James Fagan

"Cathedral Rocks, Yosemite" etching

1888

Medium: original etching and drypoint. Executed for Abel Hermant's "Bigarrure", this beautiful Louis Icart etching was published in Paris in 1928 in a limited edition of 1100. Plate ...

Medium: original etching and aquatint. Signed in pencil and numbered 68 of 80. Printed in 1947 on Velin de Hollande paper and published in New York by the Quadrangle Press as a speci...

Medium: original etching and aquatint with drypoint. Also known as "Les amis du Saltimbanque". Catalogue reference Bourcard/Goodfriend 76. Published in 1902 by Revue de l'art ancien ...

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the...

Medium: original etching. The complete title is "Passerelle du Pont au Change apres l'incendie de 1621". Catalogue reference: Delteil/Wright 50. This is a view of the footbridge whic...

Medium: original etching. Catalogue reference Beraldi 218. Published in Paris in 1884 by Gazette des Beaux-Arts. A lovely impression in brown ink on laid paper. Plate size: 4 x 5 7/8...

Artist: Jacques Villon (after Amadeo Modigliani) Title: L'Italienne Year: 1926 - 1927 Medium: Color aquatint etching, signed Modigliani in the plate; signed in pencil by Villon uppe...

Artist: Gilou Brillant (1935- ) Title: Untitled - 10 Year: 1975 Medium: Aquatint Etching with Carborundum, signed in pencil Paper Size: 15 x 11 inches / 38 x 28 cm

Artist: Hong Hao, Chinese (1965 - ) Title: Untitled (Red) Medium: Lithograph, Signed and Numbered in Pencil Edition: 175 Paper Size: 29 x 21 Inches (73.66 x 53.34 cm)

Artist: Giovanni Battista Piranesi, Italian (1720 - 1788) Title: Veduta delle Antiche Sostruzioni Portfolio: Vedute di Roma Year: 1776 Medium: Etching ...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

Bonzes is a drypoint on Japon paper, etched on leather, made by Georges Ferdinand Bigot (Paris, 1860 - 1927). From Croquis Japonais, a print suite of 21 drypoints, a collection published at the author's expense in Tokyo in 1886. Titled on plate on the lower right margin, signed on plate on the lower left "G. Bigot". Overall very good conditions, except for some sporadic minor stains on the lower margin. In this modern art print, two bonzes are represented during a Buddhist religious ceremony. The black and gray palette is very broad. Bónzo, literally "master of the cell" or, according to others, bōshi, i.e. "master of the law", is the title given to religious men...