Temptation of Saint Anthony" is an original etching by Fernand Cormon. This piece has the artist's stamp. The piece is signed in pencil by the artis...Category
1890s Academic Figurative Prints
MaterialsEtching, Paper, Ink, Laid Paper
- "Cormar Attacking a Spirit on the Waters, " Neo-classical Etching by A. RuncimanBy Alexander RuncimanLocated in Milwaukee, WI"Cormar Attacking a Spirit on the Waters" is an etching by eighteenth-century Scottish artist Alexander Runciman, signed on the lower edge of the etching, "ARunciman inv. & fecit," i...Category
1770s Academic Figurative Prints
MaterialsEtching, Paper, Ink
- Dante & Virgilus - Etching, (Ed. Goupil, 1897)By Auguste RodinLocated in Paris, FRARTISTE: after Auguste RODIN TITLE : Dante & Virgilus MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" INFOR...Category
1890s Academic Figurative Prints
MaterialsEtching
- John II, Count of Hainaut Holland & Zeeland (1247-1304)Located in Sydney, NSW18th Century (c1740) etching/engraving , John II, Count of Hainaut Holland & Zeeland (1247-1304)Category
19th Century Academic Figurative Prints
MaterialsEngraving, Etching
- Plums: George Brookshaw's Framed Hand-colored 19th C. AquatintBy George BrookshawLocated in Alamo, CAGeorge Brookshaw's (1751-1823) beautiful "Plums" hand colored aquatint engraving from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. There are purple, mustard-colored plums on brown branches with green leaves over a two-tone dark brown and light tan background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...Category
Early 19th Century Academic Figurative Prints
MaterialsAquatint
- Peaches, Nectarines: George Brookshaw's 19th C. Framed Hand-colored AquatintBy George BrookshawLocated in Alamo, CAGeorge Brookshaw's (1751-1823) beautiful "Peaches, Nectarines" hand colored aquatint engraving, plate 38 from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. The pale green and peach-colored peaches and the pink and green flowers lie on a rich dark brown-colored background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...Category
Early 19th Century Academic Figurative Prints
MaterialsAquatint