A. Krauze and M. Mroszczak

National Theatre - Vintage Poster by A. Krauze and M. Mroszczak - 1975

1975

Mitosc Szesnatolatkow Vintage poster is an offset print on paper realized in 1970a. Good condition and aged. Print: Slavic Artist

Zbereznik Poster is an original lithograph artwork on paper realized by J. Trevtzer in 1973. Original colored lithograph. Good condition and aged. The artwork is the poster to ad...

Lady Caroline Lamb is an original vintage poster realized in 1974. Good condition.

Two Old Men is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s. The state...

Pigalle is a vintage offset print realized after Henri de Toulouse-Lautrec in the late 20th Century. Good conditions. Pigalle is an area of Paris, France, around Place Pigalle, on...

The Town is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwork ...

Rare offset Lithograph Poster on gloss stock paper with a semi gloss finish depicts Barack Obama as Superman. Plate signed on the lower right corner (front). Limited edition release ...

Rare Offset Lithograph on gloss stock paper with a semi gloss finish depict multiple images of supermodel Kate Moss. Plate signed on the lower left recto (front). Limited edition rel...

Martin Puryear Los Angeles Olympic Games 1984, 1982 Offset Lithograph on Parsons Diploma Parchment Paper Hand signed on the front with COA, Edition of 750 (though only approximately ...

Homage to Francis Bacon (Study for Head of Isabel Rawsthorne, moiré) is an offset lithograph, 19.5 x 19.5" image size, signed and numbered lower right, and framed in a contemporary, silver-tone moulding. From the edition of 300, numbered 33/300. Regarding Murakami’s longtime fascination with Francis Bacon, Murakami was struck by “the way Bacon would distort human faces in his paintings. Murakami compared the process to the way a plug-in for a computer might morph a face in a certain way in Photoshop. “I really think about how Bacon might have transformed a face, and the methodology and the form of it, and that’s how I’ve been trying to do the same kind of transformation using Bacon’s style,” he said.” (Ann Binlot, “Takashi Murakami Talks Instagram Exposure for Emerging Artists, Francis Bacon, and Virgil Abloh,” Forbes, 11 June 2018. During the 20th century, both Isabel Rawsthorne and George Dyer were close companions to the British artist Francis Bacon. Rawsthorne frequently associated with an elite milieu of artists during her generation, while Dyer entered a tumultuous relationship with Bacon and was often portrayed in the artist’s paintings. In Murakami’s Study of Isabel Rawsthorne and Study of George Dyer we find his quintessential use of the Superflat method combined with an adaptation of Western iconography. In addition to the wildly distorted faces...

Homage to Francis Bacon (Study for Head of George Dyer, moiré) is an offset lithograph, 19.5 x 19.5" image size, signed and numbered lower right, and framed in a contemporary, silver-tone moulding. From the edition of 300, numbered 100/300. Framed in a white contemporary frame, image to be updated. Regarding Murakami’s longtime fascination with Francis Bacon, Murakami was struck by “the way Bacon would distort human faces in his paintings. Murakami compared the process to the way a plug-in for a computer might morph a face in a certain way in Photoshop. “I really think about how Bacon might have transformed a face, and the methodology and the form of it, and that’s how I’ve been trying to do the same kind of transformation using Bacon’s style,” he said.” (Ann Binlot, “Takashi Murakami Talks Instagram Exposure for Emerging Artists, Francis Bacon, and Virgil Abloh,” Forbes, 11 June 2018. During the 20th century, both Isabel Rawsthorne and George Dyer were close companions to the British artist Francis Bacon. Rawsthorne frequently associated with an elite milieu of artists during her generation, while Dyer entered a tumultuous relationship with Bacon and was often portrayed in the artist’s paintings. In Murakami’s Study of Isabel Rawsthorne and Study of George Dyer we find his quintessential use of the Superflat method combined with an adaptation of Western iconography. In addition to the wildly distorted faces...

Francesco Clemente Life is Paradise (Hand signed by Francesco Clemente), 1999 Hardback monograph (hand signed by Francesco Clemente) Boldy signed by Francesco Clemente on the title p...