JP Tertre

Vintage Fine Art - Women at Dock

Circa 1960

Over 350 year old antique copper engraving of the female Roman goddess Bellona, the goddess of war, circa 1650. Original artwork on paper displayed on a white mat with a gold border...

Alluring black and white fine art stone lithograph of three females frolicking in the shallow water around a dock by artist McVey, circa 1950. Signed lower right. Original one-of-a-...

Delightful black and white engraving of a small child peacefully sleeping in bed, circa 1930. Signed lower right. Original one-of-a-kind artwork on paper displayed on a white mat wi...

Absorbing black and white woodcut of a nude female figure in the water surrounded by sea life and small figures by French artist Colette Pettier, 1936. Signed, dated and numbered 49 ...

Romantic black and white etching of a pair of ballet dancers performing on stage by artist Ernst Oppler (1867-1929), circa 1920. Signed lower right, numbered 88 of 100 lower left. ...

Captivating black and white etching of a crowd gathered to watch performers with hula hoops by Huchs, 1939. Titled and signed in lower margin. Original artw...

Judith I, no. 9 from the second installment of Das Werk Gustav Klimts Much like his treatment of the Classical personage, Danae, from Greek mythology, Klimt’s depiction of Judith takes an Old Testament character, a heroine who avenges the death of her husband by killing an Assyrian king, and firmly positions her in his present-day Vienna. His multicolored collotype rips the canvas from its gilded frame which directly references the subject with its title: “Judith und Holofernes”. Now in print form, Judith, holding the severed head of a male in murky shadow, is the ultimate Viennese femme fatale. Her likeness is unmistakably similar to a former lover of Klimt’s and famous Viennese soprano, Anna von Mildenburg. Though his allusion to ancient Assyria is apt, Klimt literally lifted the gold patterned background’s design motif from a relief detail from Sennacherib’s Palace displayed in a London museum. His context then is contemporary. In a sensual and sexually powerful tour de force, Klimt’s Judith...

Hand-coloured portrait of a bird-like spirit, immobilised in marble, cleansing in a spring-time bath. A character formed from Naiads (a Greek nymph of flowing water), and exploring the idea of a ritualistic cleansing to wash away sombre deeds. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

Artist: After Giuseppe Cesari (Italian 1568-1640) Title: St. George Slaying the Dragon Medium: Giclée Fine Art Print on Ilford Galerie Textured Cotton ...

Archival Giclée print on Hahnemuhle Photorag paper Limited edition of 35

Archival Giclée print on Hahnemuhle Photorag Paper Limited edition of 25

Archival Giclée print on Hahnemuhle Photorag paper Signed and Dated Limited Edition of 25