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Utagawa Kunisada (Toyokuni III)"Yanagibashi in Snow, " Color Woodcut Portrait with Umbrellacirca 1820s
circa 1820s
About the Item
"Yanagibashi in Snow" is an original color woodcut by Utagawa Kunisada. This woodblock print depicts a woman walking in the snow near the Motoyanagi canal, which was located in Tokyo. As the area surrounding the canal had a lot of medicine shops, the area was called Yagenbori, referring to both the pharmacist’s mortar and pestle and the canal. In 1903 the canal was filled in, but the district name remained until 1971, when it was incorporated into a neighboring district of Tokyo. Today the canal lives on only in artworks such as this one, done by Kunisada Utagawa, an artist that would later take on the name of his master and become Toyokuni III. This piece was allegedly part of a triptych, but no examples of the other two pieces exists, and this appears to be the most popular part of the triptych, with copies held by the United States Library of Congress and the Austrian Museum of Applied Arts.
14" x 10" art
21" x 16 7/8" frame
Utagawa Kunisada (1786 – January 12, 1865) (also known as Utagawa Toyokuni III) was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi.
He was born in 1786 in Honjo, an eastern district of Edo. His given name was Sumida Shogoro IX, and he was also called Sumida Shozo
While growing up, he developed an early talent for painting and drawing. His early sketches at that time impressed Toyokuni, the great master of the Utagawa school and prominent designer of kabuki and actor-portrait prints. In the year 1800 or shortly thereafter Kunisada was accepted by Toyokuni I as an apprentice in his workshop. In keeping with a tradition of Japanese master-apprentice relations, he was then given the official artist name of "KUNI-sada", the first character of which was derived from the second part of the name "Toyo-KUNI".
Almost from the first day of his activity, and even at the time of his death in 1865, Kunisada was a trendsetter in the art of the Japanese woodblock print. Always at the vanguard of his time, and in tune with the tastes of the public, he continuously developed his style, which was sometimes radically changed, and did not adhere to stylistic constraints set by any of his contemporaries. His productivity was extraordinary. Approximately 14,500 individual designs have been catalogued (multi-ptych sets counted as a single design) corresponding to more than 22,500 individual sheets.
Following the traditional pattern of the Utagawa school, Kunisada's main occupation was kabuki and actor prints, and about 60% all of his designs fall in this category. However he was also highly active in the area of bijin prints (comprising about 15% of his complete works), and their total number was far higher than any other artist of his time. From 1820 to 1860 he likewise dominated the market for portraits of sumo wrestlers. For a long time (1835–1850) he had an almost complete monopoly on the genre of prints related to The Tale of Genji; it was only after 1850 that other artists began to produce similar designs.
- Creator:Utagawa Kunisada (Toyokuni III) (1786-1864, Japanese)
- Creation Year:circa 1820s
- Dimensions:Height: 21 in (53.34 cm)Width: 16.875 in (42.87 cm)
- Medium:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:
Utagawa Kunisada (Toyokuni III)
Born in the Honjo district of Edo as Kunisada Tsunoda, Kunisada’s family owned a small hereditary ferryboat service. Though his father, an amateur poet, died when Kunisada was a child, the family business provided some financial security. During his childhood, he showed considerable promise in painting and drawing. Due to strong familial ties with literary and theatrical circles, he spent time studying actor portraits. At age 14, he was admitted to study under Toyokuni, head of the Utagawa school. Kunisada's work embodies the characteristics of the Utagawa school, focusing on traditional subjects such as kabuki, bijin (beautiful women), shunga (erotic prints), and historical prints. His first known print dates to 1807, his first illustrated book to 1808. Kunisada’s career took off from the beginning. Many of his works became overnight successes and he was considered the “star attraction†of the Utagawa school. He signed his works “Kunisada,†sometimes with the studio names of Gototei and Kochoro affixed. In 1844, he adopted the name of his teacher and became Toyokuni III. Kunisada passed away in 1864 in the same neighborhood that he was born. He was 70 years old. Kunis
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