Orovida PissarroPig Sticking by Orovida Pissarro, 1931 - Etching Print 1931
1931
About the Item
- Creator:Orovida Pissarro (1893 - 1968)
- Creation Year:1931
- Dimensions:Height: 6.82 in (17.3 cm)Width: 10.79 in (27.4 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU261212624492
Orovida Pissarro
Orovida Pissarro, the only child of Lucien and Esther Pissarro, was the first woman in the Pissarro family to become a professional artist and the first Pissarro of her generation to take up painting. Born in Epping, England, in 1893, she lived and worked predominantly in London, where she was a prominent member of several British arts clubs and societies.
Orovida first learned to paint in the Impressionist style from her father and, after a brief period of formal study with Walter Sickert in 1913, she renounced formal art schooling.
Throughout her career, Orovida always remained outside mainstream British art movements. Much to Lucien's disappointment, she soon turned away from naturalistic painting and developed an unusual style that combined elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which, for the Pissarro family, was a way of life, and her simultaneous decision to drop her famous last name and use simply Orovida as a nom de peintre, reflected a desire for independence and distance from the family legacy, of which she nevertheless remained proud.
Orovida's most distinctive works are her paintings from the 1920s and 1930s in gouache (she called her mixture body color) and tempera, applied in thin, delicate washes to silk, linen, paper or gold leaf and embellished with brocade borders. These elegant and richly decorative works generally depict non-Western subjects, for example: Mongolian horseback riders, African dancers and Persian princes, often engaged in activities such as dancing or hunting rituals.
The second half of Orovida's painting career is marked by a dramatic change in both style and subject matter. In the mid-1940s, she began to embrace contemporary subjects from everyday life and returned to a more naturalistic style. Her new style was more suited to oils, and thus, she returned to that medium.
Over the course of her life, Orovida was aware of the mixed blessing of having famous artists in the family; not only a grandfather and father but also four uncles, and towards the end of her life, she was instrumental in developing the Pissarro family archive that her mother had established at the Ashmolean Museum in Oxford.
(Biography provided by Stern Pissarro Gallery)
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- La Poursuite by Orovida Pissarro - Animal etchingBy Orovida PissarroLocated in London, GBLa Poursuite by Orovida Pissarro (1893-1968) Etching with aquatint 17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches) Signed and dated lower right Orovida 1917 Inscribed lower left Final State Trial proof no. 1 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...Category
1910s Animal Prints
MaterialsAquatint, Etching
- Peccarys and Tiger Pranks by Orovida Pissarro - Animal etchingBy Orovida PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Peccarys and Tiger Pranks by Orovida Pissarro (1893-1968) Etching and aquatint 31.5 x 23 cm (12 ⅜ x 9 inches) Sig...Category
1920s Animal Prints
MaterialsAquatint, Etching
- Curves by Orovida Pissarro, 1919 - Etching PrintBy Orovida PissarroLocated in London, GBCurves by Orovida Pissarro (1893 - 1968) Etching, trial proof no. 54 20.2 x 15 cm (8 x 5 ⅞ inches) Signed and dated lower right, Orovida 1919 Inscribed lower left Trial proof no. 54 ...Category
1910s Post-Impressionist Animal Prints
MaterialsPaper, Etching
- Mare and Foal by Orovida Pissarro - Etching PrintBy Orovida PissarroLocated in London, GBSOLD UNFRAMED Mare and Foal by Orovida Pissarro (1893 - 1968) Etching 15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches) Artist's Biography Orovida Camille Pissarro, Lucien and Esther Pissarr...Category
20th Century Figurative Prints
MaterialsEtching
- Fear Ridden by Orovida Pissarro, 1926 - Etching PrintBy Orovida PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Fear Ridden by Orovida Pissarro (1893 - 1968) Etching 12.8 x 17.5 cm (5 x 6 ⅞ inches) Signed and dated lower righ...Category
1920s Figurative Prints
MaterialsEtching
- Man & Beast by Orovida Pissarro - EtchingBy Orovida PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower rig...Category
1920s Figurative Prints
MaterialsEtching
- Nightingale - Etching by Johann Friedrich Naumann - 1840Located in Roma, ITNightingale is a Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stut...Category
1840s Modern Figurative Prints
MaterialsEtching
- Condor - Etching by Johann Friedrich Naumann - 1840Located in Roma, ITCondor is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttgar...Category
1840s Modern Figurative Prints
MaterialsEtching
- Red Throttle - Etching by Johann Friedrich Naumann - 1840Located in Roma, ITRed Throttle is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by St...Category
1840s Modern Figurative Prints
MaterialsEtching
- Yellow Wagtail - Etching by Johann Friedrich Naumann - 1840Located in Roma, ITYellow Wagtail is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by ...Category
1840s Contemporary Figurative Prints
MaterialsEtching
- Wild Goose - Etching by Johann Friedrich Naumann - 1840Located in Roma, ITWild Goose is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stut...Category
1840s Modern Figurative Prints
MaterialsEtching
- Three Birds on a Tree - Etching by Johann Friedrich Naumann - 1840Located in Roma, ITThree Birds on a Tree is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural histor...Category
1840s Contemporary Figurative Prints
MaterialsEtching