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Théophile Alexandre Steinlen"Lait Pur Sterilise de la Vingeanne" Antique Poster by Steinlen1894
1894
About the Item
Steinlen, Theophile
"Lait Pur Sterilise de la Vingeanne"
Original lithograph, c. 1894
Rennert 12
Printed by Charles Verneau, Paris
Bright Fresh Colors, RARE
"The humble dairy of Quillot Brothers in the villafe of Mantigny sur Vingeanne could not have had the slightest notion that, to advertise their sterilized milk, they caused Steinlen to produce one of the all-time most endearing poster images ever created". (Rennert - XXX 50)
"Nowhere does Steinlen's humanity shine with a greater glow than in 'Lait pur Sterilise' a poster for a milk distributor. His daughter Collette is shown here, as she carefully tastes the milk she's giving the family cats, to make sure it isn't too hot for them. The cats show up in many of Steinlen's drawings and in several posters. Apparently they were very important members of the household. This was his first poster for (the printer) Verneau, who later became his principle printer, and it remains, justly, his most successful one. Its simple domesticity, expressed in warm colors has never been surpassed, with it, Steinlen assured himself of a place among the front rank of all-time great poster artists" (Wine Spectator 112)
Steinlen was born in Switzerland, where he studied art at Lausanne and later became active as a textile designer in Mulhause. In 1882, he arrived in Paris where he worked as an illustrator for the journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas, for which he produced over four hundred lithographs. Besides illustrating advertisements for a variety of products, Steinlen was famous for his posters of cabaret and music hall performers. Guilber, a famous dancer, preferred Steinlen's posters to another famous version, done by Toulouse-Lautrec, in which the artist distorted her features and figure, making her appear thin and bony to the point of freakishness. The two artists are often compared, although Steinlen's poster art, drawn with the same bold simplicity as Lautrec's, is marked by an air of sweetness and a quieter mood. Steinlen, too, ofer drew genre scenes of the working class, capturing day to day life in Paris with a simple, endearing style.
- Creator:Théophile Alexandre Steinlen (1859 - 1923, French)
- Creation Year:1894
- Dimensions:Height: 67 in (170.18 cm)Width: 51 in (129.54 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:UnknonwPrice: $45,000
- Medium:
- Movement & Style:
- Period:
- Condition:This is piece is in a brand new custom frame with UV protective plexiglass.
- Gallery Location:Hinsdale, IL
- Reference Number:
Théophile Alexandre Steinlen
Theophile Alexandre Steinlen was born in Lausanne in 1859. He was naturalized French in 1901. He was a painter, engraver, illustrator, poster artist and sculptor. Before settling in Paris, he made a detour to Mulhouse where one of his uncles placed him in the studio of one of the best lithographers of the time. He settled definitively in Montmartre in 1881. Willette introduced him to his companions of the Cabaret du Chat-Noir animated by Rodolphe Salis. He met Toulouse-Lautrec, Forain, Léandre, Debussy, Eric Satie, Verlaine, Alphonse Allais and Aristide Bruant. He took part in the performances of the famous cabaret's shadow theater with animal stories and, most often, sequences featuring cats, for which he has a particular affection. The felines will appear throughout his activity as "parentheses" in a tormented work. There is, in this torment, the expression of no personal problem but a painful compassion for the lives of the exploited and marginal beings. He painted and drew idylls, balls and bastrings, workers, kids and gosselin, the poor, the little workers, girls and marlous. He sometimes made posters. In the most successful of them (« Le lait pur de la Vingeanne » et le « Fer Bravais ») he imposed, relevant or not, the presence of cats.
In 1901, Steinlen worked for L'Assiette au beurre , the most virulent satirical newspaper ever published and takes readily to target the institutions of the 3rd Republic.
His works are found in numerous Public Collections, such as Petit Palais in Geneva, Hermitage Museum in Saint Petersburg, and the National Gallery of Art in Washington.
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