After Jean-Michel Basquiat- Icarus Esso 2002

2002

Paper Size: 31 x 23 inches ( 78.74 x 58.42 cm ) Image Size: 31 x 23 inches ( 78.74 x 58.42 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 38 x 26.75 inches ( 96.52 x 67.945 cm )_x000B_Image Size: 38 x 26.75 inches ( 96.52 x 67.945 cm )_x000B_Framed: No_x000B_Condition: B-: Good Condition, Signs of Handling and Age_x000B__x000B_Additional Details: Poster for Festival...

Sku: AW1114-2 Artist: Roy Lichtenstein Title: The Enemy Would Have Been Warned (Panel 2) Year: 1997 Signed: No Medium: Offset Lithograph Paper Size: 25 x 20 inches ( 63.5 x 50.8 cm )...

Sku: MI1218 Artist: Robert Rauschenberg Title: Centennial Certificate Year: 1970 Signed: No Medium: Offset Lithograph Paper Size: 39 x 25.5 inches ( 99.06 x 64.77 cm ) Image Size: 34...

Sku: YY5001-B Artist: Andy Warhol Title: American Indian (Red) Year: 1977 Signed: Yes Medium: Offset Lithograph Paper Size: 50 x 34 inches ( 127 x 86.36 cm ) Image Size: 28 x 23.25 i...

Paper Size: 40 x 30 inches ( 101.6 x 76.2 cm ) Image Size: 40 x 30 inches ( 101.6 x 76.2 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Or...

Raymond Pettibon Captive Chains, 1978: Featured in its entirety at The New Museum in New York, Pettibon's well documented first artist book is widely regarded as a seminal piece in t...

Keith Haring Tony Shafrazi Gallery New York circa 1983: Rare original Keith Haring artist biography sheet & timeline produced by Tony Shafrazi gallery New York circa early 1980s. O...

Keith Haring Tony Shafrazi Gallery New York circa 1982: Rare original Keith Haring artist biography sheet produced by Tony Shafrazi gallery New York circa early 1980s. Offset print...

Twenty Flight Rock. Offset print by Mr. (Iwamoto Masakatsu) Offset print, numbered and signed by the artist 65 cm Diameter Edition 22/300

Perfectly Armed! Offset print by Mr. (Iwamoto Masakatsu) Offset print, numbered and signed by the artist 59.8 cm Diameter Edition 28/300

Artist: Peter Max, German/American (1937 - ) Title: Bill Clinton Inaugural, An American Reunion, New Beginnings, Renewed Hope Hand signed in marker with dedication Year: 1993 Medium: Poster Size: 36 in. x 24 in Provenance: collection of Friede & Rubin L. Gorewitz Peter Max (born Peter Max Finkelstein, October 19, 1937) is a German-American artist known for using bright colors in his work. Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art. Max was born in Berlin, the son of German Jews, Salla and Jakob. They fled Berlin in 1938, settling in Shanghai, China, where they lived for the next ten years. In 1948, the family moved to Haifa, Israel, where they lived for several years. Peter attended school in Mount Carmel, but was often drawing instead of taking notes. His principal suggested to his parents that he be put in art lessons after school, and he began to study under Professor Hünik, a Viennese Expressionist. From Israel, the family continued moving westward and stopped in Paris for several months—an experience that Max said greatly influenced his appreciation for art. In their short time in Paris, Max's mother enrolled him in drawing classes at the Louvre, where he began to study Fauvism. After nine months in Paris, Max and his family made their final move, settling in Brooklyn, New York, USA. In 1956, Max began his formal art training at the Art Students League of New York in Manhattan, studying anatomy, figure drawing and composition under Frank J. Reilly who had studied at the League alongside Norman Rockwell. In 1962, Max started a small Manhattan arts studio known as "The Daly & Max Studio," with friend Tom Daly. Daly and Max were joined by friend and mentor Don Rubbo, and the three worked as a group on books and advertising for which they received industry recognition. Much of their work incorporated antique photographic images as elements of collage. Max's interest in astronomy contributed to his self-described "Cosmic '60s" period, which featured psychedelic, counter culture imagery. Max's art was popularized nationally through TV commercials such as his 1968 "un cola" ad for the soft drink 7 Up which helped drive sales of his art posters and other merchandise. In 1967, Max solidified his place as a counter cultural icon by designing the flyers for the second ever 'Be In', a political gathering of mainly hippies in New York's Central Park after the Easter parade on March 26, 1967. In 1970, many of Max's products and posters were featured in the exhibition "The World of Peter Max," which opened at the M.H. de Young Memorial Museum in San Francisco. The United States Postal Service commissioned Max to create the 10-cent postage stamp to commemorate the Expo '74 World's Fair in Spokane, Washington, and Max drew a colorful psychedelic scene with a "Cosmic Jumper" and a "Smiling Sage" against a backdrop of a cloud, sun rays and a ship at sea on the theme of "Preserve the Environment." According to The New York Times, "His DayGlo-inflected posters became wallpaper for the turn on, tune in, drop out generation." On July 4, 1976, Max began his Statue of Liberty series leading to his efforts with Chrysler CEO Lee Iacocca to help in the restoration of the statue. Max has been the official artist for many major events, including the 1994 World Cup, the Grammy Awards, the Rock and Roll Hall of Fame, the Super Bowl and others. In 2000, Max designed the paint scheme Dale Earnhardt...